Rajesh Krishnan, K. S. Chithra's ' "Gili Gili Giliye" was released on its scheduled release date, September 25, 2007. With this song being about 5 minutes long, at This song is fairly a long song compared to the average song length. This song does not have an "Explicit" tag, making it safe for all ages. There are a total of 6 in the song's album "Ramakrishna (Original Motion Picture Soundtrack)". In this album, this song's track order is #2. Furthermore, we believe that the track originated from India. In terms of popularity, Gili Gili Giliye is currently not that popular. The overall tone is very danceable, especially with its high energy, which produces more of a euphoric, cheerful, or happy vibe.
With Gili Gili Giliye by Rajesh Krishnan, K. S. Chithra having a BPM of 92 with a half-time of 46 BPM and a double-time of 184 BPM, we would consider this track to have a Andante (at a walking pace) tempo marking. Because of this, we believe that the song has an overall slow tempo. Looking at the BPM of this song, this song might go great with yoga or pilates. The time signature for this track is 4/4.
This song has a musical key of D♭ Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 3B. So, the perfect camelot match for 3B would be either 3B or 4A. While, 4B can give you a low energy boost. For moderate energy boost, you would use 12B and a high energy boost can either be 5B or 10B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 3A or 2B will give you a low energy drop, 6B would be a moderate one, and 1B or 8B would be a high energy drop. Lastly, 12A allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Yeke Helade Hode | Abhimann Roy, Sri Mahesh Gowda | C Major | 6 | 8B | 94 BPM | ||
| Adithya Tejave | Dr. Rajkumar | D Major | 6 | 10B | 93 BPM | ||
| Mattalli Kuniyona | Naveen Sajju, Shwetha Prabhu | D♭ Major | 9 | 3B | 134 BPM | ||
| Odi Hogona Baa Anthale (From "Pandu Ranga Vittala") | Suma Shastry, L.N. Shastri | F Major | 8 | 7B | 141 BPM | ||
| Sundara | Anuram, Timmi, Hrudaya Shiva | E Minor | 8 | 9A | 107 BPM | ||
| Challidaru Malligeya | Shamita Malnad | G Minor | 6 | 6A | 177 BPM | ||
| Patradhari Navella Sutradhari Shivamela | Hanamant Lamani | C Minor | 6 | 5A | 90 BPM | ||
| Baare Nanna Bhagirathiye - Studio | Ramesh Kurubaragatti, Nandita | C Major | 6 | 8B | 84 BPM | ||
| Neenu Ishtu Chennagidre | Javeed Ali, Anuradha Bhat | B♭ Major | 3 | 6B | 133 BPM | ||
| Priya Priya | L.N. Shastri, S. Narayan, Rajesh Krishnan, K. S. Chithra | D Major | 7 | 10B | 99 BPM | ||
| Gaaliyalli Bhoomiya | Chetan Sosca, Hamsalekha | C Minor | 7 | 5A | 153 BPM | ||
| Nurrondu Churage | Sujatha | A Minor | 8 | 8A | 122 BPM | ||
| Allola Kallola | Guru Kiran, Kavita Krishnamurthy | A♭ Major | 7 | 4B | 172 BPM | ||
| Elle Iru | K. S. Chithra, Dr. Doddarange Gowda | E♭ Minor | 9 | 2A | 122 BPM | ||
| Saddillada Meravanige (Nandini Ganiga) | Sabik puttur | C Minor | 6 | 5A | 150 BPM | ||
| Ninna Nenapu Haadaagi | Vijay Prakash, Mano Murthy, Shathish Pradhan | G Minor | 7 | 6A | 126 BPM | ||
| Nanna Kanase | Hariharan, K. S. Chithra | B Major | 9 | 1B | 98 BPM | ||
| Yena Agali | Shabbir Daange, Anuradha Bhat | A♭ Major | 7 | 4B | 89 BPM | ||
| Onnam Ragam | G Venughopal, K. S. Chithra | C Major | 5 | 8B | 139 BPM | ||
| Om Namha Om | Kumar Sanu, Cini | C Minor | 3 | 5A | 75 BPM | ||
| Mooridiruva Kolalu | Archana Udupa,V.Nagendra Prasad | G Major | 6 | 9B | 174 BPM | ||
| Padagala Goduguna | K. S. Chithra | A Major | 6 | 11B | 148 BPM | ||
| Bombai Bombai | Chaitra | A Minor | 6 | 8A | 104 BPM | ||
| Tundu Naadina | Hamsalekha, Rajesh Krishnan, Baraguru Ramachandrappa | D♭ Major | 8 | 3B | 95 BPM | ||
| Yava Janumada Gelathi 8D Audio Song | Hemanth Kumar, Rakshita Suresh | B♭ Minor | 6 | 3A | 81 BPM |