"Entrechats, Boys - 2/4 - 4x8" by Pascal Sévajols had its release date on November 30, 2015. With This song being less than a minute long, we are pretty confident that this song does not contain any foul language. That being said, this song is pretty short compared to other songs. There are a total of 38 in the song's album "Pascal Sévajols Plays Ballet Class - Intermediate". In this album, this song's track order is #30. Furthermore, we believe that the track originated from Germany. Based on our statistics, Entrechats, Boys - 2/4 - 4x8's popularity is unknown right now. Although the tone can be danceable to some, this track does projects more of a negative sound rather than a postive one.
With Entrechats, Boys - 2/4 - 4x8 by Pascal Sévajols having a BPM of 132 with a half-time of 66 BPM and a double-time of 264 BPM, we would consider this track to have a Allegro (fast, quick, and bright) tempo marking. Because of this, we believe that the song has an overall fast tempo. Looking at the BPM of this song, this song might go great with walking. The time signature for this track is 4/4.
This song has a musical key of B Minor. Or for those who are familiar with the camelot wheel, this song has a camelot key of 10A. So, the perfect camelot match for 10A would be either 10A or 9B. While, a low energy boost can consist of either 10B or 11A. For moderate energy boost, you would use 7A and a high energy boost can either be 12A or 5A. However, if you are looking for a low energy drop, finding a song with a camelot key of 9A would be a great choice. Where 1A would give you a moderate drop, and 8A or 3A would be a high energy drop. Lastly, 1B allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Halation (closing credits) | David Tarrodi | E♭ Major | 1 | 5B | 56 BPM | ||
| Vamo Alla Flamenco (From "Final Fantasy IX") | Animalisa Keys, Pablo Enver | A Minor | 1 | 8A | 108 BPM | ||
| Rond de Jambe à Terre Roudnev, Vol. 3 | Marina Stolyar, Dmitri Roudnev | G Major | 2 | 9B | 121 BPM | ||
| Warm up Pointe 1. Metre 4/4. | Vadim Proshich, MetodoVadim | F Major | 2 | 7B | 90 BPM | ||
| Tendu-1st Slow: Barre Technique | David Howard, Joe Cross | G Minor | 2 | 6A | 76 BPM | ||
| Battements Tendus 1 (La Bayadere by L. Minkus) | L. Minkus, 신나래 | G Minor | 3 | 6A | 70 BPM | ||
| Thema, Op. 10 | Carl Maria von Weber, Anna Miernik, Joanna Sochacka | G Major | 0 | 9B | 68 BPM | ||
| Astral Ascendance | Tarthrezol | E♭ Minor | 2 | 2A | 112 BPM | ||
| Rêves de l’amour | Coen Molenaar, Myllèrí | F Major | 0 | 7B | 177 BPM | ||
| Le chant de la terre: Intermezzo. Conte a la veillee | Déodat de Séverac, Jordi Masó | B♭ Minor | 1 | 3A | 86 BPM | ||
| Plié Roudnev, Vol. 2 | Marina Stolyar, Dmitri Roudnev | F Minor | 2 | 4A | 117 BPM | ||
| Pilé | So Jeong Lee | B♭ Major | 2 | 6B | 105 BPM | ||
| Frappe G Minor (64) | Jack Lloyd O'Donnell, Wireless Lovebird | B Major | 0 | 1B | 92 BPM | ||
| Petite Valse, Op. 34 | Blas Maria Colomer, Carlos Marquez | B♭ Major | 1 | 6B | 66 BPM | ||
| ロミオとジュリエットより (Adagio) | Miwa Hoshi | D Minor | 1 | 7A | 105 BPM | ||
| Something in the air | Estrell Dami | F Major | 1 | 7B | 70 BPM | ||
| ロン・ド・ジャンブ・ア・テール ~「眠れる森の美女」リラの精のテーマ~ - 3/4 8×8 | 滝澤 志野 | E Major | 1 | 12B | 114 BPM | ||
| Sonata in G Minor: II. Adagio | Anna Lipiak | D Minor | 2 | 7A | 147 BPM | ||
| Maldita Primavera | Paul Kronberg | F♯ Major | 0 | 2B | 169 BPM | ||
| Emerlalds Siciliane (Rond De Jambe En L'air) | Trisha Wolf | F Major | 0 | 7B | 177 BPM | ||
| Plies 4/4 8×8 | Galina Bezuglaya | E Major | 0 | 12B | 63 BPM | ||
| Warm Up : Ankles and Feet - Autumn in Beijing | Nolwenn Collet | B♭ Major | 1 | 6B | 68 BPM | ||
| Rond de Jambe par Terre - 3/4 | Venti Petrov, Ferdy Tumakaka | E Minor | 3 | 9A | 107 BPM | ||
| Plié 3-4 | Venti Petrov | E♭ Major | 2 | 5B | 125 BPM | ||
| Big Jumps - 3/4 - 16x8 | Pascal Sévajols | F Major | 0 | 7B | 177 BPM |