"For Behold, Darkness Shall Cover The Earth - Live" by George Frideric Handel, Andrew Davis, Toronto Mendelssohn Choir, Elmer Iseler Singers, Florence Quivar, John Aler, Samuel Ramey, Kathleen Battle, Toronto Symphony Orchestra had its release date on January 1, 1987. The duration of This song is about two minutes long, specifically at 2:42. This song does not appear to have any foul language. For Behold, Darkness Shall Cover The Earth - Live's duration is considered a little bit shorter than the average duration of a typical track. The track order of this song in George Frideric Handel, Andrew Davis's "Handel: Messiah" album is number 10 out of 54. On top of that, United States appears to be the country where this track was created. In terms of popularity, For Behold, Darkness Shall Cover The Earth - Live is currently not that popular. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
We consider the tempo marking of For Behold, Darkness Shall Cover The Earth - Live by George Frideric Handel, Andrew Davis, Toronto Mendelssohn Choir, Elmer Iseler Singers, Florence Quivar, John Aler, Samuel Ramey, Kathleen Battle, Toronto Symphony Orchestra to be Andante (at a walking pace) because the track has a tempo of 104 BPM, a half-time of 52BPM, and a double-time of 208 BPM. Based on that, the speed of the song's tempo is slow. The time signature for this track is 4/4.
This song is in the music key of A Minor. Because this track belongs in the A Minor key, the camelot key is 8A. So, the perfect camelot match for 8A would be either 8A or 7B. While, a low energy boost can consist of either 8B or 9A. For moderate energy boost, you would use 5A and a high energy boost can either be 10A or 3A. However, if you are looking for a low energy drop, finding a song with a camelot key of 7A would be a great choice. Where 11A would give you a moderate drop, and 6A or 1A would be a high energy drop. Lastly, 11B allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Weihnachtsoratorium: Mache dich auf, werde licht | Carl Heinrich Graun, Arcis-Vocalisten Munich, L'arpa Festante, Thomas Gropper | D♭ Major | 3 | 3B | 110 BPM | ||
| Go Down Moses | The Boys Choir Of Harlem | B Minor | 0 | 10A | 82 BPM | ||
| Trad / Arr Pasatieri : "Go, tell it on the mountain" | Traditional, Thomas Hampson, Hugh Wolff, Saint Paul Chamber Orchestra | G Major | 2 | 9B | 140 BPM | ||
| Missa pro defuncto Archiepiscopo Sigismundo, "Mass for the death of Archbishop Sigismund": Hostias | Michael Haydn, Ibolya Verebics, Judit Nemeth, Martin Kleitmann, József Moldvay, Hungarian Radio and Television Chorus, Franz Liszt Chamber Orchestra, Helmuth Rilling | G Minor | 1 | 6A | 99 BPM | ||
| L'enfance du Christ, Op. 25, H 130: Part II, La Fuite en Égypte, L'adieu Des Bergers a la Sainte Famille (The Shepherds' Farewell) | Hector Berlioz, London Symphony Orchestra, Sir Colin Davis, Tenebrae | E Major | 0 | 12B | 86 BPM | ||
| Le nozze di Figaro, K. 492, Act I: No. 7, Trio. Cosa sento! – Basilio, in traccia tosto – No. 8, Chorus. Giovani liete | Wolfgang Amadeus Mozart, Thomas Allen, Lucia Popp, Frederica von Stade, Samuel Ramey, The London Opera Chorus, London Philharmonic Orchestra, Sir Georg Solti | C Major | 1 | 8B | 112 BPM | ||
| Messiah, HWV 56, Part III: No. 50, O Death, Where Is Thy Sting? | George Frideric Handel, London Symphony Orchestra, Mark Padmore, Sara Mingardo, Sir Colin Davis | E♭ Major | 1 | 5B | 105 BPM | ||
| Gloria, FP 177: V. Domine Deus, Agnus Dei | Francis Poulenc, Kathleen Battle, Boston Symphony Orchestra, Seiji Ozawa, Tanglewood Festival Chorus, John Oliver | E Major | 1 | 12B | 95 BPM | ||
| Messiah, HWV 56: Part 1: For unto us a child is born (Chorus) | Nikolaus Harnoncourt | F♯ Major | 2 | 2B | 86 BPM | ||
| Oratorio de Noël, Op. 12: No. 4 Domine, ego credidi | Camille Saint-Saëns, Marcus Ullmann, Romano Giefer, Vocalensemble Rastatt, Les Favorites, Holger Speck | A Minor | 0 | 8A | 172 BPM | ||
| Messe de Minuit, H. 9: Christe | Marc-Antoine Charpentier, Eric Huchet, Patrick Henckens, Russell Smythe, Les Musiciens du Louvre, Marc Minkowski, Chorus Of Les Musiciens Du Louvre | C Minor | 1 | 5A | 97 BPM | ||
| Charpentier : In nativitatem Domini canticum H416 : II "Memorare testamenti" | Marc-Antoine Charpentier, William Christie | D♭ Minor | 2 | 12A | 94 BPM | ||
| L'enfance du Christ, Op. 25: Part II: The Flight into Egypt - The Shepherd's Farewell to the Holy Family | Hector Berlioz, Fernand Bernardi, Antoine Garcin, Michèle Lagrange, Michel Piquemal, Jean-Louis Serre, Etienne Vandier, Jean-Luc Viala, Ile de France Vittoria Regional Choir, Orchestre National de Lille, Jean-Claude Casadesus | E Major | 0 | 12B | 91 BPM | ||
| Trad / Arr Pasatieri : Adeste fideles | Traditional, Thomas Hampson, Hugh Wolff, Saint Paul Chamber Orchestra | A Major | 1 | 11B | 79 BPM | ||
| XII. for unto us a child a child is born | London Philharmonic Orchestra | G Major | 3 | 9B | 97 BPM | ||
| Messiah, HWV 56, Part I: "Then shall the eyes of the blind be opened" (soprano I) - "He shall feed His flock like a shepherd" (alto & soprano I) | George Frideric Handel, Barbara Schlick, Andreas Scholl, Les Arts Florissants, William Christie | A Minor | 0 | 8A | 172 BPM | ||
| Messiah, HWV 56: Part 1: Comfort ye my people (Accompagnato) | Nikolaus Harnoncourt | B♭ Major | 1 | 6B | 175 BPM | ||
| Ach Gott, vom Himmel sieh darein, BWV 2: Aria. Tilg, o Gott, die Lehren (Alto) | Johann Sebastian Bach, Helen Watts, Aldo Baldin, Walter Heldwein, Gächinger Kantorei Stuttgart, Bach-Collegium Stuttgart, Helmuth Rilling | G Minor | 2 | 6A | 70 BPM | ||
| Vom Himmel hoch: I. Chor "Vom Himmel hoch, da komm ich her" | Felix Mendelssohn, Laurence Equilbey, Accentus, Orchestre de chambre de Paris | A Minor | 2 | 8A | 83 BPM | ||
| Handel: Water Music Suite #1 in F, HWV 348 - Air | Handel, Budapest Strings Wind Ensemble | F Major | 1 | 7B | 87 BPM | ||
| Comfort Ye, My People | The Choir and Orchestra of Pro Christe | B Major | 0 | 1B | 87 BPM | ||
| Magnificat in B flat major: Deposuit potentes | Francesco Durante, Balthasar-Neumann-Chor, Thomas Hengelbrock | D♭ Minor | 2 | 12A | 104 BPM | ||
| Messiah, HWV 56 / Pt. 2: "All They That See Him...He Trusted In God" | George Frideric Handel, Paul Elliott, Christ Church Cathedral Choir, Oxford, Simon Preston, Academy of Ancient Music, Christopher Hogwood | D Major | 2 | 10B | 113 BPM | ||
| Messiah: Part 1, Thus saith the Lord of Hosts (Accompagnato, Bass) | The Sixteen | D♭ Minor | 4 | 12A | 102 BPM | ||
| Rinaldo / Act 1: Recitativo: Goffredo, se t'arrise | George Frideric Handel, Gerald Finley, Bernarda Fink, Academy of Ancient Music, Christopher Hogwood | D♭ Major | 2 | 3B | 112 BPM |