John Altman's 'Sneak-Easy' had a release date set for December 23, 2016. With this song being around four minutes long, at 4:18, the duration of this song is pretty average compared to other songs. This track is safe for children and doesn't appear to contain any foul language, since the "Explicit" tag was not present in this track. The track order of this song in John Altman's "John Altman: Silent Screen" album is number 12 out of 17. On top of that, United Kingdom appears to be the country where this track was created. In terms of popularity, Sneak-Easy is currently unknown. Although the tone can be danceable to some, this track does projects more of a negative sound rather than a postive one.
We consider the tempo marking of Sneak-Easy by John Altman to be Andante (at a walking pace) because the track has a tempo of 90 BPM, a half-time of 45BPM, and a double-time of 180 BPM. Based on that, the speed of the song's tempo is slow. Activities such as, yoga or pilates, can go well with this song. The time signature for this track is 4/4.
This song is in the music key of A Minor. Because this track belongs in the A Minor key, the camelot key is 8A. So, the perfect camelot match for 8A would be either 8A or 7B. While, a low energy boost can consist of either 8B or 9A. For moderate energy boost, you would use 5A and a high energy boost can either be 10A or 3A. However, if you are looking for a low energy drop, finding a song with a camelot key of 7A would be a great choice. Where 11A would give you a moderate drop, and 6A or 1A would be a high energy drop. Lastly, 11B allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| The Benefit (For the One Percent) | Jay Israelson | G Minor | 4 | 6A | 152 BPM | ||
| The Family Arrives | Jerry Goldsmith | E Minor | 3 | 9A | 159 BPM | ||
| This Can't be Love | Conal Fowkes, John Gill | B♭ Major | 2 | 6B | 96 BPM | ||
| New Orleans Blues | John Altman | F Major | 2 | 7B | 92 BPM | ||
| Samba de la Torre | Empress Orchestra | A Minor | 5 | 8A | 96 BPM | ||
| Foxtrott: 46 Takte Pro Minute - Dinah; What A Beatiful Night; When You're Smiling | Kurt Edelhagen | F Major | 6 | 7B | 180 BPM | ||
| Swingin' Mack Daddy | Charlie Peacock, Bill Ashworth Big Band | G Minor | 6 | 6A | 150 BPM | ||
| Fleur de Coeur | Wayne Jones, Amy Hayashi-Jones | G Major | 3 | 9B | 74 BPM | ||
| Rain on the Saxophone | The Half Light Ensemble | A Minor | 4 | 8A | 167 BPM | ||
| Green: MGM Jubilee Overture | The John Wilson Orchestra, John Wilson | C Major | 4 | 8B | 75 BPM | ||
| The Glove - The Sting/Soundtrack Version | Marvin Hamlisch | B♭ Major | 3 | 6B | 205 BPM | ||
| Tango: 34 Takte Pro Minute -Tango Isabel | Kurt Edelhagen | C Major | 4 | 8B | 133 BPM | ||
| Go with the Flow | Todd Carlon, Monte Montgomery | A♭ Major | 2 | 4B | 115 BPM | ||
| Always & Forever | Empress Orchestra | F Minor | 2 | 4A | 172 BPM | ||
| Lemon Squeezy | Martin Landström | A Minor | 3 | 8A | 118 BPM | ||
| Moonlight Magic | Alan Moorhouse | D♭ Major | 1 | 3B | 73 BPM | ||
| Jazz Carnival | Bebo Best, The Super Lounge Orchestra | G Major | 9 | 9B | 102 BPM | ||
| At The Airport | John Powell | C Major | 4 | 8B | 104 BPM | ||
| The Raid | Marvin Hamlisch | C Major | 1 | 8B | 111 BPM | ||
| I LEFT MY HEART IN SAN FRANCISCO - Slow Fox Trot | Lester Lanin | B♭ Major | 4 | 6B | 141 BPM | ||
| Got Any Scotch? | The Mirror Has Two Faces (Soundtrack) | A♭ Major | 1 | 4B | 112 BPM | ||
| The Murder at the Vicarage - Opening | Dominik Scherrer | E Major | 2 | 12B | 68 BPM | ||
| Empire State Montage (from "An Affair To Remember") | Gary Grant, Deborah Kerr | G Minor | 2 | 6A | 174 BPM | ||
| My Bundle of Love | Sam Jewison | A♭ Major | 5 | 4B | 127 BPM | ||
| If Ever I Would Leave You | Sex and the City Men's Choir | C Major | 5 | 8B | 108 BPM |