The Smuggler From Bombay - Original Mix
Angry Man, Future Disciple
The Smuggler EP
6:53 April 14, 2014
BPM
138
Key
B Minor
Camelot
10A

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The Smuggler From Bombay - Original Mix by Angry Man, Future Disciple Song Details

Angry Man, Future Disciple's ' "The Smuggler From Bombay - Original Mix" was released on its scheduled release date, April 14, 2014. Since This song is still less than 10 minute long, it is still considered a pretty long duration song compared to the average song length. This song does not appear to be explicit due to the lack of the "E" tag. There are a total of 8 in the song's album "The Smuggler EP". In this album, this song's track order is #5. Based on our statistics, The Smuggler From Bombay - Original Mix's popularity is unknown right now. Since there is more of a neutral sound being played, this makes the track somewhat danceable.

BPM and Tempo

With The Smuggler From Bombay - Original Mix by Angry Man, Future Disciple having a BPM of 138 with a half-time of 69 BPM and a double-time of 276 BPM, we would consider this track to have a Allegro (fast, quick, and bright) tempo marking. Because of this, we believe that the song has an overall fast tempo. Looking at the BPM of this song, this song might go great with walking. The time signature for this track is 4/4.

Music Key

B Minor is the music key of this track. Or for those who are familiar with the camelot wheel, this song has a camelot key of 10A. So, the perfect camelot match for 10A would be either 10A or 9B. While, a low energy boost can consist of either 10B or 11A. For moderate energy boost, you would use 7A and a high energy boost can either be 12A or 5A. However, if you are looking for a low energy drop, finding a song with a camelot key of 9A would be a great choice. Where 1A would give you a moderate drop, and 8A or 3A would be a high energy drop. Lastly, 1B allows you to change the mood.

Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!

Popularity
Loudness
-6.348 dB
Acousticness
0%
Danceability
53%
Energy
95%
Instrumentalness
54%
Liveness
12%
Loudness
89%
Speechiness
4%
Valence
57%

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ISRC
This song does not have an ISRC.
Label
L-M Records/RCA Records