"Night Section" by Data Romance had its release date on January 11, 2011. The duration of This song is about two minutes long, specifically at 2:37. This song does not appear to have any foul language. Night Section's duration is considered a little bit shorter than the average duration of a typical track. The track order of this song in Data Romance's "Life Cycles Ost" album is number 6 out of 7. In terms of popularity, Night Section is currently below average in popularity. Although the tone can be danceable to some, this track does projects more of a negative sound rather than a postive one.
We consider the tempo marking of Night Section by Data Romance to be Andante (at a walking pace) because the track has a tempo of 94 BPM, a half-time of 47BPM, and a double-time of 188 BPM. Based on that, the speed of the song's tempo is slow. Activities such as, yoga or pilates, can go well with this song. The time signature for this track is 4/4.
D♭ Major is the music key of this track. This also means that this song has a camelot key of 3B. So, the perfect camelot match for 3B would be either 3B or 4A. While, 4B can give you a low energy boost. For moderate energy boost, you would use 12B and a high energy boost can either be 5B or 10B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 3A or 2B will give you a low energy drop, 6B would be a moderate one, and 1B or 8B would be a high energy drop. Lastly, 12A allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Unbreakable | H3ctic | A♭ Major | 8 | 4B | 140 BPM | ||
| Mind Like A Diamond | Kodomo | D♭ Major | 4 | 3B | 150 BPM | ||
| The Method To Madness - Original Mix | SirensCeol | D♭ Minor | 6 | 12A | 140 BPM | ||
| Atari | Kuaigon | E Major | 9 | 12B | 126 BPM | ||
| Power On - Original Mix | SkyfLim | E♭ Major | 9 | 5B | 176 BPM | ||
| The Mentalist | Mr FijiWiji | D♭ Minor | 4 | 12A | 77 BPM | ||
| Metaphysics | Electus | B♭ Major | 3 | 6B | 132 BPM | ||
| Concerto - Original Mix | Cryptex | G Minor | 5 | 6A | 136 BPM | ||
| The Man I Left Behind | Ki:Theory | A Major | 9 | 11B | 162 BPM | ||
| Crickets in the Wind | Vexare | C Minor | 8 | 5A | 140 BPM | ||
| Over It - Original Mix | At Dawn We Rage | A Minor | 9 | 8A | 105 BPM | ||
| Ninth Wave | Trifonic | D♭ Minor | 7 | 12A | 145 BPM | ||
| Kiss the Devil (Astr Remix) | ASTR, Bel Heir | E Major | 6 | 12B | 81 BPM | ||
| Act Three: Looming | Crywolf | D Minor | 5 | 7A | 130 BPM | ||
| Weightless | London Lo-Fi Street, Andrew Reyan, Data Romance | D♭ Major | 4 | 3B | 170 BPM | ||
| The Breach | Aleksandar Dimitrijevic | B♭ Minor | 5 | 3A | 71 BPM | ||
| 1:42 | Danger | E Major | 6 | 12B | 132 BPM | ||
| Vector | Arkana | A♭ Major | 7 | 4B | 160 BPM | ||
| Get Your Gun | The New Law | B♭ Major | 8 | 6B | 176 BPM | ||
| Layers | Data Romance | B Minor | 5 | 10A | 160 BPM | ||
| This City Is Killing Me | Dusty Brown | F♯ Minor | 5 | 11A | 90 BPM | ||
| Elise (Hit Rewind) | Resonata | E Minor | 6 | 9A | 170 BPM | ||
| Finding a Way | H3ctic | C Major | 7 | 8B | 140 BPM | ||
| Die Another Day | DEAD BATTERY | A Minor | 6 | 8A | 140 BPM | ||
| The Great View | Mirrored Theory | F♯ Minor | 9 | 11A | 150 BPM |