- BPM
- 66
- Key
- D♭ Minor
- Camelot
- 12A
Requiem, Op. 9: Domine Jesu Christe by Maurice Duruflé, Ivan Repušić, Munich Radio Orchestra, Bavarian Radio Chorus, Ljubomir Puškarić Song Details
"Requiem, Op. 9: Domine Jesu Christe" by Maurice Duruflé, Ivan Repušić, Munich Radio Orchestra, Bavarian Radio Chorus, Ljubomir Puškarić had its release date on September 15, 2017. Since This song is still less than 10 minute long, it is still considered a pretty long duration song compared to the average song length. This song does not appear to be explicit due to the lack of the "E" tag. The song is number 3 out of 12 in Duruflé: Requiem - Respighi: Concerto gregoriano by Ivan Repušić, Henry Raudales, Okka von der Damerau, Munich Radio Orchestra, Bavarian Radio Chorus. Going off of the ISRC code of this track, we detected that the origin of this track is from Germany. Requiem, Op. 9: Domine Jesu Christe is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
BPM and Tempo
The tempo marking of Requiem, Op. 9: Domine Jesu Christe by Maurice Duruflé, Ivan Repušić, Munich Radio Orchestra, Bavarian Radio Chorus, Ljubomir Puškarić is Larghetto (rather broadly), since this song has a tempo of 66 BPM. With that information, we can conclude that the song has a slow tempo. The time signature for this track is 4/4.
Music Key
This song is in the music key of D♭ Minor. This also means that this song has a camelot key of 12A. So, the perfect camelot match for 12A would be either 12A or 11B. While, a low energy boost can consist of either 12B or 1A. For moderate energy boost, you would use 9A and a high energy boost can either be 2A or 7A. However, if you are looking for a low energy drop, finding a song with a camelot key of 11A would be a great choice. Where 3A would give you a moderate drop, and 10A or 5A would be a high energy drop. Lastly, 3B allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
- Popularity
- 3%
- Loudness
- -20.286 dB
- Acousticness
- 94%
- Danceability
- 9%
- Energy
- 6%
- Instrumentalness
- 55%
- Liveness
- 10%
- Loudness
- 66%
- Speechiness
- 4%
- Valence
- 4%
Recommendations
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
 | Mass for Double Choir: V. Agnus dei | Frank Martin, Westminster Choir, Joe Miller | D Major | 1 | 10B | 83 BPM | |
 | Evening Service in G Minor, Z. 231: No. 2, Nunc dimittis | Henry Purcell, Trinity Hall Chapel Choir, Cambridge, Andrew Arthur | A Minor | 1 | 8A | 79 BPM | |
 | I Have Never Loved Someone: I Have Never Loved Someone (Arr. for Choir by Nate Thacher) | Shara Nova, Conspirare, Craig Hella Johnson | E Major | 1 | 12B | 175 BPM | |
 | Salvation is Created | Pavel Chesnokov, Soli Deo Gloria Cantorum, Almeda Berkey (Director) | D Major | 1 | 10B | 108 BPM | |
 | Requiem in C Minor: I. Introitus | Luigi Cherubini, Filharmonie Brno, Czech Philharmonic Chorus Brno, Petr Fiala | A♭ Major | 0 | 4B | 58 BPM | |
 | Statio quadruplex pro Processione Theophorica, ZWV158: Misericordia tua, Domine | Jan Dismas Zelenka, Adam Viktora, Ensemble Inégal | A Major | 3 | 11B | 108 BPM | |
 | Behold, How Good and Joyful a Thing It Is | Thomas Wilson, The Choir of Peterhouse, Cambridge, Simon Jackson | C Major | 1 | 8B | 171 BPM | |
 | Tallis: Hear the Voice and Prayer | The Tallis Scholars, Peter Phillips | F♯ Minor | 0 | 11A | 82 BPM | |
 | Son of God Mass: Lava me | James Whitbourn, Westminster Williamson Voices, Jeremy Powell, Ken Cowan, James Jordan | D♭ Minor | 0 | 12A | 67 BPM | |
 | When they saw the Star | Chloe May Evans, Ǣfendrēama | E♭ Major | 3 | 5B | 137 BPM | |
| Son of God Mass: Sanctus and Benedictus | James Whitbourn, Westminster Williamson Voices, Jeremy Powell, Ken Cowan, James Jordan | F Major | 1 | 7B | 133 BPM | |
| Requiem in C Minor: VI. Pie Jesu | Luigi Cherubini, Filharmonie Brno, Czech Philharmonic Chorus Brno, Petr Fiala | F Minor | 0 | 4A | 76 BPM | |
 | Requiem, Op. 9: IV. Sanctus and Benedictus | Maurice Duruflé, The Choir of Magdalen College, Oxford, English Sinfonia, Martin Ford, Bill Ives | G Minor | 1 | 6A | 90 BPM | |
| Mass for Double Choir: III. Credo | Frank Martin, Westminster Choir, Joe Miller | E Minor | 1 | 9A | 135 BPM | |
 | Da pacem, Domine | Chloe May Evans, Ǣfendrēama | D♭ Major | 1 | 3B | 104 BPM | |
 | Kyrie (From Mass in Eb) | The Concordia Choir, René Clausen | E♭ Major | 1 | 5B | 84 BPM | |
 | Liturgy of St. John Chrysostom, Op. 41: V. Glory Be to Thee | Pyotr Ilyich Tchaikovsky, National Choir Of The Ukraine "Dumka", Yevhen Savchuk | E♭ Major | 1 | 5B | 97 BPM | |
 | The Darkness Is No Darkness | Judith Bingham, Hannah Holgersson, Sofia Vokalensemble, Bengt Ollen | F Major | 1 | 7B | 85 BPM | |
 | Amen | Laestadian Lutheran Church, Anna-Kaisa Roiko | G Major | 1 | 9B | 148 BPM | |
 | O gloriosa virginum | Krzysztof Penderecki, Latvian Radio Choir, Sigvards Kļava | F Minor | 1 | 4A | 81 BPM | |
 | The Blue Bird | Charles Villiers Stanford, New Dublin Voices, Bernie Sherlock | F♯ Major | 0 | 2B | 133 BPM | |
 | Magnificat in G Minor, RV 610a: III. Et misericordia | Antonio Vivaldi, Le Concert Spirituel, Herve Niquet | E♭ Minor | 2 | 2A | 130 BPM | |
 | Shakespeare Songs, Book 3: IV. O mistress mine! | Matthew Harris, Phoenix Bach Choir, Charles Bruffy, Robert Comeaux | E♭ Major | 1 | 5B | 127 BPM | |
 | Sarabande and Courante from Auf meinen lieben Gott, BuxWV 179 (Arr. Leopold Stokowski) | Dietrich Buxtehude, Matthias Bamert, BBC Philharmonic, Cynthia Millar | E Major | 2 | 12B | 118 BPM | |
 | Hymne à la vierge | Pierre Villette, Netherlands Chamber Choir, Peter Dijkstra | F Major | 1 | 7B | 121 BPM |
- ISRC
- DELW71732003
- Label
- L-M Records/RCA Records