Beverley Craven's 'Joey' had a release date set for July 9, 1990. The duration of This song is about 3 minutes long, at 3:28. Based on our data, This song appears to be safe for all ages and is not considered explicit. This track is about the average length of a typical track. The song is number 7 out of 10 in Beverley Craven by Beverley Craven. Going off of the ISRC code of this track, we detected that the origin of this track is from United Kingdom. Joey is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
The tempo marking of Joey by Beverley Craven is Andante (at a walking pace), since this song has a tempo of 84 BPM. With that information, we can conclude that the song has a slow tempo. The time signature for this track is 4/4.
D♭ Minor is the music key of this track. This also means that this song has a camelot key of 12A. So, the perfect camelot match for 12A would be either 12A or 11B. While, a low energy boost can consist of either 12B or 1A. For moderate energy boost, you would use 9A and a high energy boost can either be 2A or 7A. However, if you are looking for a low energy drop, finding a song with a camelot key of 11A would be a great choice. Where 3A would give you a moderate drop, and 10A or 5A would be a high energy drop. Lastly, 3B allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| One, Two, Three - Radio Version | Dina Carroll | E Major | 6 | 12B | 87 BPM | ||
| Don’t You Know | The Beauty Room | D Major | 4 | 10B | 94 BPM | ||
| Stop Loving Me, Stop Loving You | Daryl Hall | F Major | 6 | 7B | 110 BPM | ||
| This Must Be Love | Phil Collins | D Minor | 3 | 7A | 142 BPM | ||
| Circles | Double | A♭ Major | 6 | 4B | 120 BPM | ||
| Can't Stay Away from You | Miami Sound Machine | D Major | 3 | 10B | 78 BPM | ||
| My Oxygen | Richard Page | D Major | 4 | 10B | 109 BPM | ||
| The Wind Knows My Name | Fairground Attraction | E Major | 0 | 12B | 111 BPM | ||
| Someone Like You | Dina Carroll | G Minor | 5 | 6A | 138 BPM | ||
| Cocooned | Julia Fordham | G Major | 1 | 9B | 180 BPM | ||
| Old Friends | Everything But The Girl | D Major | 3 | 10B | 128 BPM | ||
| I Want You So Bad | Gloria Estefan And Miami Sound Machine | E Minor | 1 | 9A | 85 BPM | ||
| Letter | Jack Lee, Annekei | A Major | 6 | 11B | 136 BPM | ||
| Born Again | The Christians | G Major | 6 | 9B | 122 BPM | ||
| Creepin' | Nnenna Freelon | G Minor | 3 | 6A | 94 BPM | ||
| Love Will Always Bring You Back To Me | Dina Carroll, Bob Clearmountain | F Major | 5 | 7B | 72 BPM | ||
| Let Me Breathe | Novecento | A♭ Minor | 6 | 1A | 172 BPM | ||
| There's Nothing Like This | Omar | E♭ Major | 6 | 5B | 72 BPM | ||
| Now She's Gone | Johnny Hates Jazz | F Minor | 3 | 4A | 110 BPM | ||
| Don’t Say Goodnight (It’s Time For Love) | Indra Rios-Moore | A Major | 1 | 11B | 140 BPM | ||
| Falling Forward | Julia Fordham | E Major | 5 | 12B | 152 BPM | ||
| Mary, Mary | Rebecka Törnqvist | G Minor | 4 | 6A | 170 BPM | ||
| Where Are You? | Wilson Phillips | C Major | 5 | 8B | 74 BPM | ||
| One Place | Everything But The Girl | B Minor | 4 | 10A | 74 BPM | ||
| How am I supposed to see the stars | Silje Nergaard | B Minor | 3 | 10A | 131 BPM |