Manish Dobwal, Rakesh Batwadi's ' "Dakkan Khol D Kalyani" was released on its scheduled release date, May 20, 2024. This song appears to be safe for all ages as it is not explicit. Because this song is the only song in Dakkan Khol D Kalyani and no other songs are present in the album, we classify this track as a single. Going off of the ISRC code of this track, we detected that the origin of this track is from India. Based on our statistics, Dakkan Khol D Kalyani's popularity is not that popular right now. Even with the track produces more of a neutral energy, it is pretty danceable compared to others.
The tempo marking of Dakkan Khol D Kalyani by Manish Dobwal, Rakesh Batwadi is Allegro (fast, quick, and bright), since this song has a tempo of 146 BPM. With that information, we can conclude that the song has a fast tempo. This song can go great with jogging or cycling. The time signature for this track is 4/4.
This song is in the music key of C Major. This also means that this song has a camelot key of 8B. So, the perfect camelot match for 8B would be either 8B or 9A. While, 9B can give you a low energy boost. For moderate energy boost, you would use 5B and a high energy boost can either be 10B or 3B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 8A or 7B will give you a low energy drop, 11B would be a moderate one, and 6B or 1B would be a high energy drop. Lastly, 5A allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Nath Me Nagina Teri Bindiya Me Taj | Kapil Mastana, Lokesh Kumar | B Major | 9 | 1B | 102 BPM | ||
| Bhulagi Thikano Ye | Krishan Sanwariya | A Major | 9 | 11B | 134 BPM | ||
| खाली पड़ी तेरी भट्टा की जमीन | Aasif Sayar Mewati | G Major | 7 | 9B | 133 BPM | ||
| Chori Kaai Cheez Mili Ch | Kana Ram Meena Thali, Manish Dobwal | C Minor | 10 | 5A | 125 BPM | ||
| Mere Lag Rahi Aag Jawani Me | Satendra Gurjar Jarara | B♭ Major | 5 | 6B | 92 BPM | ||
| Sajan Layo Tokni | Balli Mohanwadi, Pooja Dotasara | C Minor | 7 | 5A | 81 BPM | ||
| Patang Uda Chhora (Patang Ri door Majbut) | Mahendra Banna Rj, Akbar Lunsara, Usha Rawat | G Major | 7 | 9B | 133 BPM | ||
| Chhip Chhip Ke Dekhe Balma | Satto Gurjar | A Major | 10 | 11B | 110 BPM | ||
| Singhasan 2 | Akash Bhamla, Gyanender Sardhana | C Major | 10 | 8B | 130 BPM | ||
| Bina Mile Kad Gyo Kani Bad Baithgo Tere | KR Devta, Rahul Marmat Bhutyapura | G Minor | 10 | 6A | 125 BPM | ||
| Tokni | Raj Mawar, Anjali 99 | G Major | 9 | 9B | 127 BPM | ||
| Chala De Rasiya Rail Patri Pe | DG Mawai | B Minor | 10 | 10A | 135 BPM | ||
| Chilko Raat Me Chamak Rahi | Satto Gurjar | G Major | 7 | 9B | 133 BPM | ||
| Zyada Beham Mat Daale | Bhawar Khatana, Sandhya Choudhary | B♭ Minor | 10 | 3A | 120 BPM | ||
| Driver Mat Jave Gadi Pe | Hansa Rangili | B Major | 9 | 1B | 150 BPM | ||
| Yadav Veer Ahir | Kalu Yadav Sorkha, Risky Yadav, Risky Music | D♭ Major | 8 | 3B | 140 BPM | ||
| Banni Naa Bole | Sonu Kanwar, Praveen Goswami Leta | F♯ Minor | 10 | 11A | 129 BPM | ||
| म्हारी सी कोई दूसरी छ क | Manish Dobwal | G Major | 7 | 9B | 133 BPM | ||
| Tero Kon Gaanv Ko Ashiq Gori | Satendra Gurjar Jarara | F♯ Minor | 9 | 11A | 112 BPM | ||
| Baliya Jila H | Sanoj Rajbhar, Karishma Kakkar | A Minor | 10 | 8A | 130 BPM | ||
| Yaad Yaar Ki Aawegi | Satendra Gurjar Jarara | F♯ Minor | 10 | 11A | 109 BPM | ||
| Buaa K Jari Thi | Raju Punjabi, Susila Takhar | F Minor | 9 | 4A | 100 BPM | ||
| Aail Bani Up Me Pahila Baar | Shilpi Raj, Halchal Raj | A♭ Minor | 10 | 1A | 136 BPM | ||
| Lagao Mehndi Ko | Gajendra Ajmera, Yamini Bhati | F♯ Major | 9 | 2B | 100 BPM | ||
| Marod Balma | Anu Kadyan, Raj Mawar, Aman Jaji | C Major | 9 | 8B | 120 BPM |