Hank Locklin's ' "The Last Look At Mother" was released on its scheduled release date, November 29, 2017. The duration of This song is about two minutes long, specifically at 2:27. This song does not appear to have any foul language. The Last Look At Mother's duration is considered a little bit shorter than the average duration of a typical track. There are a total of 50 in the song's album "Unforgettable". In this album, this song's track order is #39. Furthermore, we believe that the track originated from France. Based on our statistics, The Last Look At Mother's popularity is unknown right now. The overall tone is very danceable, especially with its high energy, which produces more of a euphoric, cheerful, or happy vibe.
With The Last Look At Mother by Hank Locklin having a BPM of 145 with a half-time of 72 BPM and a double-time of 290 BPM, we would consider this track to have a Allegro (fast, quick, and bright) tempo marking. Because of this, we believe that the song has an overall fast tempo. Looking at the BPM of this song, this song might go great with jogging or cycling. The time signature for this track is 4/4.
This song is in the music key of B♭ Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 6B. So, the perfect camelot match for 6B would be either 6B or 7A. While, 7B can give you a low energy boost. For moderate energy boost, you would use 3B and a high energy boost can either be 8B or 1B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 6A or 5B will give you a low energy drop, 9B would be a moderate one, and 4B or 11B would be a high energy drop. Lastly, 3A allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Less And Less | Charlie Louvin | G Major | 3 | 9B | 116 BPM | ||
| Country Girl | Jeannie C. Riley | C Major | 4 | 8B | 113 BPM | ||
| Once a Day | Connie Smith | F♯ Major | 4 | 2B | 137 BPM | ||
| I Ain't Never | Webb Pierce | B Major | 6 | 1B | 118 BPM | ||
| With Pen in Hand | Johnny Darrell | A Major | 2 | 11B | 97 BPM | ||
| Another Lonely Night | Jean Shepard | E Major | 6 | 12B | 199 BPM | ||
| Close All the Honky Tonks | Charlie Walker | A Major | 6 | 11B | 158 BPM | ||
| Second Cup of Coffee | Hank Locklin | B Major | 4 | 1B | 103 BPM | ||
| Memories from the Past | Norma Jean | D Major | 3 | 10B | 111 BPM | ||
| The Old Bog Road | Hank Locklin | A Major | 3 | 11B | 91 BPM | ||
| From A Jack To A King | Ricky Van Shelton | D Major | 3 | 10B | 201 BPM | ||
| The Bridge Washed Out | Warner Mack | G Major | 5 | 9B | 151 BPM | ||
| Pitty, Pitty, Patter | Susan Raye | F Major | 5 | 7B | 107 BPM | ||
| Crystal Chandelier | Carl Belew | D Major | 4 | 10B | 117 BPM | ||
| Waltz Across Texas | Sammi Smith | F♯ Major | 3 | 2B | 92 BPM | ||
| I'll Just Have A Cup Of Coffee (Then I'll Go) | Claude Gray | B♭ Major | 4 | 6B | 113 BPM | ||
| Midnight, Me And The Blues | Mel Tillis | E♭ Major | 3 | 5B | 132 BPM | ||
| Preparations to Be Blue | Lefty Frizzell | A Major | 4 | 11B | 168 BPM | ||
| I Can't Stop Loving You - Re-Recorded In Stereo | Don Gibson | C Major | 4 | 8B | 109 BPM | ||
| Does My Ring Hurt Your Finger | Charley Pride | B Major | 4 | 1B | 108 BPM | ||
| There Won't Be Anymore | Charlie Rich | F Major | 3 | 7B | 104 BPM | ||
| I Love You A Thousand Ways | Hawkshaw Hawkins | E Major | 3 | 12B | 126 BPM | ||
| Shadows of My Mind | Vernon Oxford | E Major | 4 | 12B | 123 BPM | ||
| My Woman's Good to Me | David Houston | D♭ Major | 3 | 3B | 89 BPM | ||
| My Shoes Keep Walking Back To You | George Jones and Gene Pitney | F♯ Major | 3 | 2B | 125 BPM |