Anthony Braxton's 'Skippy' had a release date set for December 28, 1988. Since This song is still less than 10 minute long, it is still considered a pretty long duration song compared to the average song length. This song does not appear to be explicit due to the lack of the "E" tag. There are a total of 6 in the song's album "Six Monk's Compositions (1987)". In this album, this song's track order is #6. Furthermore, we believe that the track originated from Italy. Skippy is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
With Skippy by Anthony Braxton having a BPM of 68 with a half-time of 34 BPM and a double-time of 136 BPM, we would consider this track to have a Adagio (slowly with great expression) tempo marking. Because of this, we believe that the song has an overall slow tempo. The time signature for this track is 3/4.
E♭ Major is the music key of this track. Or for those who are familiar with the camelot wheel, this song has a camelot key of 5B. So, the perfect camelot match for 5B would be either 5B or 6A. While, 6B can give you a low energy boost. For moderate energy boost, you would use 2B and a high energy boost can either be 7B or 12B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 5A or 4B will give you a low energy drop, 8B would be a moderate one, and 3B or 10B would be a high energy drop. Lastly, 2A allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Jack's Blues | George Russell | E Minor | 3 | 9A | 130 BPM | ||
| Left Alone | Eric Dolphy, Booker Little | A Minor | 1 | 8A | 122 BPM | ||
| Seven Behind Nine Ninety Seven Sixteen Or Seven | Roscoe Mitchell, Anthony Braxton | A♭ Major | 2 | 4B | 119 BPM | ||
| Batterie | Paul Bley Trio | F Minor | 1 | 4A | 116 BPM | ||
| Luminous Monolith | Sam Rivers | D Minor | 5 | 7A | 146 BPM | ||
| O NB-12 (Opus 57) | Anthony Braxton | C Major | 1 | 8B | 75 BPM | ||
| The Haunted Melody | Rahsaan Roland Kirk | F Major | 1 | 7B | 124 BPM | ||
| Compassion | Vijay Iyer, Linda May Han Oh, Tyshawn Sorey | F♯ Major | 3 | 2B | 106 BPM | ||
| Convulsions | The Awakening | B Major | 4 | 1B | 115 BPM | ||
| Tenderly | Eric Dolphy, Booker Little | E♭ Major | 0 | 5B | 84 BPM | ||
| Let's Cool One | Thelonious Monk Quartet | F Minor | 3 | 4A | 128 BPM | ||
| The Weaver | Cannonball Adderley Sextet | B♭ Minor | 4 | 3A | 130 BPM | ||
| And Now the Queen | Paul Bley Trio | B Minor | 0 | 10A | 49 BPM | ||
| Once Upon A Time | Sonny Sharrock | A Minor | 5 | 8A | 96 BPM | ||
| Ballade | Elvin Jones | A Major | 1 | 11B | 101 BPM | ||
| Sunken Treasure | The Gil Evans Orchestra | D♭ Major | 1 | 3B | 102 BPM | ||
| Sharks | The Lounge Lizards | F Major | 9 | 7B | 149 BPM | ||
| Dance, Eternal Spirits, Dance! | Billy Harper | E♭ Major | 5 | 5B | 120 BPM | ||
| Composition No. 91 | Anthony Braxton, Northwest Creative Orchestra | B♭ Major | 2 | 6B | 113 BPM | ||
| Bayou Fever | Jack DeJohnette New Directions | G Major | 3 | 9B | 173 BPM | ||
| Nickie (with Muhal Richard Abrams) | Anthony Braxton, Muhal Richard Abrams | E♭ Major | 0 | 5B | 84 BPM | ||
| Dream Stalker | Jack DeJohnette New Directions | E Major | 2 | 12B | 83 BPM | ||
| I Mani (Faith) | Lonnie Liston Smith, The Cosmic Echoes | E Minor | 5 | 9A | 105 BPM | ||
| Nowhere (For Bob Moses), Pt. 1 | Michael Gibbs | F Minor | 5 | 4A | 200 BPM | ||
| 'Round Midnight | Ran Blake, Anthony Braxton | B♭ Minor | 1 | 3A | 104 BPM |