George Lewis, Elmer Talbert, Jim Robinson, Alton Purnell, Lawrence Marrero, Joe Watkins, Alcide "Slow Drag" Pavageau's ' "Ole Miss #1" was released on its scheduled release date, 2004. The duration of This song is about two minutes long, specifically at 2:16. This song does not appear to have any foul language. Ole Miss #1's duration is considered a little bit shorter than the average duration of a typical track. The track order of this song in George Lewis's "George Lewis "Jam Session" The Complete Recordings Issued for the First Time" album is number 4 out of 16. On top of that, United States appears to be the country where this track was created. In terms of popularity, Ole Miss #1 is currently unknown. The overall tone is very danceable, especially with its high energy, which produces more of a euphoric, cheerful, or happy vibe.
We consider the tempo marking of Ole Miss #1 by George Lewis, Elmer Talbert, Jim Robinson, Alton Purnell, Lawrence Marrero, Joe Watkins, Alcide "Slow Drag" Pavageau to be Andante (at a walking pace) because the track has a tempo of 107 BPM, a half-time of 54BPM, and a double-time of 214 BPM. Based on that, the speed of the song's tempo is slow. The time signature for this track is 4/4.
This song is in the music key of F Major. This also means that this song has a camelot key of 7B. So, the perfect camelot match for 7B would be either 7B or 8A. While, 8B can give you a low energy boost. For moderate energy boost, you would use 4B and a high energy boost can either be 9B or 2B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 7A or 6B will give you a low energy drop, 10B would be a moderate one, and 5B or 12B would be a high energy drop. Lastly, 4A allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Storyville Blues | Firehouse Five Plus Two | A♭ Major | 2 | 4B | 94 BPM | ||
| Deep Harlem | Irving Mills & His Hotsy Totsy Gang | D Minor | 2 | 7A | 94 BPM | ||
| There Ain't No Flies On Me | Hot Lips Page | F Major | 3 | 7B | 135 BPM | ||
| Strut Miss Lizzie | Johnny Maddox | B♭ Major | 6 | 6B | 99 BPM | ||
| The Sidewalks of New York | Pinky Vidacovich, Armand Hug, Joe Capraro, Emile Chritian, Monk Hazel | A♭ Major | 2 | 4B | 95 BPM | ||
| Strange | Weiss Gram | F Major | 5 | 7B | 133 BPM | ||
| Up a Lazy River | Fritzel's New Orleans Jazz Band | G Major | 5 | 9B | 94 BPM | ||
| Weary Blues | George Lewis | B♭ Major | 5 | 6B | 94 BPM | ||
| Team Up | Wingy Carpenter | A♭ Major | 2 | 4B | 96 BPM | ||
| Dancer Mouse | Marco Bianchi Vibes 4tet | E♭ Major | 1 | 5B | 133 BPM | ||
| Rachel's Birthday | Marco Bianchi Vibes 4tet | E♭ Major | 1 | 5B | 133 BPM | ||
| Camp Meeting Blues | Evan Arntzen | E♭ Major | 2 | 5B | 107 BPM | ||
| Ballin' The Jack #1 | Louis Nelson, George Lewis, Joe Robichaux, Emanuel Sayles | C Major | 2 | 8B | 181 BPM | ||
| Kansas City Man Blues | Turk Murphy | E♭ Major | 3 | 5B | 78 BPM | ||
| Near the Cross | George Lewis | F Major | 1 | 7B | 113 BPM | ||
| Subway | Ozzie Nelson and His Orchestra | C Major | 2 | 8B | 135 BPM | ||
| Stop ! | Aimé Barelli | G Minor | 5 | 6A | 97 BPM | ||
| Japanese Sandman | Century Jukebox, Paul Whiteman, Public Domain | A♭ Major | 3 | 4B | 94 BPM | ||
| Some Of These Day | Doctor Dixie Jazz Band | F♯ Minor | 4 | 11A | 109 BPM | ||
| Down Home Rag | Jo Ann Castle | E♭ Major | 4 | 5B | 110 BPM | ||
| Wild Man Blues - Alternate Take | Johnny Dodds | A♭ Major | 2 | 4B | 107 BPM | ||
| I've Found A New Baby | Willie & His Negro Band Lewis | C Major | 6 | 8B | 114 BPM | ||
| ディキシーランドジャズ4 | 茶屋萬衛門 | E♭ Major | 5 | 5B | 113 BPM | ||
| Shadow Catchers | Ray Anderson, Craig Harris, George Lewis, Gary Valen, Gary Valente | F Minor | 2 | 4A | 126 BPM | ||
| If Those Lips Could Only Speak | New Orleans Delight | F Minor | 5 | 4A | 187 BPM |