"Martin Vs. Martin" by John Ottman, Alexander Rudd had its release date on January 1, 2010. With this song being around four minutes long, at 4:29, the duration of this song is pretty average compared to other songs. This track is safe for children and doesn't appear to contain any foul language, since the "Explicit" tag was not present in this track. There are a total of 16 in the song's album "Unknown (Original Motion Picture Soundtrack)". In this album, this song's track order is #15. Furthermore, we believe that the track originated from United States. In terms of popularity, Martin Vs. Martin is currently unknown. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
With Martin Vs. Martin by John Ottman, Alexander Rudd having a BPM of 119 with a half-time of 60 BPM and a double-time of 238 BPM, we would consider this track to have a Moderato (at a moderate speed) tempo marking. Because of this, we believe that the song has an overall moderate tempo. Looking at the BPM of this song, this song might go great with walking. The time signature for this track is 4/4.
This song is in the music key of D♭ Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 3B. So, the perfect camelot match for 3B would be either 3B or 4A. While, 4B can give you a low energy boost. For moderate energy boost, you would use 12B and a high energy boost can either be 5B or 10B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 3A or 2B will give you a low energy drop, 6B would be a moderate one, and 1B or 8B would be a high energy drop. Lastly, 12A allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Grand Bazaar, Istanbul | Thomas Newman, George Doering, John Beasley, Paul Clarvis, Frank Ricotti, Sonia Slany, Phil Todd, John Parricelli | C Minor | 6 | 5A | 91 BPM | ||
| Ontological Shock | Don Davis | G Minor | 5 | 6A | 67 BPM | ||
| To Become a Kingsman | Henry Jackman, Matthew Margeson | F Minor | 0 | 4A | 91 BPM | ||
| Nuclear Scam | Basil Poledouris | G Major | 3 | 9B | 135 BPM | ||
| Adamantium | Harry Gregson-Williams | C Major | 0 | 8B | 143 BPM | ||
| "...I'll Find My Own Way" | Harry Gregson-Williams | G Major | 4 | 9B | 138 BPM | ||
| Oliver Queen Suite | Blake Neely | D♭ Major | 2 | 3B | 95 BPM | ||
| Setting Up the Lair - Main Theme from “Arrow” | Blake Neely | G Minor | 5 | 6A | 95 BPM | ||
| Suffering & Justice | The Newton Brothers | A Major | 2 | 11B | 88 BPM | ||
| Super/Man | Ilan Eshkeri | B♭ Minor | 1 | 3A | 72 BPM | ||
| Agent Zero Comes For Logan | Harry Gregson-Williams | B♭ Major | 6 | 6B | 147 BPM | ||
| Forgive Me | Patrick Doyle | D Minor | 1 | 7A | 70 BPM | ||
| Ahsoka and the 501st | Kevin Kiner | E Minor | 3 | 9A | 90 BPM | ||
| Audience with the Prime Minister | Joe Kraemer | F Major | 0 | 7B | 116 BPM | ||
| Old Town | Declan Seth, Morgan Richards | F♯ Major | 1 | 2B | 105 BPM | ||
| Andor Season 2 End Credits Music | Jamie Evans Music | A Minor | 4 | 8A | 60 BPM | ||
| Apocalypse | John Ottman | B♭ Major | 2 | 6B | 84 BPM | ||
| A New King | Patrick Doyle | D Minor | 1 | 7A | 67 BPM | ||
| Sarah Connor's Theme | Bear McCreary | D Minor | 3 | 7A | 140 BPM | ||
| See You...In Hell | Christopher Drake | D Minor | 3 | 7A | 115 BPM | ||
| Star Trek Generations Overture | Dennis McCarthy | E♭ Major | 2 | 5B | 169 BPM | ||
| Back Home, Fast | Dan Romer | C Major | 1 | 8B | 73 BPM | ||
| It's Over Now | Kevin Kiner | G Major | 4 | 9B | 76 BPM | ||
| Gordon's Theme | David Russo, Graeme Revell | C Major | 1 | 8B | 89 BPM | ||
| Midway End Titles | Thomas Wander, Harald Kloser | C Major | 5 | 8B | 129 BPM |