Richard H. Kirk's ' "Spiritual Communication" was released on its scheduled release date, 2005. This song is about six minutes long, preciously at 6:00, making this song fairly long compared to other songs. There are a total of 8 in the song's album "Sandoz In Dub: Chapter Two (Live In The Earth)". In this album, this song's track order is #6. Furthermore, we believe that the track originated from United Kingdom. In terms of popularity, Spiritual Communication is currently not that popular. The overall tone is very danceable, especially with its high energy, which produces more of a euphoric, cheerful, or happy vibe.
With Spiritual Communication by Richard H. Kirk having a BPM of 99 with a half-time of 50 BPM and a double-time of 198 BPM, we would consider this track to have a Andante (at a walking pace) tempo marking. Because of this, we believe that the song has an overall slow tempo. The time signature for this track is 4/4.
This song has a musical key of B Minor. Or for those who are familiar with the camelot wheel, this song has a camelot key of 10A. So, the perfect camelot match for 10A would be either 10A or 9B. While, a low energy boost can consist of either 10B or 11A. For moderate energy boost, you would use 7A and a high energy boost can either be 12A or 5A. However, if you are looking for a low energy drop, finding a song with a camelot key of 9A would be a great choice. Where 1A would give you a moderate drop, and 8A or 3A would be a high energy drop. Lastly, 1B allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Foid | Cylob | D♭ Major | 4 | 3B | 220 BPM | ||
| Funk In Space | Kenny Larkin | B Major | 3 | 1B | 157 BPM | ||
| How The West Was Won | Psyche/BFC | D♭ Major | 4 | 3B | 114 BPM | ||
| Amethyst | Kenny Larkin | D♭ Major | 8 | 3B | 143 BPM | ||
| You're Wanting It to Go This Way | Jonnine | D Major | 3 | 10B | 190 BPM | ||
| Talk To Me | Chris & Cosey | E Minor | 5 | 9A | 107 BPM | ||
| When Face Was Face - Isan Kitchen Sink Space Anthem Mix | Seefeel | B Major | 5 | 1B | 146 BPM | ||
| Flak | The Future Sound Of London | D♭ Major | 4 | 3B | 132 BPM | ||
| Starethrough | Seefeel | A Major | 2 | 11B | 125 BPM | ||
| The Three Realms | D.K. | D♭ Major | 4 | 3B | 186 BPM | ||
| Fill 3 | Speedy J | A♭ Major | 2 | 4B | 79 BPM | ||
| Novelty Waves | Biosphere | A♭ Major | 6 | 4B | 124 BPM | ||
| To Places You've Never Been | Robert Leiner | F♯ Major | 6 | 2B | 120 BPM | ||
| Drums | Laurie Spiegel | B Minor | 4 | 10A | 160 BPM | ||
| My Timid Desires | K. Leimer | D Minor | 6 | 7A | 80 BPM | ||
| Ephidrena | Amorphous Androgynous | A Minor | 9 | 8A | 120 BPM | ||
| Resilent 1.2 | Resilent | F Major | 6 | 7B | 181 BPM | ||
| Song in My Heart | Nocturnal Emissions | D Major | 6 | 10B | 145 BPM | ||
| Gathering Light | The Detroit Escalator Co. | A Minor | 2 | 8A | 78 BPM | ||
| First Steps | Mark Van Hoen | D♭ Major | 4 | 3B | 180 BPM | ||
| Micron (Take 2) | Bochum Welt | F Major | 7 | 7B | 122 BPM | ||
| C to the Power of X+C to the Power of X=unknown | Drexciya | D Major | 2 | 10B | 190 BPM | ||
| Cowboys In Cuba | Chris & Cosey | E♭ Major | 3 | 5B | 107 BPM | ||
| Fracture | Seefeel | B Minor | 10 | 10A | 120 BPM | ||
| Impulse | Chris & Cosey | B Minor | 9 | 10A | 141 BPM |