"Departure" by Darkest Hour had its release date on July 1, 2014. With this song being around four minutes long, at 4:27, the duration of this song is pretty average compared to other songs. This track is safe for children and doesn't appear to contain any foul language, since the "Explicit" tag was not present in this track. The song is number 15 out of 16 in Darkest Hour (Deluxe Version) by Darkest Hour. Going off of the ISRC code of this track, we detected that the origin of this track is from United States. In terms of popularity, Departure is currently not that popular. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
The tempo marking of Departure by Darkest Hour is Moderato (at a moderate speed), since this song has a tempo of 117 BPM. With that information, we can conclude that the song has a moderate tempo. This song can go great with walking. The time signature for this track is 4/4.
F Minor is the music key of this track. Because this track belongs in the F Minor key, the camelot key is 4A. So, the perfect camelot match for 4A would be either 4A or 3B. While, a low energy boost can consist of either 4B or 5A. For moderate energy boost, you would use 1A and a high energy boost can either be 6A or 11A. However, if you are looking for a low energy drop, finding a song with a camelot key of 3A would be a great choice. Where 7A would give you a moderate drop, and 2A or 9A would be a high energy drop. Lastly, 7B allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Worlds Apart | Times Of Grace | G Minor | 10 | 6A | 169 BPM | ||
| What Monsters We Have Become, Pt. 2 | Conducting From The Grave | A♭ Major | 9 | 4B | 125 BPM | ||
| We're Always Losing Blood | Evergreen Terrace | D♭ Minor | 10 | 12A | 159 BPM | ||
| The Last of the Monuments | Darkest Hour | B♭ Minor | 10 | 3A | 113 BPM | ||
| Screams Turn to Silence | The Agony Scene | G Major | 10 | 9B | 106 BPM | ||
| Blueprints For Future Homes | Norma Jean | E♭ Minor | 10 | 2A | 182 BPM | ||
| Nightbringers | The Black Dahlia Murder | B♭ Minor | 10 | 3A | 98 BPM | ||
| To the Fallen Hero | God Forbid | C Minor | 10 | 5A | 138 BPM | ||
| Tipping the Scales | Across The Sun | F Major | 10 | 7B | 150 BPM | ||
| Polaris | The Human Abstract | G Minor | 9 | 6A | 105 BPM | ||
| The Day of Justice | All Shall Perish | D♭ Minor | 10 | 12A | 105 BPM | ||
| Drifts | After The Burial | C Major | 9 | 8B | 125 BPM | ||
| The Great Dividers | Unearth | G Major | 9 | 9B | 101 BPM | ||
| Five Years | Misery Signals | A♭ Major | 9 | 4B | 173 BPM | ||
| Never...Again | All Shall Perish | G Major | 10 | 9B | 140 BPM | ||
| Marigold | It Dies Today | A♭ Major | 9 | 4B | 95 BPM | ||
| Let The Tempest Come | Neaera | C Major | 10 | 8B | 103 BPM | ||
| Stand Your Ground | Dead To Fall | A Major | 9 | 11B | 102 BPM | ||
| Enter Oblivion | Darkest Hour | D♭ Minor | 10 | 12A | 155 BPM | ||
| Empty Inside | All That Remains | D Major | 10 | 10B | 103 BPM | ||
| There Will Be No Violins When You Die | I Killed The Prom Queen | G Major | 10 | 9B | 93 BPM | ||
| Shadetree Mechanics | The Bled | B Major | 9 | 1B | 116 BPM | ||
| The Power of I and I | Shadows Fall | A♭ Major | 10 | 4B | 180 BPM | ||
| Fever Dream | Bury Your Dead | C Major | 10 | 8B | 140 BPM | ||
| Shadows in the Light | Unearth | G Major | 10 | 9B | 179 BPM |