"Montreal" by Talisk had its release date on October 26, 2018. With this song being about 5 minutes long, at This song is fairly a long song compared to the average song length. This song does not have an "Explicit" tag, making it safe for all ages. The song is number 1 out of 8 in Beyond by Talisk. Based on our statistics, Montreal's popularity is below average in popularity right now. Although the tone can be danceable to some, this track does projects more of a negative sound rather than a postive one.
The tempo marking of Montreal by Talisk is Allegro (fast, quick, and bright), since this song has a tempo of 131 BPM. With that information, we can conclude that the song has a fast tempo. This song can go great with walking. The time signature for this track is 3/4.
This song has a musical key of E Major. This also means that this song has a camelot key of 12B. So, the perfect camelot match for 12B would be either 12B or 1A. While, 1B can give you a low energy boost. For moderate energy boost, you would use 9B and a high energy boost can either be 2B or 7B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 12A or 11B will give you a low energy drop, 3B would be a moderate one, and 10B or 5B would be a high energy drop. Lastly, 9A allows you to change the mood.
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| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Midnight on the M50 | Cúig | B Minor | 9 | 10A | 116 BPM | ||
| Mile High | Skerryvore | E Minor | 8 | 9A | 122 BPM | ||
| North Coast | GLIN | C Minor | 5 | 5A | 115 BPM | ||
| The Grackle | Mec Lir | A♭ Major | 7 | 4B | 142 BPM | ||
| Napoleon's: The Drunken Police Car / the Box Reels #2 / Music for a Found Harmonium | Ten Strings and a Goat Skin | D Major | 8 | 10B | 135 BPM | ||
| Hypersomnia | Ali Levack | G Minor | 6 | 6A | 128 BPM | ||
| Barra to Balloch | Dàimh | C Minor | 3 | 5A | 86 BPM | ||
| Dark Sky, New Moon | Hò-rò | D Major | 1 | 10B | 120 BPM | ||
| Salthill | Project Smok | B♭ Major | 4 | 6B | 132 BPM | ||
| Last Leg | Fourth Moon | E Major | 9 | 12B | 118 BPM | ||
| The Boys of 25 / The Glass of Beer | Aly Bain | G Major | 9 | 9B | 121 BPM | ||
| Mick's | Ross Ainslie, Ali Hutton | F Minor | 7 | 4A | 93 BPM | ||
| Looking Through | Mike Vass | F Major | 4 | 7B | 93 BPM | ||
| Bròg to the Future | Breabach | D Major | 9 | 10B | 120 BPM | ||
| The Banks Of Spey/Brenda Stubbert's Reel | Alasdair Fraser | A Minor | 7 | 8A | 109 BPM | ||
| No Sheep Here | Face The West | E Minor | 10 | 9A | 145 BPM | ||
| April | Astro Bloc | B Major | 8 | 1B | 119 BPM | ||
| Gone to Fortingall/ Wired to the Moon | Jerry Douglas, Michael McGoldrick | G Major | 5 | 9B | 182 BPM | ||
| L'air mignonne | Ímar | D Major | 2 | 10B | 76 BPM | ||
| Dark Reels | The Outside Track | A Minor | 7 | 8A | 120 BPM | ||
| The Smasher | Rura | C Minor | 8 | 5A | 138 BPM | ||
| Knees Up | Breabach | C Minor | 7 | 5A | 115 BPM | ||
| Muc | Hò-rò | E♭ Major | 8 | 5B | 143 BPM | ||
| Land Below the Waves | Skipinnish | A♭ Major | 6 | 4B | 207 BPM | ||
| The Wylde Swan | Charlie Grey and Joseph Peach | A Major | 4 | 11B | 136 BPM |