Berta Rojas's ' "Salsa Roja (From "Fiesta Americana")" was released on its scheduled release date, August 26, 2013. With this song being around four minutes long, at 3:52, the duration of this song is pretty average compared to other songs. This track is safe for children and doesn't appear to contain any foul language, since the "Explicit" tag was not present in this track. There are a total of 12 in the song's album "Salsa Roja". In this album, this song's track order is #4. Furthermore, we believe that the track originated from United States. Salsa Roja (From "Fiesta Americana") is not that popular right now. Based on the vibe, this track doesn't seem to be that danceable, however its valence properties can make this some somewhat danceable.
With Salsa Roja (From "Fiesta Americana") by Berta Rojas having a BPM of 84 with a half-time of 42 BPM and a double-time of 168 BPM, we would consider this track to have a Andante (at a walking pace) tempo marking. Because of this, we believe that the song has an overall slow tempo. The time signature for this track is 4/4.
E Major is the music key of this track. Or for those who are familiar with the camelot wheel, this song has a camelot key of 12B. So, the perfect camelot match for 12B would be either 12B or 1A. While, 1B can give you a low energy boost. For moderate energy boost, you would use 9B and a high energy boost can either be 2B or 7B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 12A or 11B will give you a low energy drop, 3B would be a moderate one, and 10B or 5B would be a high energy drop. Lastly, 9A allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| La Catedral: Preludio Saudade | Berta Rojas | B Minor | 1 | 10A | 103 BPM | ||
| Suite populaire brésilienne, W020: I. Mazurka | Heitor Villa-Lobos, Roland Dyens | A Minor | 0 | 8A | 128 BPM | ||
| Duas Contas | Stephanie Jones | C Major | 1 | 8B | 117 BPM | ||
| Etude No. 5 en si mineur | Fernando Sor, Arnaud Dumond | E Minor | 0 | 9A | 84 BPM | ||
| Misionera (Arr. J. Morel for Guitar) | Fernando Bustamante, Celil Refik Kaya | C Minor | 0 | 5A | 128 BPM | ||
| Ojos brujos (Bewitching Eyes) | Leo Brouwer, Marco Tamayo | A Minor | 0 | 8A | 111 BPM | ||
| Cançons Populars: El Testament d'Amèlia | Miguel Llobet Solés, Franz Halász | D Minor | 1 | 7A | 131 BPM | ||
| Toledo, Op. 14: Nocturno, Op. 14, "Toledo" | Daniel Fortea, Agustín Maruri | E Minor | 1 | 9A | 83 BPM | ||
| Jha Che Valle | Berta Rojas | D Major | 3 | 10B | 139 BPM | ||
| Nevando Esta | Adrian Patiño, Eduardo Falú, Jürg Kindle | E Minor | 2 | 9A | 125 BPM | ||
| Suite Del Recuerdo/Evocacion | Jose Luis Merlin | E Minor | 1 | 9A | 109 BPM | ||
| El Marabino (Valse Venezolano) - Rev. Alirio Diaz | Antonio Lauro, Göran Söllscher | A Major | 1 | 11B | 107 BPM | ||
| Carcassi Op.60 N.3 Andantino | Matteo Carcassi, Lucio Matarazzo | A Major | 2 | 11B | 118 BPM | ||
| Fancy Pants Dance | Andrew York | C Major | 4 | 8B | 98 BPM | ||
| Ojos brujos (Arr. for Guitar by Leo Brouwer) | Carolina Barenbaum | G Major | 1 | 9B | 154 BPM | ||
| Tristesse | Francis Kleynjans | B Minor | 1 | 10A | 94 BPM | ||
| Canço del Lladre | Heike Matthiesen | E Minor | 0 | 9A | 82 BPM | ||
| Maxixe | Berta Rojas | A Major | 2 | 11B | 117 BPM | ||
| Guantanamera | Berta Rojas, Carlos Barbosa-Lima | G Major | 1 | 9B | 112 BPM | ||
| Adios a Ocumare | Antonio Lauro, Adam Holzman | A Minor | 1 | 8A | 138 BPM | ||
| Verano Porteño | Stephanie Jones | C Major | 1 | 8B | 117 BPM | ||
| London Carape | Berta Rojas | D Major | 3 | 10B | 139 BPM | ||
| Suite del Plata, No. 1: Preludio | Maximo Diego Pujol, Victor Villadangos | D Minor | 0 | 7A | 107 BPM | ||
| Suite Del Recuerdo: II. Zamba | Jose Luis Merlin | E Minor | 1 | 9A | 80 BPM | ||
| Baiãozim Calungo | Ivan Vilela, Berta Rojas | D Major | 3 | 10B | 108 BPM |