T. M. Soundararajan, L. R. Eswari's ' "Chaaya Vetti" was released on its scheduled release date, December 31, 1961. With this song being around four minutes long, at 3:57, the duration of this song is pretty average compared to other songs. This track is safe for children and doesn't appear to contain any foul language, since the "Explicit" tag was not present in this track. There are a total of 11 in the song's album "Paava Mannippu". In this album, this song's track order is #6. Furthermore, we believe that the track originated from India. Based on our statistics, Chaaya Vetti's popularity is not that popular right now. The overall mood can be danceable to some, especially with it's high amount of postive energy.
With Chaaya Vetti by T. M. Soundararajan, L. R. Eswari having a BPM of 129 with a half-time of 64 BPM and a double-time of 258 BPM, we would consider this track to have a Allegro (fast, quick, and bright) tempo marking. Because of this, we believe that the song has an overall fast tempo. Looking at the BPM of this song, this song might go great with walking. The time signature for this track is 4/4.
This song has a musical key of E Minor. Which also means that the camelot key for this song is 9A. So, the perfect camelot match for 9A would be either 9A or 8B. While, a low energy boost can consist of either 9B or 10A. For moderate energy boost, you would use 6A and a high energy boost can either be 11A or 4A. However, if you are looking for a low energy drop, finding a song with a camelot key of 8A would be a great choice. Where 12A would give you a moderate drop, and 7A or 2A would be a high energy drop. Lastly, 12B allows you to change the mood.
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| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Naadha Vindhu | Venkatesan Thirunaukkarasu | G Major | 5 | 9B | 105 BPM | ||
| Neramithu | P. Susheela, T. M. Soundararajan | F Minor | 7 | 4A | 90 BPM | ||
| Ullathile Nee Irukka | Sirkazhi Govindarajan | E♭ Minor | 9 | 2A | 97 BPM | ||
| Udukkai Pambai - Language: Tamil; Genre: Amman | T. L. Maharajan | A Minor | 7 | 8A | 102 BPM | ||
| Chinnanchirukiliye | M. L. Vasanthakumari, M. K. Thyagaraja Bhagavathar | B Major | 4 | 1B | 93 BPM | ||
| Ulavum Thendral | Thiruchi Loganathan, Jikki, A Maruthakasi | E♭ Major | 2 | 5B | 93 BPM | ||
| Yellaam Valla Thaayae - Language: Tamil; Genre: Amman | Veeramanidaasan | G Major | 6 | 9B | 132 BPM | ||
| Paattondru Ketten | Jamuna Rani | F♯ Major | 6 | 2B | 109 BPM | ||
| Kannai Namadhey | T. M. Soundararajan | C Major | 7 | 8B | 88 BPM | ||
| Punnai Vana | Arunmozhi, Swarnalatha | D Minor | 4 | 7A | 129 BPM | ||
| Pesuvathukiliya | P. Susheela, T. M. Soundararajan | A♭ Major | 3 | 4B | 91 BPM | ||
| Muthumaari Ammanukku | L. R. Eswari | F Major | 6 | 7B | 128 BPM | ||
| Manjalilae Neerdi | D V Ramani, SAKTHI SHANMUGARAJA | C Major | 5 | 8B | 136 BPM | ||
| Santhanam Manakkudhu | T. L. Maharajan | D Major | 8 | 10B | 99 BPM | ||
| Ponnenna (From "Alaigal") | Jayachandran, M. S. Viswanathan, Kavingar Kannadasan | F Major | 4 | 7B | 79 BPM | ||
| Unnai Arindhal | T. M. Soundararajan | G Major | 5 | 9B | 95 BPM | ||
| Ethilum Ingu | Madhu Balakrishnan | G Major | 4 | 9B | 172 BPM | ||
| Sudalai Aattam | Kumari, Suresh Kuzhuvinar | F Major | 6 | 7B | 132 BPM | ||
| Amma Sevanthirukka - Language: Tamil; Genre: Amman | Sakthidaasan | B Minor | 8 | 10A | 144 BPM | ||
| Aasayae Alaipolae | Thiruchi Loganathan | A♭ Major | 6 | 4B | 134 BPM | ||
| Ariyathu Ariyathu | K. B. Sundarambal | A Major | 3 | 11B | 100 BPM | ||
| Pambai Sattham - Language: Tamil; Genre: Amman | Sakthidaasan | B♭ Minor | 7 | 3A | 124 BPM | ||
| Chindulu Veeyakuraa | Ghantasala | A♭ Minor | 7 | 1A | 110 BPM | ||
| Muruga Nee Varavendum | T. M. Soundararajan | E♭ Major | 5 | 5B | 104 BPM | ||
| Manithan Enbavan | P. B. Sreenivas | B Major | 4 | 1B | 102 BPM |