"Song Of The Angel - Quietly Ecstatic - Calm, Pure And Free" by Edna Michell, Czech Philharmonic Orchestra had its release date on January 1, 2001. With this song being about 5 minutes long, at This song is fairly a long song compared to the average song length. This song does not have an "Explicit" tag, making it safe for all ages. The song is number 1 out of 15 in Compassion: A Journey of the Spirit by Edna Michell. In terms of popularity, Song Of The Angel - Quietly Ecstatic - Calm, Pure And Free is currently unknown. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
The tempo marking of Song Of The Angel - Quietly Ecstatic - Calm, Pure And Free by Edna Michell, Czech Philharmonic Orchestra is Andante (at a walking pace), since this song has a tempo of 92 BPM. With that information, we can conclude that the song has a slow tempo. This song can go great with yoga or pilates. The time signature for this track is 3/4.
F Major is the music key of this track. This also means that this song has a camelot key of 7B. So, the perfect camelot match for 7B would be either 7B or 8A. While, 8B can give you a low energy boost. For moderate energy boost, you would use 4B and a high energy boost can either be 9B or 2B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 7A or 6B will give you a low energy drop, 10B would be a moderate one, and 5B or 12B would be a high energy drop. Lastly, 4A allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Leroy Kyrie | John Tavener, Monks And Choirboys Of Downside Abbey, David Lawson, Dom Dunstan O'Keeffe | B Major | 3 | 1B | 85 BPM | ||
| To be sung on the water, Op. 42, No. 2 | Samuel Barber, Conspirare, Craig Hella Johnson | C Minor | 0 | 5A | 83 BPM | ||
| Miserere, Op.44: 1. Domine Deus noster-Lento | Henryk Górecki, Los Angeles Master Chorale, Grant Gershon | C Major | 0 | 8B | 72 BPM | ||
| St Anne’s Mass: III. Sanctus | James MacMillan, Cappella Nova, Alan Tavener | D Major | 1 | 10B | 76 BPM | ||
| Adagio for Strings: Agnus Dei | Samuel Barber, Armonico Consort, Christopher Monks | B♭ Minor | 1 | 3A | 78 BPM | ||
| Lo, the full, final sacrifice, Op.26: Amen | Gerald Finzi, Choir of New College, Oxford, Edward Higginbottom | E Major | 1 | 12B | 69 BPM | ||
| Versa est in luctum | Alonso Lobo, Tenebrae, Nigel Short | G Minor | 1 | 6A | 135 BPM | ||
| When they saw the Star | Chloe May Evans, Ǣfendrēama | E♭ Major | 3 | 5B | 137 BPM | ||
| Passion Week, Op. 58: I. Behold, the Bridegroom | Alexander Gretchaninov, Phoenix Bach Choir, Kansas City Chorale, Charles Bruffy, Caroline Markham, Paul Davidson, Bryan Taylor | D♭ Minor | 1 | 12A | 129 BPM | ||
| Heyr þú oss himnum á | Anna Thorvaldsdottir, Singer Pur | D Minor | 0 | 7A | 67 BPM | ||
| O Virtus Sapiente | Hildegard von Bingen, Kronos Quartet | E Major | 0 | 12B | 57 BPM | ||
| Serenity (O Magnum Mysterium) | Ola Gjeilo, Choir of King's College, Cambridge, Guy Johnston, Stephen Cleobury | G Major | 1 | 9B | 83 BPM | ||
| MAGNIFICAT: I. Magnificat anima mea | Kim André Arnesen, Nidarosdomens jentekor, TrondheimSolistene, Anita Brevik, Magne H. Draagen, Øyvind Gimse | E Minor | 1 | 9A | 87 BPM | ||
| Romanzen, Book 1, Op. 69: No. 6, Die Kapelle | Robert Schumann, Aquarius, Marc Michael de Smet | G Major | 0 | 9B | 130 BPM | ||
| Song For Athene | John Tavener, Nicola Benedetti, London Philharmonic Orchestra, Andrew Litton | B♭ Major | 0 | 6B | 97 BPM | ||
| Song for Athene | John Tavener, Choir of St. John's College, Cambridge, Christopher Robinson | F Major | 0 | 7B | 84 BPM | ||
| Embers | Yajex | D♭ Major | 1 | 3B | 183 BPM | ||
| Whitacre: Lux Aurumque | Eric Whitacre, Eric Whitacre Singers | D♭ Minor | 0 | 12A | 72 BPM | ||
| Between the Mills and the Moors | Tom Kinsella | B♭ Major | 1 | 6B | 168 BPM | ||
| To Seek Where Shadows Are: III. In The Bleak Midwinter | Paul Mealor, Voce, Mark Singleton | B Major | 0 | 1B | 137 BPM | ||
| 4 Motets sur des themes gregoriens, Op. 10: IV. Tantum ergo | Maurice Duruflé, Michel Piquemal Vocal Ensemble, Michel Piquemal | B Minor | 1 | 10A | 0 BPM | ||
| Eight Part-songs, Op. 119: The Bluebird | Charles Villiers Stanford, Choir of New College, Oxford, Edward Higginbottom | F♯ Major | 0 | 2B | 176 BPM | ||
| All shall be Amen and Alleluia | James Whitbourn, Westminster Williamson Voices, Jacob Ezzo, Jonathan Palmer Lakeland, Ken Cowan, James Jordan | C Major | 2 | 8B | 75 BPM | ||
| Luminosity, II. The Changing Scenes | James Whitbourn, Commotio, Levine Andrade, Henry Parkes, Steffan Jones, Andrew Ker, Matthew Berry | A Minor | 1 | 8A | 160 BPM | ||
| Messe solennelle pour deux orgues et choeur, Op. 16: V. Agnus Dei | Louis Vierne, Michel Bouvard | A♭ Major | 1 | 4B | 81 BPM |