On August 31, 2014, the song "Rambha Ho" was released by S. P. Balasubrahmanyam, Madavapeddi Ramesh, Ramana, S.P. Shailaja, Radhika, Malgudi Shuba, Rajan–Nagendra, Sahithi. Since This song is still less than 10 minute long, it is still considered a pretty long duration song compared to the average song length. This song does not appear to be explicit due to the lack of the "E" tag. The song is number 6 out of 6 in Appula Apparao by Rajan–Nagendra. Going off of the ISRC code of this track, we detected that the origin of this track is from India. The popularity of Rambha Ho is currently unknown right now. The overall tone is very danceable, especially with its high energy, which produces more of a euphoric, cheerful, or happy vibe.
The tempo marking of Rambha Ho by S. P. Balasubrahmanyam, Madavapeddi Ramesh, Ramana, S.P. Shailaja, Radhika, Malgudi Shuba, Rajan–Nagendra, Sahithi is Vivace (lively and fast), since this song has a tempo of 164 BPM. With that information, we can conclude that the song has a fast tempo. The time signature for this track is 4/4.
This song has a musical key of F Major. This also means that this song has a camelot key of 7B. So, the perfect camelot match for 7B would be either 7B or 8A. While, 8B can give you a low energy boost. For moderate energy boost, you would use 4B and a high energy boost can either be 9B or 2B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 7A or 6B will give you a low energy drop, 10B would be a moderate one, and 5B or 12B would be a high energy drop. Lastly, 4A allows you to change the mood.
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| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Hanuman Chalisa - Tlg | Kalluri Muralikrishna | F Major | 4 | 7B | 150 BPM | ||
| Ee Chempa Muddandiro | K. Chakravarthy, Veturi Sundararama Murthy, S. P. Balasubrahmanyam, P. Susheela | G Major | 5 | 9B | 97 BPM | ||
| Jai Jai Ganapayya | Parupalli Ranganath | A♭ Minor | 6 | 1A | 80 BPM | ||
| Patala Pallakivai-Male | S. P. Balasubrahmanyam | D Major | 9 | 10B | 125 BPM | ||
| Karunimpumamma | S. P. Sailaja | C Minor | 4 | 5A | 179 BPM | ||
| Sanduloki Pokubidda - Bellam Gadda | Ramu, Ramesh | B♭ Minor | 6 | 3A | 107 BPM | ||
| Himagiri Vara Baala | Parupalli Ranganath | G Minor | 6 | 6A | 83 BPM | ||
| Brahma Kadigina Paadamu | B.Ramana | G Major | 5 | 9B | 161 BPM | ||
| Inthele Jeevithaminthele | S. P. Balasubrahmanyam | D♭ Major | 5 | 3B | 142 BPM | ||
| Ammo Vaana | S. P. Balasubrahmanyam, K.S. Chitra | A♭ Major | 7 | 4B | 89 BPM | ||
| Ee Madhu Maasam | N. Suryaprakash, Vijayalakshmi Sarma | A Major | 8 | 11B | 135 BPM | ||
| Hanumat Kavacham | Kalluri Muralikrishna | B Major | 2 | 1B | 70 BPM | ||
| Sundara Kandamu,Pt. 3 | M. S. Rama Rao | D Minor | 4 | 7A | 69 BPM | ||
| Nenantene Mojamavu | S. P. Balasubrahmanyam, S. Janaki | G Major | 7 | 9B | 155 BPM | ||
| Naa Chinni Manikanta | Naarsingi Narsing Rao | G Major | 8 | 9B | 113 BPM | ||
| Chilakamma Chilakamma | Dhina, Unnikrishnan | E Minor | 4 | 9A | 147 BPM | ||
| Varasiddi Vinayaka Kalyanam | Vijayamani sarma, B.Ramana | C Minor | 4 | 5A | 100 BPM | ||
| Chellammaku Pellanta | J. V. Raghavulu, S. P. Balasubrahmanyam, S. P. Sailaja | D Minor | 7 | 7A | 108 BPM | ||
| Gayathri Mahima Stothram | Priya Sisters | B Minor | 5 | 10A | 79 BPM | ||
| Uyyala Uyyala | Dr. M. Balamuralikrishna | F Major | 3 | 7B | 175 BPM | ||
| Gaali Vanna | K. Chakravarthy, Veturi Sundararama Murthy, S. P. Balasubrahmanyam, P. Susheela | D Major | 5 | 10B | 121 BPM | ||
| Adigo Bhadradri | Parupalli Sri Ranganath | C Major | 8 | 8B | 134 BPM | ||
| O Musthafa | S. P. Balasubrahmanyam, K. S. Chithra | G Major | 7 | 9B | 115 BPM | ||
| Srihari Manohari Queen of Fortune | Dr. Josyabhatla, Pavani Vasa, Radhika Madhuri | E Minor | 5 | 9A | 166 BPM | ||
| Arulvaayae | Aravind, S. Bharathi Ganesh, S. P. Balasubrahmanyam | F♯ Minor | 4 | 11A | 99 BPM |