"Reading the Letters" by Harry Rabinowitz had its release date on August 17, 2002. With this song being about 5 minutes long, at This song is fairly a long song compared to the average song length. This song does not have an "Explicit" tag, making it safe for all ages. There are a total of 21 in the song's album "Possession". In this album, this song's track order is #13. Furthermore, we believe that the track originated from United States. Reading the Letters is unknown right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
With Reading the Letters by Harry Rabinowitz having a BPM of 53 with a half-time of 26 BPM and a double-time of 106 BPM, we would consider this track to have a Lento (slowly) tempo marking. Because of this, we believe that the song has an overall slow tempo. The time signature for this track is 3/4.
This song is in the music key of G Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 9B. So, the perfect camelot match for 9B would be either 9B or 10A. While, 10B can give you a low energy boost. For moderate energy boost, you would use 6B and a high energy boost can either be 11B or 4B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 9A or 8B will give you a low energy drop, 12B would be a moderate one, and 7B or 2B would be a high energy drop. Lastly, 6A allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Doctor Zhivago - Prelude and Lara's Theme | Maurice Jarre | F Major | 1 | 7B | 81 BPM | ||
| Canteloube: Chants d'Auvergne, Book 1: Bailèro | Joseph Canteloube, Dawn Upshaw, Kent Nagano, Orchestre de l'Opéra de Lyon | C Minor | 2 | 5A | 80 BPM | ||
| H.M.S. Pinafore, Act I: Overture | Gilbert & Sullivan Society of Houston | E♭ Major | 4 | 5B | 140 BPM | ||
| The John Dunbar Theme - From "Dances with Wolves" | John Barry, The Royal Philharmonic Concert Orchestra/Paul Bateman, Paul Bateman | F Major | 3 | 7B | 85 BPM | ||
| The Carousel Waltz | Carousel Orchestra | D Major | 2 | 10B | 97 BPM | ||
| Mancini: Moon River (From "Breakfast at Tiffany's") | Renaud Capuçon | C Major | 1 | 8B | 82 BPM | ||
| Gentle Possession | Harry Rabinowitz | C Minor | 1 | 5A | 114 BPM | ||
| By The Sleepy Lagoon: By the Sleepy Lagoon | Eric Coates, Slovak Radio Symphony Orchestra, Andrew Penny | C Major | 2 | 8B | 134 BPM | ||
| Invocation | William Lloyd Webber, Richard Hickox, City of London Sinfonia, Skaila Kanga | A Minor | 1 | 8A | 173 BPM | ||
| Elgar: Introduction and Allegro, Op. 47: I. Moderato | Edward Elgar, Sir John Barbirolli, Allegri String Quartet, Sinfonia Of London | G Major | 6 | 9B | 100 BPM | ||
| Delius / Arr. Fenby: Koanga, Act II: La Calinda | Frederick Delius, Sir John Barbirolli, Hallé | E Minor | 4 | 9A | 116 BPM | ||
| Wood, Henry : Fantasia on British Sea Songs : Sailor's Hornpipe [Excerpt] | Sir Henry Wood, BBC Symphony Orchestra, David Parry | A Major | 1 | 11B | 82 BPM | ||
| Cavatina | Stanley Myers, Göran Söllscher | E Major | 0 | 12B | 82 BPM | ||
| All Creatures Great and Small | Johnny Pearson | D Major | 4 | 10B | 112 BPM | ||
| Mozart: Le nozze di Figaro, K. 492, Act 2: "Voi, che sapete che cosa è amor" (Cherubino) | Wolfgang Amadeus Mozart, Daniel Barenboim, Cecilia Bartoli, Berliner Philharmoniker | B♭ Major | 2 | 6B | 110 BPM | ||
| The Dancing Years: Waltz Of My Heart | Ivor Novello, Orchestra, James Shearman | E♭ Major | 1 | 5B | 76 BPM | ||
| Keeping It Cool | Harry Rabinowitz | F Major | 2 | 7B | 101 BPM | ||
| Norma: Deh! Con te li prendi… Mora, o Norma | Han De Vries, Jacques Zoon, London Studio Orchestra, Harry Rabinowitz | E Minor | 3 | 9A | 81 BPM | ||
| Introduction and Waltz (From "The Slipper And The Rose") | Angela Morely | B♭ Major | 2 | 6B | 83 BPM | ||
| With One Look - From "Sunset Boulevard" | Barbra Streisand | D Major | 3 | 10B | 87 BPM | ||
| Scarborough Fair (arr. P. Breiner): Scarborough Fair | RTE Concert Orchestra | A Minor | 1 | 8A | 73 BPM | ||
| Offenbach: Les contes d'Hoffmann, Act 4: Barcarolle. "Belle nuit, ô nuit d'amour" (Version for Two Trumpets & Orchestra) | Jacques Offenbach, Lucienne Renaudin Vary, Erik Truffaz, Roberto Rizzi Brignoli, Orchestre National de Lille | D Major | 1 | 10B | 84 BPM | ||
| Les enfants tristes - From Attention les enfants regardent | Eric Demarsan, Harry Rabinowitz | E♭ Major | 2 | 5B | 67 BPM | ||
| Gypsy Melodies, Op. 55: 4. Songs My Mother Taught Me (Orchestral Version) | Antonín Dvořák, Greta Bradman, Adelaide Symphony Orchestra, Luke Dollman | C Major | 2 | 8B | 189 BPM | ||
| Carmen Ballet Suite (after Bizet): VII. Second Intermezzo | Rodion Shchedrin, Slovenian Symphony Orchestra, Anton Nanut | E Major | 1 | 12B | 120 BPM |