- BPM
- 115
- Key
- F♯ Major
- Camelot
- 2B
Agrippina, HWV 6: Bel Piacere by George Frideric Handel, Renée Fleming, Orchestra of the Age of Enlightenment, Harry Bicket Song Details
George Frideric Handel, Renée Fleming, Orchestra of the Age of Enlightenment, Harry Bicket's ' "Agrippina, HWV 6: Bel Piacere" was released on its scheduled release date, January 1, 2004. With This song being less than two minutes long, at 1:43, we are fairly confident that this song is not explicit and is safe for all ages. Based on the duration of this song, this song duration is much smaller than the average song duration. There are a total of 17 in the song's album "Renée Fleming - Handel Arias". In this album, this song's track order is #15. Furthermore, we believe that the track originated from United Kingdom. In terms of popularity, Agrippina, HWV 6: Bel Piacere is currently not that popular. The overall tone is very danceable, especially with its high energy, which produces more of a euphoric, cheerful, or happy vibe.
BPM and Tempo
With Agrippina, HWV 6: Bel Piacere by George Frideric Handel, Renée Fleming, Orchestra of the Age of Enlightenment, Harry Bicket having a BPM of 115 with a half-time of 58 BPM and a double-time of 230 BPM, we would consider this track to have a Moderato (at a moderate speed) tempo marking. Because of this, we believe that the song has an overall moderate tempo. Looking at the BPM of this song, this song might go great with walking. The time signature for this track is 3/4.
Music Key
This song is in the music key of F♯ Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 2B. So, the perfect camelot match for 2B would be either 2B or 3A. While, 3B can give you a low energy boost. For moderate energy boost, you would use 11B and a high energy boost can either be 4B or 9B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 2A or 1B will give you a low energy drop, 5B would be a moderate one, and 12B or 7B would be a high energy drop. Lastly, 11A allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
- Popularity
- 8%
- Loudness
- -18.454 dB
- Acousticness
- 99%
- Danceability
- 70%
- Energy
- 21%
- Instrumentalness
- 0%
- Liveness
- 49%
- Loudness
- 69%
- Speechiness
- 31%
- Valence
- 61%
Recommendations
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
 | Haydn: Cello Concerto No. 1 in C Major, Hob. VIIb, 1: I. Moderato (Cadenza by Britten) | Franz Joseph Haydn, Mstislav Rostropovich, Academy of St. Martin in the Fields | C Major | 1 | 8B | 68 BPM | |
 | Requiem in C Minor, MH 559: Kyrie | Michael Haydn, Cantemus, German Chamber Academy Neuss, Werner Ehrhardt | C Minor | 2 | 5A | 78 BPM | |
 | Mozart: Les Petits riens, K. Anh. 10/299b: III. (Gavotte) | Wolfgang Amadeus Mozart, Sir Neville Marriner, Academy of St. Martin in the Fields | G Minor | 2 | 6A | 95 BPM | |
![Brandenburg Concerto No. 3 in G Major, BWV 1048: I. [Allegro] by Johann Sebastian Bach, Trevor Pinnock, European Brandenburg Ensemble](https://i.scdn.co/image/ab67616d00001e024747d8d612db02dd7791a699) | Brandenburg Concerto No. 3 in G Major, BWV 1048: I. [Allegro] | Johann Sebastian Bach, Trevor Pinnock, European Brandenburg Ensemble | F♯ Major | 4 | 2B | 101 BPM | |
 | Mozart: Divertimento in D Major, K. 136 "Salzburg Symphony No. 1": II. Andante | Wolfgang Amadeus Mozart, Amsterdam Baroque Orchestra, Ton Koopman | B Minor | 1 | 10A | 105 BPM | |
 | Overture For Viola D'amore & Orchestra in D Minor, GWV 426: VI. Menuets 1 Et 2 (Alternativement) | Christoph Graupner, Les idées heureuses, Hélène Plouffe, Geneviève Soly | D♭ Minor | 1 | 12A | 168 BPM | |
 | Sinfonia in B mayor: 3. Presto | Georg Matthias Monn, Camerata Bern, Thomas Füri | F♯ Major | 2 | 2B | 138 BPM | |
 | Concerto for Viola Solo, 2 Violins, Viola and B.C. in G Major, TWV51G:9: II. Allegro | Georg Philipp Telemann, Musica Alta Ripa | F♯ Major | 3 | 2B | 121 BPM | |
 | Concerto No. 2 In G Minor RV 578: II. Allegro (Vivaldi) | Accademia Bizantina | F♯ Minor | 3 | 11A | 120 BPM | |
 | Concerto for Oboe d'amore, Strings and B.c. "Verdi prati": Allegro ("Dopo notte" from Opera 'Ariodante', HWV 32) | George Frideric Handel, Albrecht Mayer, Sinfonia Varsovia, Jakub Haufa, Monika Razynska | B♭ Minor | 2 | 3A | 131 BPM | |
 | Rusalka, Op. 114: Song to the Moon (Arranged for Violin & Orchestra by Joshua Bell) | Antonín Dvořák, Joshua Bell, Michael Stern, Orchestra of St. Luke's | F♯ Major | 1 | 2B | 137 BPM | |
 | Haydn: String Quartet in C Major, Op. 76 No. 3, Hob. III:77 "Emperor": II. (a) Poco adagio, cantabile | Joseph Haydn, Alban Berg Quartett | B♭ Major | 1 | 6B | 101 BPM | |
 | Lieder ohne Worte, Op. 19: No. 6 in G Minor (Andante sostenuto) "Venetian Gondola Song", MWV U78 | Felix Mendelssohn, Jan Lisiecki | G Minor | 0 | 6A | 168 BPM | |
 | Oboe Concerto in G Minor: Allegro | Giovanni Benedetto Platti, Anthony Camden, City of London Sinfonia, Nicholas Ward | G Minor | 2 | 6A | 104 BPM | |
 | Symphony No. 5 in D Major, Op. 2, "St. Cecilia's Day Ode": I. Allegro ma non troppo - Allegro assai | William Boyce, Aradia Ensemble, Kevin Mallon | D♭ Major | 2 | 3B | 126 BPM | |
 | Overture (Suite) In G Minor, TWV 55: G4: III. Les Irresoluts | Cologne Chamber Orchestra, Georg Philipp Telemann | G Minor | 1 | 6A | 82 BPM | |
 | Concerto grosso in B minor, Op. 6, No. 12: 3. Larghetto, e piano | George Frideric Handel, Michel Schwalbé, Hanns-Joachim Westphal, Ottomar Borwitzky, Edith Picht-Axenfeld, Herbert von Karajan, Karl Scheit, Friedrich Fischer, Berliner Philharmoniker | G Major | 2 | 9B | 85 BPM | |
 | Viola Concerto in C Minor: I. Allegro molto ma maestoso | Johann Christian Bach, Henri Casadesus, Nemanja Radulović, Double Sens | C Minor | 2 | 5A | 96 BPM | |
 | Ständchen, S. 560 (Trans. from Schwanengesang No. 4, D. 957) | Franz Schubert, Franz Liszt, Khatia Buniatishvili | D Major | 0 | 10B | 67 BPM | |
 | Corelli: Concerto Grosso En Sol Mineur, G Minor Op.6 N°8 "Pour La Nuit De Noël" VI. Pastorale: Largo - Remasterisé En 1996 | Arcangelo Corelli, Jean-Patrice Brosse, Georges Armand, Orchestre De Chambre De Toulouse | D Minor | 4 | 7A | 75 BPM | |
| Mozart: Divertimento in F Major, K. 138 "Salzburg Symphony No. 3": II. Andante | Wolfgang Amadeus Mozart, Amsterdam Baroque Orchestra, Ton Koopman | B Major | 1 | 1B | 78 BPM | |
 | Adagio For Strings And Organ | The Regency House Orchestra | C Minor | 2 | 5A | 81 BPM | |
 | Dido and Aeneas, Z. 626 / Act III: "When I Am Laid in Earth" Dido's Lamento (Arr. by Mathieu Herzog for Cello and Strings) | Henry Purcell, Camille Thomas, Brussels Philharmonic, Mathieu Herzog | G Minor | 1 | 6A | 77 BPM | |
 | Le bourgeois gentilhomme: Chaconne des Scaramouches, Frivelins et Arlequins | Jean-Baptiste Lully, Mary Enid Haines, Sharla Nafziger, Aradia Ensemble, Kevin Mallon | F♯ Major | 0 | 2B | 0 BPM | |
| Concerto for Oboe, Strings and B.c. "Voli per l'aria": Allegro ("Hence, Iris, Hence Away" from Oratorio 'Semele', HWV 58) | George Frideric Handel, Albrecht Mayer, Sinfonia Varsovia, Jakub Haufa, Monika Razynska | A Minor | 3 | 8A | 77 BPM |
- ISRC
- GBBBA0344450
- Label
- L-M Records/RCA Records