"Cupid and Death: First Entry: Cupid: Song (Soprano): "Though little be the God of love"/Chorus: "Thus Love can fiery spirits tame"" by Christopher Gibbons, Matthew Locke, Consort Of Musicke, Anthony Rooley had its release date on 1968. The duration of This song is about two minutes long, specifically at 2:32. This song does not appear to have any foul language. Cupid and Death: First Entry: Cupid: Song (Soprano): "Though little be the God of love"/Chorus: "Thus Love can fiery spirits tame"'s duration is considered a little bit shorter than the average duration of a typical track. The song is number 23 out of 171 in English Renaissance and Baroque Music Edition by Various Artists. Going off of the ISRC code of this track, we detected that the origin of this track is from Germany. The popularity of Cupid and Death: First Entry: Cupid: Song (Soprano): "Though little be the God of love"/Chorus: "Thus Love can fiery spirits tame" is currently unknown right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
The tempo marking of Cupid and Death: First Entry: Cupid: Song (Soprano): "Though little be the God of love"/Chorus: "Thus Love can fiery spirits tame" by Christopher Gibbons, Matthew Locke, Consort Of Musicke, Anthony Rooley is Vivace (lively and fast), since this song has a tempo of 175 BPM. With that information, we can conclude that the song has a fast tempo. The time signature for this track is 4/4.
C Minor is the music key of this track. Because this track belongs in the C Minor key, the camelot key is 5A. So, the perfect camelot match for 5A would be either 5A or 4B. While, a low energy boost can consist of either 5B or 6A. For moderate energy boost, you would use 2A and a high energy boost can either be 7A or 12A. However, if you are looking for a low energy drop, finding a song with a camelot key of 4A would be a great choice. Where 8A would give you a moderate drop, and 3A or 10A would be a high energy drop. Lastly, 8B allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Messa a 5 Concertata: IX. Domine Deus, Rex coelestis | Giovanni Paolo Colonna, Chœur De Chambre De Namur, Cappella Mediterranea, Leonardo García-Alarcón, Elizaveta Sveshnikova, Mariana Flores, Paul-Antoine Bénos-Djian | E♭ Minor | 1 | 2A | 60 BPM | ||
| Te Deum, H. 146: VI. Te ergo quæsumus famulis tuis subveni | Marc-Antoine Charpentier, Ensemble les Surprises, Louis-Noël Bestion de Camboulas, Jehanne Amzal | B♭ Major | 4 | 6B | 106 BPM | ||
| Piece for English Guitar in D Minor: No. 1, Andante - Allegro moderato | Francesco Geminiani, La Rêveuse, Florence Bolton, Benjamin Perrot | D♭ Minor | 1 | 12A | 112 BPM | ||
| Laudate pueri Dominum, RV 600: Excelsus super omnes gentes | Antonio Vivaldi, Tracy Smith Bessette, Aradia Ensemble, Kevin Mallon | D♭ Minor | 0 | 12A | 99 BPM | ||
| Requeim in C Minor, ZWV. 48 | Jan Dismas Zelenka, Il Fondamento, Il Fondamento Choir, Monika Frimmer, Peter de Groot, Ian Honeyman, Peter Kooij, Paul Dombrecht | E♭ Minor | 2 | 2A | 70 BPM | ||
| Cupid and Death: Third Entry: The Exchange of Arrows: Song (Soprano): "Stay, Cupid, wither art thou flying?" - Chorus: "O let the weeping virgins strow" | Christopher Gibbons, Matthew Locke, Consort Of Musicke, Anthony Rooley | E♭ Major | 1 | 5B | 77 BPM | ||
| Vater unser im Himmelreich | Samuel Eccard, Clematis | D♭ Minor | 0 | 12A | 113 BPM | ||
| Concerto: Audi cœlum | Claudio Monteverdi, Jordi Savall, La Capella Reial, Coro Del Centro Musica Antica Di Padova | F Major | 2 | 7B | 85 BPM | ||
| Sonata in F, TWV 41 F3: I. Andante | Georg Philipp Telemann, Jared Hauser, Christopher Stenstrom, Francis Perry, Polly Brecht | F Minor | 0 | 4A | 125 BPM | ||
| Couperin, L: Suite en fa: III. Courante, G. 69 (Transcr. Pierlot) | Louis Couperin, Philippe Pierlot, Anna Lachegyi, Lucile Boulanger, Myriam Rignol, Thibaut Roussel | E♭ Major | 2 | 5B | 135 BPM | ||
| Vespro della Beata Vergine, SV 206: II. Dixit dominus | Claudio Monteverdi, Netherlands Chamber Choir, Concerto Vocale, René Jacobs | D Minor | 3 | 7A | 101 BPM | ||
| Concerto No. 1 in D Major, SF 936 "La Cetra": II. Larghetto | Alessandro Marcello, Gruppo Instrumentale di Roma, Giorgio Sasso | D♭ Major | 1 | 3B | 106 BPM | ||
| Violin Sonata in C Major, Op. 5 No. 3: III. Adagio (Version for Flute) | Arcangelo Corelli, Anna Besson, Myriam Rignol, Jean Rondeau | A♭ Major | 1 | 4B | 105 BPM | ||
| Crucifixus a 8 voci | Antonio Lotti, Ensemble Zene, Bruno Kele-Baujard | C Major | 1 | 8B | 124 BPM | ||
| Sonate concertate a due e tre voci, Book 1: No. 18, Sonata sopra "La novella" | Giuseppe Scarini, Ecco la musica | F♯ Major | 1 | 2B | 89 BPM | ||
| Canzona trigesima quinta "detta l’Alessandrina" | Girolamo Frescobaldi, Bruno Cocset, Les Basses Réunies | D Minor | 1 | 7A | 64 BPM | ||
| Regna terrae | Orazio Benevoli, Le Concert Spirituel, Herve Niquet | C Major | 1 | 8B | 128 BPM | ||
| Couperin, L: Fantaisie | Louis Couperin, Jean Rondeau, Anna Lachegyi, Lucile Boulanger, Mathias Ferré, Myriam Rignol, Philippe Pierlot, Thibaut Roussel | E♭ Major | 2 | 5B | 85 BPM | ||
| Concerto grosso f-moll/F minor: Largo | Alessandro Scarlatti, Balthasar-Neumann-Ensemble, Thomas Hengelbrock | D♭ Minor | 2 | 12A | 122 BPM | ||
| Canzoni overo sonate concertate, Op. 12: No. 4, La Treccha | Tarquinio Merula, InAlto, Lambert Colson | F♯ Major | 1 | 2B | 54 BPM | ||
| Diporti di Euterpe, Op. 7: No. 4, Lagrime mie, lamento | Barbara Strozzi, Hathor Consort, Romina Lischka | F♯ Major | 1 | 2B | 106 BPM | ||
| Missa pro Quadragesima, MH 551: Sanctus | Michael Haydn, Purcell Choir, Orfeo Orchestra, Gyorgy Vashegyi | B Major | 1 | 1B | 93 BPM | ||
| Missa Quadragesimalis, MH 552: Credo. Et resurrexit | Michael Haydn, Purcell Choir, Orfeo Orchestra, Gyorgy Vashegyi | B Major | 1 | 1B | 93 BPM | ||
| Fantasia Suite in G Minor for Treble and 2 Basses, VdGS No. 1: III. Corant | John Jenkins, Fretwork | E Minor | 2 | 9A | 109 BPM | ||
| Terpsichore, Musarum Aoniarum: Passamezze | Pierre Francisque Caroubel, Chelys Consort of Viols, James Akers | B Major | 1 | 1B | 139 BPM |