On August 14, 2012, the song "Kansas State Line" was released by Connie Conway. The duration of This song is about two minutes long, specifically at 2:36. This song does not appear to have any foul language. Kansas State Line's duration is considered a little bit shorter than the average duration of a typical track. There are a total of 12 in the song's album "The Very Best Of Connie Conway, Vol. 2". In this album, this song's track order is #11. Furthermore, we believe that the track originated from United States. Based on our statistics, Kansas State Line's popularity is not that popular right now. The overall tone is very danceable, especially with its high energy, which produces more of a euphoric, cheerful, or happy vibe.
With Kansas State Line by Connie Conway having a BPM of 120 with a half-time of 60 BPM and a double-time of 240 BPM, we would consider this track to have a Moderato (at a moderate speed) tempo marking. Because of this, we believe that the song has an overall fast tempo. Looking at the BPM of this song, this song might go great with walking. The time signature for this track is 4/4.
F Major is the music key of this track. Or for those who are familiar with the camelot wheel, this song has a camelot key of 7B. So, the perfect camelot match for 7B would be either 7B or 8A. While, 8B can give you a low energy boost. For moderate energy boost, you would use 4B and a high energy boost can either be 9B or 2B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 7A or 6B will give you a low energy drop, 10B would be a moderate one, and 5B or 12B would be a high energy drop. Lastly, 4A allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Home | Henry Hall and His Gleneagles Hotel Band | G Minor | 2 | 6A | 123 BPM | ||
| Moonlight In Vermont - 1945 Version | Margaret Whiting | E♭ Major | 2 | 5B | 72 BPM | ||
| Count Every Star | Al Hibbler | D Major | 3 | 10B | 128 BPM | ||
| Count Every Star | The Ravens | G Major | 2 | 9B | 140 BPM | ||
| Sentimental Me | The Ames Brothers | D Major | 3 | 10B | 128 BPM | ||
| We Open in Venice | The Rat Pack | G Minor | 6 | 6A | 115 BPM | ||
| Nobody Knows | Eddie Condon | D Major | 3 | 10B | 128 BPM | ||
| Robin in the Pine | Bonnie Guitar | A Major | 5 | 11B | 120 BPM | ||
| Crawl out Through the Fallout | Sheldon Allman | D♭ Major | 6 | 3B | 148 BPM | ||
| Oh! What It Seem to Be | The Castells | E♭ Major | 3 | 5B | 113 BPM | ||
| My Blue Heaven | Gene Austin | E♭ Major | 0 | 5B | 66 BPM | ||
| Blue Skies | Frank Sinatra, Tommy Dorsey Orchestra | A Minor | 3 | 8A | 128 BPM | ||
| I Cried For You | Connie Conway | B Minor | 3 | 10A | 145 BPM | ||
| I'll Always Hold Your Hand | Connie Conway | E♭ Major | 1 | 5B | 76 BPM | ||
| A Pretty Girl Is Like a Melody | Rudy Vallee | C Major | 2 | 8B | 122 BPM | ||
| I'm Tickled Pink | Jack Shaindlin | F Minor | 2 | 4A | 169 BPM | ||
| A Story Untold | The Crew Cuts | D Minor | 3 | 7A | 131 BPM | ||
| Anytime | Eddie Fisher | D Major | 3 | 10B | 128 BPM | ||
| The Uncomplicated Loaner | Jim Bonney, Jonathan Stout and his Campus Five, Jason Guffey, Bank of Harmony | F Major | 1 | 7B | 69 BPM | ||
| Band Of Gold | Ray Conniff and Don Cherry | G Major | 4 | 9B | 113 BPM | ||
| Many Kinds | Connie Conway | F Major | 1 | 7B | 87 BPM | ||
| Time and Time Again | Hal David, John Cacavas | F Major | 3 | 7B | 103 BPM | ||
| Jingle, Jangle, Jingle | Kay Kyser & His Orchestra, Harry Babbitt | G Minor | 2 | 6A | 94 BPM | ||
| Skylark | The Fleetwoods | D Major | 3 | 10B | 128 BPM | ||
| Charley, My Boy | Bob Crosby & The Bob Cats | D Major | 3 | 10B | 128 BPM |