Drei Quartette, Op.64: 3. Fragen by Johannes Brahms, Edith Mathis, Brigitte Fassbaender, Peter Schreier, Dietrich Fischer-Dieskau, Karl Engel Song Details

Johannes Brahms, Edith Mathis, Brigitte Fassbaender, Peter Schreier, Dietrich Fischer-Dieskau, Karl Engel's 'Drei Quartette, Op.64: 3. Fragen' had a release date set for January 1, 1983. The duration of This song is about 3 minutes long, at 3:05. Based on our data, This song appears to be safe for all ages and is not considered explicit. This track is about the average length of a typical track. The song is number 36 out of 36 in Brahms: Liebeslieder-Walzer by Johannes Brahms, Edith Mathis, Brigitte Fassbaender, Peter Schreier, Dietrich Fischer-Dieskau. Based on our statistics, Drei Quartette, Op.64: 3. Fragen's popularity is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.

BPM and Tempo

The tempo marking of Drei Quartette, Op.64: 3. Fragen by Johannes Brahms, Edith Mathis, Brigitte Fassbaender, Peter Schreier, Dietrich Fischer-Dieskau, Karl Engel is Allegro (fast, quick, and bright), since this song has a tempo of 141 BPM. With that information, we can conclude that the song has a fast tempo. This song can go great with jogging or cycling. The time signature for this track is 4/4.

Music Key

This song is in the music key of A Minor. Because this track belongs in the A Minor key, the camelot key is 8A. So, the perfect camelot match for 8A would be either 8A or 7B. While, a low energy boost can consist of either 8B or 9A. For moderate energy boost, you would use 5A and a high energy boost can either be 10A or 3A. However, if you are looking for a low energy drop, finding a song with a camelot key of 7A would be a great choice. Where 11A would give you a moderate drop, and 6A or 1A would be a high energy drop. Lastly, 11B allows you to change the mood.

Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!

Popularity: 1%
Loudness: -22.553 dB
Acousticness: 98%
Danceability: 35%
Energy: 12%
Instrumentalness: 0%
Liveness: 8%
Loudness: 62%
Speechiness: 6%
Valence: 24%

Recommendations

Track	Artist	Key	Energy	Camelot	BPM
Dance of the Hours from Act III of "La Gioconda"	Amilcare Ponchielli, Philadelphia Orchestra, Eugene Ormandy	E Major	1	12B	130 BPM
Rachmaninov: 10 Preludes, Op. 23: No. 5 in G Minor	Sergei Rachmaninoff, Nikolai Lugansky	G Minor	1	6A	113 BPM
Sonata No. 13, Hob. XVI:6: III. Adagio	Joseph Haydn, Jean-Efflam Bavouzet	B♭ Major	0	6B	75 BPM
Symphony No. 5: IV. Adagietto. Sehr langsam	Gustav Mahler, Berliner Philharmoniker, Claudio Abbado	F Major	0	7B	91 BPM
Serenade for Strings in E Major, Op. 22, B. 52: III. Scherzo. Vivace	Antonín Dvořák, Prague Chamber Orchestra, Petr Skvor	F Major	2	7B	130 BPM
Wiegenlied, Op. 49, No. 4	Johannes Brahms, Leonidas Kavakos, Yuja Wang	E♭ Major	0	5B	74 BPM
Cello Concerto No. 1 in C Major, Hob. VIIb:1: II. Adagio	Joseph Haydn, Yo-Yo Ma, English Chamber Orchestra, José-Luis Garcia	F Major	1	7B	62 BPM
Mahler Adagietto Variation (From Symphony No. 5 in C-Sharp Minor, Arr. for Violin and Piano by Jan-Peter Klöpfel)	Gustav Mahler, Gabriele Bagnati, Esther Abrami	F Major	2	7B	82 BPM
Nien, Geliebter, Setze Dich	Georg Friedrich Daumer, Johannes Brahms, One Voice Mixed Chorus, Jane Ramseyer Miller	E Major	0	12B	86 BPM
21 Hungarian Dances, WoO 1 (Arr. for Violin & Piano): No. 1 in G Minor	Johannes Brahms, Baiba Skride, Lauma Skride	D Major	2	10B	129 BPM
Haydn: Cello Concerto No. 1 in C Major, Hob. VIIb, 1: II. Adagio (Cadenza by Britten)	Franz Joseph Haydn, Mstislav Rostropovich, Academy of St. Martin in the Fields	F Major	1	7B	124 BPM
Recueil de chants, Op. 65: No. 6, Barcarolle	Charles-Valentin Alkan, Bruce Liu	G Minor	0	6A	70 BPM
Polovtsian Dances from Prince Igor (piano arr. by L. Faulkner)	Luke Faulkner, Alexander Borodin	A Major	1	11B	72 BPM
Ancient Airs & Dances, Suite III, P. 172: I. Italiana (Anonymous)	Ottorino Respighi, Filarmonica della Scala, Riccardo Chailly	B♭ Major	1	6B	172 BPM
Le roi s'amuse: Pavane	Léo Delibes, Slovak Philharmonic, Ondrej Lenard	B♭ Major	0	6B	91 BPM
Nocturnes, Op. 27: No. 2 in D-Flat Major	Frédéric Chopin, Arthur Rubinstein	D♭ Major	0	3B	77 BPM
Symphony No. 6 in B Minor, Op. 74 "Pathétique": IV. Finale. Adagio lamentoso – Andante	Pyotr Ilyich Tchaikovsky, Berliner Philharmoniker, Kirill Petrenko	B Minor	1	10A	71 BPM
Liebestraum	Franz Liszt, Arthur Rubinstein	A♭ Major	2	4B	95 BPM
Notturno in G Minor	Fanny Mendelssohn, Heather Schmidt	G Minor	1	6A	125 BPM
Saint-Saëns: Piano Concerto No. 2 in G Minor, Op. 22: I. Andante sostenuto	Camille Saint-Saëns, Bertrand Chamayou, Emmanuel Krivine, Orchestre National De France	G Minor	2	6A	94 BPM
Zapateado Op. 23	Pablo de Sarasate, Sarah Chang, Charles Abramovic	A Major	3	11B	113 BPM
2 Pieces for the Left Hand, Op. 9: No. 2, Nocturne in D-Flat Major	Alexander Scriabin, Maria Lettberg	A♭ Major	0	4B	74 BPM
Cello Concerto No. 1 in A Minor, Op. 33: I. Allegro non troppo	Camille Saint-Saëns, Mischa Maisky, Orpheus Chamber Orchestra	F Major	2	7B	131 BPM
Haydn: Symphony No. 94 in G Major, Hob. I:94 "Surprise": IV. Finale. Allegro di molto	Joseph Haydn, André Previn, Pittsburgh Symphony Orchestra	G Major	2	9B	140 BPM
Piano Sonata No. 8 in C Minor, Op. 13 "Pathétique": II. Adagio cantabile	Ludwig van Beethoven, François-Frédéric Guy	A♭ Major	0	4B	170 BPM