"Dislocation" by Bill Laswell had its release date on 2003. Since This song is still less than 10 minute long, it is still considered a pretty long duration song compared to the average song length. This song does not appear to be explicit due to the lack of the "E" tag. The song is number 3 out of 17 in Final Oscillations by Bill Laswell. The popularity of Dislocation is currently not that popular right now. Although the tone can be danceable to some, this track does projects more of a negative sound rather than a postive one.
The tempo marking of Dislocation by Bill Laswell is Vivace (lively and fast), since this song has a tempo of 160 BPM. With that information, we can conclude that the song has a fast tempo. This song can go great with running. The time signature for this track is 4/4.
G Major is the music key of this track. This also means that this song has a camelot key of 9B. So, the perfect camelot match for 9B would be either 9B or 10A. While, 10B can give you a low energy boost. For moderate energy boost, you would use 6B and a high energy boost can either be 11B or 4B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 9A or 8B will give you a low energy drop, 12B would be a moderate one, and 7B or 2B would be a high energy drop. Lastly, 6A allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| The Encounter | Prince Far I, The Arabs | B Major | 4 | 1B | 133 BPM | ||
| Luna de Escape La Luz | Bato Bato | F Minor | 6 | 4A | 83 BPM | ||
| Fire | Simon Berz, Toshinori Kondo, Bill Laswell | A Major | 8 | 11B | 141 BPM | ||
| Takassim (Harissa Mix) | Azzddine, Bill Laswell | E Major | 5 | 12B | 122 BPM | ||
| Universal Dub feat. Tony Moses | J Boogie's Dubtronic Science, Tony Moses | G Major | 7 | 9B | 143 BPM | ||
| Good Red Road | ワールドスタンダード | D Major | 2 | 10B | 104 BPM | ||
| Next | Skylab | G Minor | 1 | 6A | 61 BPM | ||
| Keep on Believing | Beanfield | D Minor | 7 | 7A | 131 BPM | ||
| Tokyo - Bill Laswell Shinjuku Flashback Mix | STS9, Bill Laswell | D Major | 7 | 10B | 180 BPM | ||
| Bedouin | The Orb | A Minor | 3 | 8A | 133 BPM | ||
| How Long (feat. Eivind Aarset & Vladislav Delay) | Sly & Robbie, Nils Petter Molvær, Eivind Aarset, Vladislav Delay | G Major | 2 | 9B | 77 BPM | ||
| Return to Margin | Coldcut | D♭ Major | 5 | 3B | 142 BPM | ||
| Area 51 - Nucleonic Mix | Eat Static | B Minor | 4 | 10A | 99 BPM | ||
| Tiger | Shake Stew | A Minor | 3 | 8A | 133 BPM | ||
| Piperspool | John Surman | B♭ Minor | 1 | 3A | 120 BPM | ||
| Vale | International Observer | F♯ Minor | 5 | 11A | 178 BPM | ||
| Dabayji | Sapho, Bill Laswell, Kasbah Rockers | F Minor | 9 | 4A | 132 BPM | ||
| Sikkerhed | Burnt Friedman, Jaki Liebezeit | D♭ Major | 3 | 3B | 121 BPM | ||
| Ridin | Ther Gherd | A Minor | 3 | 8A | 133 BPM | ||
| Udgoon | Sam J Samatar & the Kasbah Rockers, Bill Laswell | A Minor | 9 | 8A | 131 BPM | ||
| Mombasstic | Talvin Singh | C Minor | 6 | 5A | 196 BPM | ||
| Never Tell You | Rhythm & Sound, Paul St. Hilaire | G Major | 3 | 9B | 127 BPM | ||
| Song Of Sand II | Nils Petter Molvær | D♭ Major | 8 | 3B | 155 BPM | ||
| Three Pipers at the Gates of Dawn, Pt. 4 (Version 7) | Klaus Schulze, Pete Namlook, Bill Laswell | C Major | 0 | 8B | 72 BPM | ||
| The Far Out Son Of Lung And The Ramblings Of A Madman | The Future Sound Of London | A Major | 9 | 11B | 98 BPM |