For Behold, Darkness Shall Cover The Earth - Live
George Frideric Handel, Andrew Davis, Toronto Mendelssohn Choir, Elmer Iseler Singers, Florence Quivar, John Aler, Samuel Ramey, Kathleen Battle, Toronto Symphony Orchestra
Handel: Messiah
2:42 January 1, 1987
BPM
104
Key
A Minor
Camelot
8A

Embed

Share Link

For Behold, Darkness Shall Cover The Earth - Live by George Frideric Handel, Andrew Davis, Toronto Mendelssohn Choir, Elmer Iseler Singers, Florence Quivar, John Aler, Samuel Ramey, Kathleen Battle, Toronto Symphony Orchestra Song Details

"For Behold, Darkness Shall Cover The Earth - Live" by George Frideric Handel, Andrew Davis, Toronto Mendelssohn Choir, Elmer Iseler Singers, Florence Quivar, John Aler, Samuel Ramey, Kathleen Battle, Toronto Symphony Orchestra had its release date on January 1, 1987. The duration of This song is about two minutes long, specifically at 2:42. This song does not appear to have any foul language. For Behold, Darkness Shall Cover The Earth - Live's duration is considered a little bit shorter than the average duration of a typical track. The track order of this song in George Frideric Handel, Andrew Davis's "Handel: Messiah" album is number 10 out of 54. On top of that, United States appears to be the country where this track was created. In terms of popularity, For Behold, Darkness Shall Cover The Earth - Live is currently not that popular. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.

BPM and Tempo

We consider the tempo marking of For Behold, Darkness Shall Cover The Earth - Live by George Frideric Handel, Andrew Davis, Toronto Mendelssohn Choir, Elmer Iseler Singers, Florence Quivar, John Aler, Samuel Ramey, Kathleen Battle, Toronto Symphony Orchestra to be Andante (at a walking pace) because the track has a tempo of 104 BPM, a half-time of 52BPM, and a double-time of 208 BPM. Based on that, the speed of the song's tempo is slow. The time signature for this track is 4/4.

Music Key

This song is in the music key of A Minor. Because this track belongs in the A Minor key, the camelot key is 8A. So, the perfect camelot match for 8A would be either 8A or 7B. While, a low energy boost can consist of either 8B or 9A. For moderate energy boost, you would use 5A and a high energy boost can either be 10A or 3A. However, if you are looking for a low energy drop, finding a song with a camelot key of 7A would be a great choice. Where 11A would give you a moderate drop, and 6A or 1A would be a high energy drop. Lastly, 11B allows you to change the mood.

Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!

Popularity
Loudness
-29.862 dB
Acousticness
98%
Danceability
26%
Energy
4%
Instrumentalness
84%
Liveness
7%
Loudness
50%
Speechiness
4%
Valence
5%

Recommendations

TrackArtistKeyEnergyCamelotBPM
Weihnachtsoratorium: Mache dich auf, werde licht by Carl Heinrich Graun, Arcis-Vocalisten Munich, L'arpa Festante, Thomas GropperWeihnachtsoratorium: Mache dich auf, werde lichtCarl Heinrich Graun, Arcis-Vocalisten Munich, L'arpa Festante, Thomas GropperD♭ Major33B110 BPM
Go Down Moses by The Boys Choir Of HarlemGo Down MosesThe Boys Choir Of HarlemB Minor010A82 BPM
Trad / Arr Pasatieri : Trad / Arr Pasatieri : "Go, tell it on the mountain"Traditional, Thomas Hampson, Hugh Wolff, Saint Paul Chamber OrchestraG Major29B140 BPM
Missa pro defuncto Archiepiscopo Sigismundo, Missa pro defuncto Archiepiscopo Sigismundo, "Mass for the death of Archbishop Sigismund": HostiasMichael Haydn, Ibolya Verebics, Judit Nemeth, Martin Kleitmann, József Moldvay, Hungarian Radio and Television Chorus, Franz Liszt Chamber Orchestra, Helmuth RillingG Minor16A99 BPM
L'enfance du Christ, Op. 25, H 130: Part II, La Fuite en Égypte, L'adieu Des Bergers a la Sainte Famille (The Shepherds' Farewell) by Hector Berlioz, London Symphony Orchestra, Sir Colin Davis, TenebraeL'enfance du Christ, Op. 25, H 130: Part II, La Fuite en Égypte, L'adieu Des Bergers a la Sainte Famille (The Shepherds' Farewell)Hector Berlioz, London Symphony Orchestra, Sir Colin Davis, TenebraeE Major012B86 BPM
Le nozze di Figaro, K. 492, Act I: No. 7, Trio. Cosa sento! – Basilio, in traccia tosto – No. 8, Chorus. Giovani liete by Wolfgang Amadeus Mozart, Thomas Allen, Lucia Popp, Frederica von Stade, Samuel Ramey, The London Opera Chorus, London Philharmonic Orchestra, Sir Georg SoltiLe nozze di Figaro, K. 492, Act I: No. 7, Trio. Cosa sento! – Basilio, in traccia tosto – No. 8, Chorus. Giovani lieteWolfgang Amadeus Mozart, Thomas Allen, Lucia Popp, Frederica von Stade, Samuel Ramey, The London Opera Chorus, London Philharmonic Orchestra, Sir Georg SoltiC Major18B112 BPM
Messiah, HWV 56, Part III: No. 50, O Death, Where Is Thy Sting? by George Frideric Handel, London Symphony Orchestra, Mark Padmore, Sara Mingardo, Sir Colin DavisMessiah, HWV 56, Part III: No. 50, O Death, Where Is Thy Sting?George Frideric Handel, London Symphony Orchestra, Mark Padmore, Sara Mingardo, Sir Colin DavisE♭ Major15B105 BPM
Gloria, FP 177: V. Domine Deus, Agnus Dei by Francis Poulenc, Kathleen Battle, Boston Symphony Orchestra, Seiji Ozawa, Tanglewood Festival Chorus, John OliverGloria, FP 177: V. Domine Deus, Agnus DeiFrancis Poulenc, Kathleen Battle, Boston Symphony Orchestra, Seiji Ozawa, Tanglewood Festival Chorus, John OliverE Major112B95 BPM
Messiah, HWV 56: Part 1: For unto us a child is born (Chorus) by Nikolaus HarnoncourtMessiah, HWV 56: Part 1: For unto us a child is born (Chorus)Nikolaus HarnoncourtF♯ Major22B86 BPM
Oratorio de Noël, Op. 12: No. 4 Domine, ego credidi by Camille Saint-Saëns, Marcus Ullmann, Romano Giefer, Vocalensemble Rastatt, Les Favorites, Holger SpeckOratorio de Noël, Op. 12: No. 4 Domine, ego credidiCamille Saint-Saëns, Marcus Ullmann, Romano Giefer, Vocalensemble Rastatt, Les Favorites, Holger SpeckA Minor08A172 BPM
Messe de Minuit, H. 9: Christe by Marc-Antoine Charpentier, Eric Huchet, Patrick Henckens, Russell Smythe, Les Musiciens du Louvre, Marc Minkowski, Chorus Of Les Musiciens Du LouvreMesse de Minuit, H. 9: ChristeMarc-Antoine Charpentier, Eric Huchet, Patrick Henckens, Russell Smythe, Les Musiciens du Louvre, Marc Minkowski, Chorus Of Les Musiciens Du LouvreC Minor15A97 BPM
Charpentier : In nativitatem Domini canticum H416 : II Charpentier : In nativitatem Domini canticum H416 : II "Memorare testamenti"Marc-Antoine Charpentier, William ChristieD♭ Minor212A94 BPM
L'enfance du Christ, Op. 25: Part II: The Flight into Egypt - The Shepherd's Farewell to the Holy Family by Hector Berlioz, Fernand Bernardi, Antoine Garcin, Michèle Lagrange, Michel Piquemal, Jean-Louis Serre, Etienne Vandier, Jean-Luc Viala, Ile de France Vittoria Regional Choir, Orchestre National de Lille, Jean-Claude CasadesusL'enfance du Christ, Op. 25: Part II: The Flight into Egypt - The Shepherd's Farewell to the Holy FamilyHector Berlioz, Fernand Bernardi, Antoine Garcin, Michèle Lagrange, Michel Piquemal, Jean-Louis Serre, Etienne Vandier, Jean-Luc Viala, Ile de France Vittoria Regional Choir, Orchestre National de Lille, Jean-Claude CasadesusE Major012B91 BPM
Trad / Arr Pasatieri : Adeste fideles by Traditional, Thomas Hampson, Hugh Wolff, Saint Paul Chamber OrchestraTrad / Arr Pasatieri : Adeste fidelesTraditional, Thomas Hampson, Hugh Wolff, Saint Paul Chamber OrchestraA Major111B79 BPM
XII. for unto us a child a child is born by London Philharmonic OrchestraXII. for unto us a child a child is bornLondon Philharmonic OrchestraG Major39B97 BPM
Messiah, HWV 56, Part I: Messiah, HWV 56, Part I: "Then shall the eyes of the blind be opened" (soprano I) - "He shall feed His flock like a shepherd" (alto & soprano I)George Frideric Handel, Barbara Schlick, Andreas Scholl, Les Arts Florissants, William ChristieA Minor08A172 BPM
Messiah, HWV 56: Part 1: Comfort ye my people (Accompagnato) by Nikolaus HarnoncourtMessiah, HWV 56: Part 1: Comfort ye my people (Accompagnato)Nikolaus HarnoncourtB♭ Major16B175 BPM
Ach Gott, vom Himmel sieh darein, BWV 2: Aria. Tilg, o Gott, die Lehren (Alto) by Johann Sebastian Bach, Helen Watts, Aldo Baldin, Walter Heldwein, Gächinger Kantorei Stuttgart, Bach-Collegium Stuttgart, Helmuth RillingAch Gott, vom Himmel sieh darein, BWV 2: Aria. Tilg, o Gott, die Lehren (Alto)Johann Sebastian Bach, Helen Watts, Aldo Baldin, Walter Heldwein, Gächinger Kantorei Stuttgart, Bach-Collegium Stuttgart, Helmuth RillingG Minor26A70 BPM
Vom Himmel hoch: I. Chor Vom Himmel hoch: I. Chor "Vom Himmel hoch, da komm ich her"Felix Mendelssohn, Laurence Equilbey, Accentus, Orchestre de chambre de ParisA Minor28A83 BPM
Handel: Water Music Suite #1 in F, HWV 348 - Air by Handel, Budapest Strings Wind EnsembleHandel: Water Music Suite #1 in F, HWV 348 - AirHandel, Budapest Strings Wind EnsembleF Major17B87 BPM
Comfort Ye, My People by The Choir and Orchestra of Pro ChristeComfort Ye, My PeopleThe Choir and Orchestra of Pro ChristeB Major01B87 BPM
Magnificat in B flat major: Deposuit potentes by Francesco Durante, Balthasar-Neumann-Chor, Thomas HengelbrockMagnificat in B flat major: Deposuit potentesFrancesco Durante, Balthasar-Neumann-Chor, Thomas HengelbrockD♭ Minor212A104 BPM
Messiah, HWV 56 / Pt. 2: Messiah, HWV 56 / Pt. 2: "All They That See Him...He Trusted In God"George Frideric Handel, Paul Elliott, Christ Church Cathedral Choir, Oxford, Simon Preston, Academy of Ancient Music, Christopher HogwoodD Major210B113 BPM
Messiah: Part 1, Thus saith the Lord of Hosts (Accompagnato, Bass) by The SixteenMessiah: Part 1, Thus saith the Lord of Hosts (Accompagnato, Bass)The SixteenD♭ Minor412A102 BPM
Rinaldo / Act 1: Recitativo: Goffredo, se t'arrise by George Frideric Handel, Gerald Finley, Bernarda Fink, Academy of Ancient Music, Christopher HogwoodRinaldo / Act 1: Recitativo: Goffredo, se t'arriseGeorge Frideric Handel, Gerald Finley, Bernarda Fink, Academy of Ancient Music, Christopher HogwoodD♭ Major23B112 BPM
ISRC
USAR28701071
Label
L-M Records/RCA Records