Steve Tyrell's 'Until The Real Thing Comes Along' had a release date set for October 2, 2001. The duration of This song is about 3 minutes long, at 3:27. Based on our data, This song appears to be safe for all ages and is not considered explicit. This track is about the average length of a typical track. There are a total of 16 in the song's album "Standard Time". In this album, this song's track order is #2. Based on our statistics, Until The Real Thing Comes Along's popularity is not that popular right now. Although the tone can be danceable to some, this track does projects more of a negative sound rather than a postive one.
With Until The Real Thing Comes Along by Steve Tyrell having a BPM of 121 with a half-time of 60 BPM and a double-time of 242 BPM, we would consider this track to have a Allegro (fast, quick, and bright) tempo marking. Because of this, we believe that the song has an overall fast tempo. Looking at the BPM of this song, this song might go great with walking. The time signature for this track is 1/4.
This song has a musical key of C Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 8B. So, the perfect camelot match for 8B would be either 8B or 9A. While, 9B can give you a low energy boost. For moderate energy boost, you would use 5B and a high energy boost can either be 10B or 3B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 8A or 7B will give you a low energy drop, 11B would be a moderate one, and 6B or 1B would be a high energy drop. Lastly, 5A allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| I Only Have Eyes for You | John Stevens | B♭ Major | 3 | 6B | 80 BPM | ||
| Everybody's Talking | Joe Sample, Randy Crawford | F Minor | 3 | 4A | 125 BPM | ||
| It Had To Be You | Lara Louise, Colm Ó Riain | F Minor | 5 | 4A | 160 BPM | ||
| Bridge over Troubled Water | Bryan Eng | C Major | 2 | 8B | 98 BPM | ||
| You Better Go Now | Lara Louise | A♭ Major | 2 | 4B | 71 BPM | ||
| Velvet Coffee Cup | Ambientus | F Minor | 2 | 4A | 170 BPM | ||
| The Last Time | Erin Boheme | C Major | 5 | 8B | 80 BPM | ||
| Place To Hide | Kandace Springs | A Major | 4 | 11B | 93 BPM | ||
| I've Got a Crush On You | Steve Tyrell | G Major | 4 | 9B | 79 BPM | ||
| Stars Fell on Alabama | Renee Olstead | A♭ Major | 3 | 4B | 95 BPM | ||
| You Are The Sunshine Of My Life | Yannick Bovy | F♯ Major | 7 | 2B | 166 BPM | ||
| A Date With You Crooner | Franck Sarkissian | E♭ Minor | 2 | 2A | 84 BPM | ||
| Break In | TICO DE MORAES | B Major | 2 | 1B | 110 BPM | ||
| I'll Be Seeing You | Rod Stewart | F♯ Major | 3 | 2B | 93 BPM | ||
| The Lady's in Love With You | Steven Pasquale | A Minor | 3 | 8A | 122 BPM | ||
| When I Fall In Love | Carmen McRae | B♭ Major | 0 | 6B | 88 BPM | ||
| Just The Way You Are | Harry Connick, Jr. | C Major | 4 | 8B | 126 BPM | ||
| I Got Rhythm | Lyambiko | A♭ Major | 4 | 4B | 82 BPM | ||
| My Romance | Lara Louise | F♯ Major | 2 | 2B | 98 BPM | ||
| Didn't We | Peter Grant | G Major | 3 | 9B | 71 BPM | ||
| My Blue Heaven | John Stevens | F Major | 4 | 7B | 122 BPM | ||
| Let's Fall In Love | Ann Hampton Callaway | A♭ Major | 3 | 4B | 137 BPM | ||
| Unforgettable | Natalie Cole, Nat King Cole | F Major | 3 | 7B | 86 BPM | ||
| Officially a Fool | Emilia Mitiku | G Minor | 3 | 6A | 75 BPM | ||
| What a Difference a Day Made | Suss von Ahn | C Minor | 3 | 5A | 96 BPM |