Shubham Rupam's ' "Ek Baar To Kanhaiya" was released on its scheduled release date, April 7, 2022. With this song being about 5 minutes long, at This song is fairly a long song compared to the average song length. This song does not have an "Explicit" tag, making it safe for all ages. Because this song is the only song in Ek Baar To Kanhaiya and no other songs are present in the album, we classify this track as a single. Going off of the ISRC code of this track, we detected that the origin of this track is from India. Based on our statistics, Ek Baar To Kanhaiya's popularity is not that popular right now. The overall tone is very danceable, especially with its high energy, which produces more of a euphoric, cheerful, or happy vibe.
The tempo marking of Ek Baar To Kanhaiya by Shubham Rupam is Allegro (fast, quick, and bright), since this song has a tempo of 140 BPM. With that information, we can conclude that the song has a fast tempo. This song can go great with jogging or cycling. The time signature for this track is 4/4.
This song has a musical key of D Major. This also means that this song has a camelot key of 10B. So, the perfect camelot match for 10B would be either 10B or 11A. While, 11B can give you a low energy boost. For moderate energy boost, you would use 7B and a high energy boost can either be 12B or 5B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 10A or 9B will give you a low energy drop, 1B would be a moderate one, and 8B or 3B would be a high energy drop. Lastly, 7A allows you to change the mood.
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| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Ye Kiss Chirag Ne Deye Jalie Hai | Avinash Fitrat, Surinder Sahaj | D♭ Minor | 5 | 12A | 132 BPM | ||
| Baba Tere Jaisa Sahara Nahi Hai | Abhishek Nama | G Major | 1 | 9B | 95 BPM | ||
| Hamare Sath Parasnath | Mihir Joshi | C Minor | 4 | 5A | 133 BPM | ||
| Bhajo Re Man Govinda | Devi Neha Saraswat | B♭ Minor | 7 | 3A | 102 BPM | ||
| Mere Malik Mere Shambhu | A-Jay M | D♭ Major | 9 | 3B | 147 BPM | ||
| Maa Warga | Shelly Khatri Taluja | D Major | 6 | 10B | 154 BPM | ||
| Yaad khub aave hamka gaon ke bajariya | Arrjun pandey | C Major | 3 | 8B | 86 BPM | ||
| Bhakto Ki Hadtaal Shuru Ho Jayegi | Vaibhav Bagmar Balotra | F Minor | 7 | 4A | 110 BPM | ||
| Heri Sakhi Mangal Gao Ri | Kishan Chandravanshi | E♭ Minor | 8 | 2A | 105 BPM | ||
| Shyam Ke Rehte Shyam Ka Premi Aasu Nahi Bahaayega | Shubham Rupam | A♭ Major | 2 | 4B | 96 BPM | ||
| Sakhi Ri Banke Bihari Se | Nikunj Kamra | F♯ Major | 4 | 2B | 126 BPM | ||
| Mharo Pillo Pillo Babo | Vishi Saurabh Sharma | F Major | 4 | 7B | 76 BPM | ||
| Rammay Hua Ayodhya Dham - Ram Bhajan | Govind Ojha, Khushboo Jain | F Major | 8 | 7B | 104 BPM | ||
| Vimalnath Hai Mere | Jinshasanam, Dhananjay Vijayji, Harshit Shah | A♭ Minor | 6 | 1A | 81 BPM | ||
| Teri Bansi Ki Dhun Sunne | K. S. Chithra, Vichitra | F♯ Major | 6 | 2B | 150 BPM | ||
| Nirankari Manglacharan | Jya Rohilla | E♭ Major | 5 | 5B | 178 BPM | ||
| Gar Zor Mero Chale | Reshmi Sharma | C Minor | 10 | 5A | 108 BPM | ||
| Mehfil 2 | Raj Pareek | G Major | 7 | 9B | 116 BPM | ||
| Khatu Ka Shyam | Sanju Sharma | A Major | 10 | 11B | 130 BPM | ||
| Sahajanand Sukhad Aayo Re | Divyang Ray, Alaap Desai | E♭ Major | 5 | 5B | 83 BPM | ||
| Shuma Wa Mehr Bediyeth | Rahmin Baloch | A♭ Major | 3 | 4B | 67 BPM | ||
| Hey Kunjbihari Namami Namami | Chitra Vichitra Ji Maharaj | A Minor | 7 | 8A | 118 BPM | ||
| Jagdamb Ahin Ablamb Hamar | Priya Mallick, Vickey Prasad | D♭ Minor | 5 | 12A | 90 BPM | ||
| Jab Teri Aahat Aaye | Ram Narain | F♯ Major | 4 | 2B | 126 BPM | ||
| Barbrik - Hare Ka Sahara Baba Shyam Hamara | Hansraj Raghuwanshi, Ricky T GiftRulers | E Major | 7 | 12B | 78 BPM |