"Between the Lines" by The Compromise had its release date on December 20, 2013. With this song being around four minutes long, at 3:40, the duration of this song is pretty average compared to other songs. This track is safe for children and doesn't appear to contain any foul language, since the "Explicit" tag was not present in this track. The track order of this song in The Compromise's "Motionless" album is number 5 out of 6. In terms of popularity, Between the Lines is currently not that popular. Although the tone can be danceable to some, this track does projects more of a negative sound rather than a postive one.
We consider the tempo marking of Between the Lines by The Compromise to be Andante (at a walking pace) because the track has a tempo of 100 BPM, a half-time of 50BPM, and a double-time of 200 BPM. Based on that, the speed of the song's tempo is slow. The time signature for this track is 4/4.
This song has a musical key of F♯ Minor. This also means that this song has a camelot key of 11A. So, the perfect camelot match for 11A would be either 11A or 10B. While, a low energy boost can consist of either 11B or 12A. For moderate energy boost, you would use 8A and a high energy boost can either be 1A or 6A. However, if you are looking for a low energy drop, finding a song with a camelot key of 10A would be a great choice. Where 2A would give you a moderate drop, and 9A or 4A would be a high energy drop. Lastly, 2B allows you to change the mood.
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| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Lost | Transgressions | G Major | 10 | 9B | 100 BPM | ||
| Half Alive | TrineATX | F Minor | 8 | 4A | 138 BPM | ||
| Feelings | The Compromise | B Minor | 9 | 10A | 150 BPM | ||
| Fight Until the End | Transgressions | F♯ Minor | 9 | 11A | 98 BPM | ||
| Starboy | Secret Eyes | A Minor | 10 | 8A | 186 BPM | ||
| No Home | Within Reason | B♭ Minor | 10 | 3A | 162 BPM | ||
| Tramontane | Endgame | B Minor | 9 | 10A | 90 BPM | ||
| L.U.I. - Life Under the Influence | Seconds Away | A♭ Major | 9 | 4B | 112 BPM | ||
| Motionless | The Compromise | F♯ Minor | 9 | 11A | 93 BPM | ||
| The Gate | Silver End | B♭ Minor | 9 | 3A | 90 BPM | ||
| Calloused | The March Ahead | D♭ Minor | 7 | 12A | 120 BPM | ||
| Hell of a Night | Don Vedda | D Minor | 9 | 7A | 160 BPM | ||
| Storm | Ends With A Bullet | F Major | 10 | 7B | 136 BPM | ||
| Self Worth | Danger Silent, Dgpm | D Minor | 8 | 7A | 111 BPM | ||
| Every Second | From Ashes to New, Eva Under Fire | E♭ Major | 9 | 5B | 155 BPM | ||
| House Of Memories | Alive In Barcelona | E♭ Minor | 9 | 2A | 160 BPM | ||
| The Collision | Plan Three | B♭ Minor | 9 | 3A | 80 BPM | ||
| Save Myself | MESSER | C Major | 9 | 8B | 170 BPM | ||
| Wake Up | A Broken Silence | B Minor | 9 | 10A | 180 BPM | ||
| Lost and Reckless | Sakoya | A♭ Minor | 7 | 1A | 144 BPM | ||
| 10 Feet Tall | S.A.M. | D Minor | 9 | 7A | 170 BPM | ||
| Fight for You | Man Made Machine | G Major | 9 | 9B | 98 BPM | ||
| It's Not Over | TrineATX | E♭ Major | 8 | 5B | 84 BPM | ||
| Your Words | Ravenscode | E Minor | 9 | 9A | 198 BPM | ||
| Fear | TrineATX | D Minor | 8 | 7A | 154 BPM |