- BPM
- 161
- Key
- B♭ Major
- Camelot
- 6B
Pacini: Il bacio by Giovanni Pacini, David Harper, Nuccia Focile Song Details
"Pacini: Il bacio" by Giovanni Pacini, David Harper, Nuccia Focile had its release date on 2001. With This song being less than two minutes long, at 1:44, we are fairly confident that this song is not explicit and is safe for all ages. Based on the duration of this song, this song duration is much smaller than the average song duration. The track order of this song in Various Artists's "Il Salotto Vol. 4: Il Sibilo (The Whisper)" album is number 28 out of 32. On top of that, United Kingdom appears to be the country where this track was created. The popularity of Pacini: Il bacio is currently unknown right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
BPM and Tempo
We consider the tempo marking of Pacini: Il bacio by Giovanni Pacini, David Harper, Nuccia Focile to be Vivace (lively and fast) because the track has a tempo of 161 BPM, a half-time of 80BPM, and a double-time of 322 BPM. Based on that, the speed of the song's tempo is fast. The time signature for this track is 4/4.
Music Key
This song is in the music key of B♭ Major. This also means that this song has a camelot key of 6B. So, the perfect camelot match for 6B would be either 6B or 7A. While, 7B can give you a low energy boost. For moderate energy boost, you would use 3B and a high energy boost can either be 8B or 1B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 6A or 5B will give you a low energy drop, 9B would be a moderate one, and 4B or 11B would be a high energy drop. Lastly, 3A allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
- Popularity
- 0%
- Loudness
- -21.172 dB
- Acousticness
- 98%
- Danceability
- 36%
- Energy
- 12%
- Instrumentalness
- 0%
- Liveness
- 7%
- Loudness
- 65%
- Speechiness
- 10%
- Valence
- 12%
Recommendations
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
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 | Un ballo in maschera, Act I: Alla vita che t'arride | Giuseppe Verdi, Renato Bruson, Edita Gruberova, Plácido Domingo, Antonio Savastano, Orchestra Del Teatro Alla Scala, Milano, Claudio Abbado | B♭ Minor | 1 | 3A | 78 BPM | |
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 | Lucia di Lammermoor / Act 2: "T'allontana sciagurato" | Gaetano Donizetti, Dame Joan Sutherland, Huguette Tourangeau, Luciano Pavarotti, Ryland Davies, Sherrill Milnes, Nicolai Ghiaurov, Chorus of the Royal Opera House, Covent Garden, Orchestra of the Royal Opera House, Covent Garden, Richard Bonynge | D Major | 4 | 10B | 86 BPM | |
 | L'elisir d'amore / Act II: "Eccola!" | Gaetano Donizetti, Kathleen Battle, Luciano Pavarotti, Metropolitan Opera Orchestra, James Levine | A♭ Major | 0 | 4B | 82 BPM | |
 | Idomeneo, K. 366, Act I Scene 6: Aria. Tutte nel corso vi sento (Elettra) | Wolfgang Amadeus Mozart, Bavarian Radio Symphony Orchestra, Sir Simon Rattle, Elsa Dreisig | D Minor | 2 | 7A | 93 BPM | |
 | L'elisir d'amore / Act 2: "Silenzo!..."Le feste nuziale" | Gaetano Donizetti, Dominic Cossa, Spiro Malas, Dame Joan Sutherland, Maria Casula, Luciano Pavarotti, Ambrosian Opera Chorus, English Chamber Orchestra, Richard Bonynge | C Major | 2 | 8B | 95 BPM | |
 | Il Tabarro, Act I: "O Luigi! Luigi!" | Giacomo Puccini, Jonas Kaufmann, Asmik Grigorian, Asher Fisch, Orchestra del Teatro Comunale di Bologna | A Major | 2 | 11B | 84 BPM | |
| Lucia di Lammermoor / Act 2: "Soffriva nel pianto" | Gaetano Donizetti, Dame Joan Sutherland, Sherrill Milnes, Orchestra of the Royal Opera House, Covent Garden, Richard Bonynge | D Major | 4 | 10B | 108 BPM | |
 | L'Ultimo giorno di Pompei, Act II Scene 3: Dei! Qual fragore insolito! (All with the Chorus, Ottavia, Appio, Sallustio, Pubblio, People) | Giovanni Pacini, Raul Gimenez, Iano Tamar, Nicolas Rivenq, Gregory Bonfatti, Sonia Lee, Riccardo Novaro, Svetlana Sidorova, Emil Alekperov, Bratislava Chamber Choir, Catania Teatro Massimo Bellini Orchestra, Giuliano Carella | D Major | 2 | 10B | 131 BPM | |
 | Puccini: Turandot, Act 2: "Ho una casa nell’Honan" (Ping, Pong, Pang, Coro) | Giacomo Puccini, Antonio Pappano, Coro dell'Accademia Nazionale Di Santa Cecilia, Gregory Bonfatti, Mattia Olivieri, Siyabonga Maqungo, Orchestra dell'Accademia Nazionale di Santa Cecilia | A Major | 0 | 11B | 81 BPM | |
 | La traviata / Act 2: "Ah! Dite alla giovine" | Giuseppe Verdi, Cheryl Studer, Juan Pons, Metropolitan Opera Orchestra, James Levine | E♭ Major | 1 | 5B | 84 BPM | |
 | La Cenerentola / Act 2: Della Fortuna instabile...Sposa - Signor perdona... | Gioachino Rossini, William Matteuzzi, Cecilia Bartoli, Alessandro Corbelli, Enzo Dara, Michele Pertusi, Fernanda Costa, Gloria Banditelli, Coro del Teatro Comunale di Bologna, Orchestra del Teatro Comunale di Bologna, Riccardo Chailly | E Major | 1 | 12B | 92 BPM | |
 | Pacini: Carlo di Borgogna, Act 3: "Coro. Squillan già di vetta in vetta" (Chorus) | Giovanni Pacini, David Parry, Academy of St. Martin in the Fields | C Major | 0 | 8B | 137 BPM | |
 | Il Barbiere di Siviglia: Ah! qual colpo inaspettato! - Highlights | Gioachino Rossini, Samuel Ramey, Enzo Dara, Marilyn Horne, Leo Nucci, Paolo Barbacini, Riccardo Chailly, Orchestra Del Teatro Alla Scala, Milano | D Minor | 0 | 7A | 106 BPM | |
 | I Puritani / Act 3: Vieni, vieni fra questa braccia | Vincenzo Bellini, Luciano Pavarotti, Dame Joan Sutherland, London Symphony Orchestra, Richard Bonynge | C Major | 2 | 8B | 90 BPM | |
 | L'elisir d'amore: Prendi per me sei libero | Gaetano Donizetti, Olga Peretyatko, Miguel Gomez-Martinez | F Major | 4 | 7B | 143 BPM | |
 | Méhul: Ariodant, Act III: "Oh, Dieux! Ecoutez ma prière" (Edgard) | Étienne Nicolas Méhul, Michael Spyres, Marko Letonja, Orchestre Philharmonique De Strasbourg | F Minor | 2 | 4A | 81 BPM | |
 | Saffo: Act I: Cavatina - Di sua voce il suon giungea | Giovanni Pacini, Davide Baronchelli, Gemma Bertagnolli, Roberto de Candia, Aled Hall, Lubomir Matl, Francesca Pedaci, Mariana Pentcheva, Carlo Ventre, Wexford Festival Opera Chorus, RTÉ National Symphony Orchestra, Maurizio Benini | A♭ Major | 1 | 4B | 84 BPM | |
 | Il Trovatore / Act 2: "Soli or siamo...Condotta ell'era in ceppi" | Giuseppe Verdi, Luciano Pavarotti, Marilyn Horne, National Philharmonic Orchestra, Richard Bonynge | A Minor | 2 | 8A | 85 BPM | |
 | Die Entführung aus dem Serail, K.384 / Act 1: "Hier soll ich dich denn sehen...Aber wie soll ich in den Palast komm" | Wolfgang Amadeus Mozart, Gösta Winbergh, Wiener Philharmoniker, Sir Georg Solti | C Major | 1 | 8B | 80 BPM | |
| Carmen / Act 3: Introduction: "Ecoute, compagnon, écoute!" | Georges Bizet, Christine Barbaux, Jane Berbié, Agnes Baltsa, José Carreras, Gino Quilico, Heinz Zednik, Berliner Philharmoniker, Herbert von Karajan, Choeur de l'Opéra de Paris, Jean Laforge | C Minor | 0 | 5A | 99 BPM |
- ISRC
- GBQXY0941827
- Label
- L-M Records/RCA Records