"Remaining - Pevanni Remix" by Marie, Pevanni had its release date on March 1, 2024. The duration of This song is about two minutes long, specifically at 2:12. This song does not appear to have any foul language. Remaining - Pevanni Remix's duration is considered a little bit shorter than the average duration of a typical track. There are a total of 10 in the song's album "Remaining Fragments: A Rework Album". In this album, this song's track order is #8. In terms of popularity, Remaining - Pevanni Remix is currently unknown. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
With Remaining - Pevanni Remix by Marie, Pevanni having a BPM of 118 with a half-time of 59 BPM and a double-time of 236 BPM, we would consider this track to have a Moderato (at a moderate speed) tempo marking. Because of this, we believe that the song has an overall moderate tempo. Looking at the BPM of this song, this song might go great with walking. The time signature for this track is 4/4.
This song is in the music key of F Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 7B. So, the perfect camelot match for 7B would be either 7B or 8A. While, 8B can give you a low energy boost. For moderate energy boost, you would use 4B and a high energy boost can either be 9B or 2B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 7A or 6B will give you a low energy drop, 10B would be a moderate one, and 5B or 12B would be a high energy drop. Lastly, 4A allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| ThreeFive | Near The Parenthesis | C Major | 3 | 8B | 120 BPM | ||
| Remaining - Marie Remix | Marie | F Major | 4 | 7B | 118 BPM | ||
| A Safe Side | Marius Nitzbon | C Major | 1 | 8B | 100 BPM | ||
| walking through rain | Abstract Aprils, Peter Mowry | C Major | 3 | 8B | 120 BPM | ||
| Athabasca | Dino Malito, Venedel | A♭ Major | 1 | 4B | 74 BPM | ||
| Developments 4: The Shape of Leaving | Six Missing, Patrik Berg Almkvisth | C Major | 3 | 8B | 120 BPM | ||
| Saloma | Bryan Senti, Spencer Zahn, Noah Hoffeld, Czech National Symphony | A♭ Minor | 1 | 1A | 79 BPM | ||
| Staggering over Parked Cars | Random Forest | D Minor | 6 | 7A | 94 BPM | ||
| Non-Judgement | Niall Breslin | G Minor | 2 | 6A | 79 BPM | ||
| hide out | KIND OF DUSK | B♭ Major | 2 | 6B | 86 BPM | ||
| Double Back | Lowswimmer | A Minor | 0 | 8A | 78 BPM | ||
| The Blue Hour | Mark Barrott, Richard Norris | C Major | 3 | 8B | 120 BPM | ||
| Móanóra | Snorri Hallgrímsson | B Minor | 1 | 10A | 120 BPM | ||
| Water on Mars - Neotantra Version | Marie | G Minor | 1 | 6A | 83 BPM | ||
| Nuage | Anton Belov | C Major | 2 | 8B | 100 BPM | ||
| Faustina | Abstract Aprils | C Major | 3 | 8B | 120 BPM | ||
| Prumes | Andert Tysma | A♭ Minor | 2 | 1A | 94 BPM | ||
| the night and its mysteries | Anita Tatlow, Runaway Horses | C Minor | 2 | 5A | 66 BPM | ||
| the shore from above | Anita Tatlow, Runaway Horses | C Major | 3 | 8B | 120 BPM | ||
| Bluff of Grut Fea | Erland Cooper | D♭ Major | 0 | 3B | 78 BPM | ||
| Porla | Forgotten Lake | D♭ Minor | 2 | 12A | 81 BPM | ||
| Monolith at Dusk | Gabríel Ólafs | A Major | 1 | 11B | 67 BPM | ||
| Mouvement de menuet (From Sonatine, M. 40) - Recomposed | Victor Le Masne | D Major | 2 | 10B | 46 BPM | ||
| Moving Softly (piano and strings) | Rolando Marchesini, Eben Vogel, Doina Bora | C Major | 3 | 8B | 120 BPM | ||
| Tranquility | LunaLight, Calm Senses, Julia Thomsen | C Major | 0 | 8B | 76 BPM |