Bitu Samajpati's ' "Hare Krishna Vol 6 Part 5" was released on its scheduled release date, May 22, 2021. This song is about six minutes long, preciously at 5:48, making this song fairly long compared to other songs. The track order of this song in Bitu Samajpati's "Hare Krishna Vol 6" album is number 5 out of 5. On top of that, India appears to be the country where this track was created. In terms of popularity, Hare Krishna Vol 6 Part 5 is currently not that popular. Since there is more of a neutral sound being played, this makes the track somewhat danceable.
We consider the tempo marking of Hare Krishna Vol 6 Part 5 by Bitu Samajpati to be Moderato (at a moderate speed) because the track has a tempo of 117 BPM, a half-time of 58BPM, and a double-time of 234 BPM. Based on that, the speed of the song's tempo is moderate. Activities such as, walking, can go well with this song. The time signature for this track is 4/4.
A Major is the music key of this track. This also means that this song has a camelot key of 11B. So, the perfect camelot match for 11B would be either 11B or 12A. While, 12B can give you a low energy boost. For moderate energy boost, you would use 8B and a high energy boost can either be 1B or 6B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 11A or 10B will give you a low energy drop, 2B would be a moderate one, and 9B or 4B would be a high energy drop. Lastly, 8A allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Astottara Satanaam 1 - Original | Bitu Samajpati, NA | A♭ Major | 6 | 4B | 136 BPM | ||
| Dazan Khanek Pola | Gostho Gopal Das | E Major | 6 | 12B | 104 BPM | ||
| Nadiya Godrume Nityananda Mahajan by Yogindra das | MayapurTV Music | E♭ Major | 7 | 5B | 109 BPM | ||
| Bhalobasar Pratik Tumi | Sdipto Sekhar Mishra | F♯ Minor | 4 | 11A | 141 BPM | ||
| Bhagobat Podey Pawa Jay Na | Sanajit Mondal | C Major | 4 | 8B | 89 BPM | ||
| He Nath Jani Ajan Balak-Shiv Prarthna | Shailesh Pandya, Naisha Joshi | D♭ Major | 5 | 3B | 100 BPM | ||
| Aji Shrabanghanagahan Mohe | Debabrata Biswas | F Major | 4 | 7B | 180 BPM | ||
| Shyama Mayer Charon | Ramkumar Chattopadhyay | G Major | 6 | 9B | 122 BPM | ||
| Jouban | Bitu Samajpati | G Major | 6 | 9B | 144 BPM | ||
| Tu Mera Pita - Live | Veer Manpreet Singh | D♭ Major | 2 | 3B | 136 BPM | ||
| Madhava Bahuta Minati | Jayati Chakraborty | A♭ Major | 2 | 4B | 118 BPM | ||
| Aar Janame Jaba Haba | Parikshit Bala | D♭ Minor | 1 | 12A | 83 BPM | ||
| Shri Padmavati Chalisa | Hemant, Sangita, Chandrika, Nandita | F Major | 6 | 7B | 137 BPM | ||
| Khelaghar Bandhte Legechi | Indrani Sen | B♭ Major | 5 | 6B | 174 BPM | ||
| Shoto Name Koto Jone Dake Je Tomay | Indranil Dutta | C Major | 7 | 8B | 120 BPM | ||
| Maron Re | Pramita Mallick, Swapan Saha, Indira Banerjee, Sreenanda Mukhopadhyay | F♯ Major | 4 | 2B | 142 BPM | ||
| Nothing Compares to the Sacred Word | Veer Manpreet Singh | D♭ Major | 3 | 3B | 140 BPM | ||
| Mathur | Aditi Munshi | B Major | 5 | 1B | 130 BPM | ||
| Satnam Ka Sumiran | Madan Gopal | F♯ Major | 6 | 2B | 88 BPM | ||
| Sarvalokathinum Kartha Bhavanallo | Soumya Manoj | B Minor | 4 | 10A | 93 BPM | ||
| Gur Ka Bachan Basai Jee Nale | Kirtan Fi, Bhai Harcharan Singh Ji Khalsa | E Major | 8 | 12B | 82 BPM | ||
| Tor chorone shyma maa | Raghab Chatterjee | D Major | 5 | 10B | 148 BPM | ||
| Yamunaji Ni Stuti | Tushar Jetli, Gourav Druv | C Minor | 6 | 5A | 168 BPM | ||
| Nai Nai Bhoy Hobe | Debranjan | E♭ Minor | 4 | 2A | 112 BPM | ||
| De Maa Amay Tabildari - Original | Ramkumar Chattopadhyay, NA | F♯ Major | 4 | 2B | 140 BPM |