Luis Salinas's ' "La Pesada - Instrumental" was released on its scheduled release date, January 1, 2002. With this song being about 5 minutes long, at This song is fairly a long song compared to the average song length. This song does not have an "Explicit" tag, making it safe for all ages. The track order of this song in Luis Salinas's "Musica Argentina I" album is number 6 out of 12. On top of that, Argentina appears to be the country where this track was created. Based on our statistics, La Pesada - Instrumental's popularity is not that popular right now. The overall mood can be danceable to some, especially with it's high amount of postive energy.
We consider the tempo marking of La Pesada - Instrumental by Luis Salinas to be Allegro (fast, quick, and bright) because the track has a tempo of 147 BPM, a half-time of 74BPM, and a double-time of 294 BPM. Based on that, the speed of the song's tempo is fast. Activities such as, jogging or cycling, can go well with this song. The time signature for this track is 4/4.
This song is in the music key of D Major. This also means that this song has a camelot key of 10B. So, the perfect camelot match for 10B would be either 10B or 11A. While, 11B can give you a low energy boost. For moderate energy boost, you would use 7B and a high energy boost can either be 12B or 5B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 10A or 9B will give you a low energy drop, 1B would be a moderate one, and 8B or 3B would be a high energy drop. Lastly, 7A allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Zamba de la Candelaria | Mariana Carrizo | C Major | 1 | 8B | 69 BPM | ||
| La Torcida | Jorge Fandermole | G Major | 6 | 9B | 80 BPM | ||
| Mi Buenos Aires Querido | Luis Salinas | E Minor | 2 | 9A | 117 BPM | ||
| Cantar de Mi Pago | Carlos Martínez | E Minor | 2 | 9A | 132 BPM | ||
| Zamba Mercedina | Markama | E Minor | 4 | 9A | 140 BPM | ||
| El Cielo de Allá Lejos | Fernando Rossini | D Minor | 3 | 7A | 105 BPM | ||
| Ña Lucía | Bruno Arias | C Major | 4 | 8B | 72 BPM | ||
| Cabo de Santa María | Jorge Fandermole | A Major | 3 | 11B | 116 BPM | ||
| Aires | Tomatito, Luis Salinas, Diego Amador | C Major | 5 | 8B | 90 BPM | ||
| Zamba del Carnaval | Cuchi Leguizamon | E♭ Major | 4 | 5B | 112 BPM | ||
| Nacida en agua de guerra | Mery Murua | F♯ Minor | 2 | 11A | 111 BPM | ||
| La Misteriosa - Instrumental | Luis Salinas | E Minor | 5 | 9A | 126 BPM | ||
| La Humilde | Dino Saluzzi | A Minor | 5 | 8A | 158 BPM | ||
| Chacarera del Santiagueño | Hilda Herrera | D Minor | 4 | 7A | 153 BPM | ||
| Solo Pa' Bailarla | Demi Carabajal | F♯ Minor | 6 | 11A | 98 BPM | ||
| La Tempranera | Néstor Garnica | B Minor | 5 | 10A | 142 BPM | ||
| Hispano | Jorge Fandermole | D Major | 4 | 10B | 150 BPM | ||
| Merceditas | Rudi y Nini Flores | E Minor | 3 | 9A | 107 BPM | ||
| Acento Misionero / Tarefero de Mis Pagos / Allá en el Yerbal - En Vivo en el Teatro Colón | Chango Spasiuk | G Major | 3 | 9B | 121 BPM | ||
| Atardeciendo | Ángel Hechenleitner | E Minor | 1 | 9A | 92 BPM | ||
| Refugio de Soñadores | Rudi y Nini Flores, Miguel Ángel Porra | A Major | 3 | 11B | 137 BPM | ||
| Mi Abuela Teje que Teje (Zamba Alegre) | Ramiro Gonzalez, Magnolia Cuarteto de Cuerdas | E Major | 2 | 12B | 83 BPM | ||
| La Linda | Lucio Yanel | A Major | 1 | 11B | 80 BPM | ||
| Suite Granadina: Odalisca del Partal (Oriental) - Remastered | Manuel Cano | E Major | 3 | 12B | 104 BPM | ||
| Marote Chaqueño | Jorge Gordillo | A Major | 6 | 11B | 111 BPM |