Chitra Vichitra Ji Maharaj's ' "Kyon Aake Ro Raha Hai Mohan Ki Gali Mein" was released on its scheduled release date, June 5, 2023. This song appears to be safe for all ages as it is not explicit. Because this song is the only song in Kyon Aake Ro Raha Hai Mohan Ki Gali Mein and no other songs are present in the album, we classify this track as a single. On top of that, South Africa appears to be the country where this track was created. Kyon Aake Ro Raha Hai Mohan Ki Gali Mein is not that popular right now. The overall mood can be danceable to some, especially with it's high amount of postive energy.
We consider the tempo marking of Kyon Aake Ro Raha Hai Mohan Ki Gali Mein by Chitra Vichitra Ji Maharaj to be Andante (at a walking pace) because the track has a tempo of 80 BPM, a half-time of 40BPM, and a double-time of 160 BPM. Based on that, the speed of the song's tempo is slow. The time signature for this track is 4/4.
D♭ Major is the music key of this track. This also means that this song has a camelot key of 3B. So, the perfect camelot match for 3B would be either 3B or 4A. While, 4B can give you a low energy boost. For moderate energy boost, you would use 12B and a high energy boost can either be 5B or 10B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 3A or 2B will give you a low energy drop, 6B would be a moderate one, and 1B or 8B would be a high energy drop. Lastly, 12A allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Malyo Malyo Manushya Deh | NARAYANSWAMI | F Major | 6 | 7B | 115 BPM | ||
| Jiske Hriday Mein Ram Naam Band Hai | Avinash Karn | D♭ Major | 8 | 3B | 85 BPM | ||
| Bari Door Teri Gokul Nagri | Shridhay Shri Mridul krishna shastri ji maharaj | F♯ Minor | 7 | 11A | 77 BPM | ||
| Kahan Kho Gaya Manka Meet | Baba Rasika Pagal, Chitra Vichitra | A♭ Major | 9 | 4B | 142 BPM | ||
| Jai Ho Bhole Bhandari | Ram Kumar Lakkha | F♯ Minor | 8 | 11A | 105 BPM | ||
| Jhulna Ma Baithe Maiya | Dukalu Yadav | D♭ Major | 9 | 3B | 76 BPM | ||
| Guru Gorakh Aaye | Kala Ram, Renu Kumar | F♯ Minor | 10 | 11A | 98 BPM | ||
| Mere Mitne Ka | Dilshad Zakhmi | F♯ Major | 8 | 2B | 86 BPM | ||
| Mere Pritam Pyare Teri Pal Pal | Chitra Vichitra Ji Maharaj, Bijendara Singh Chauhan, Rasika Pagal, Gopali, Traditional | C Major | 7 | 8B | 75 BPM | ||
| Radhe Radhe | Devi Chitralekha | C Minor | 8 | 5A | 100 BPM | ||
| Gauri Gopal Ashram Chale Aayiye | Aniruddhacharya Ji Maharaj | F♯ Major | 6 | 2B | 120 BPM | ||
| Ganpati Vandana | Manish Tiwari | G Major | 7 | 9B | 84 BPM | ||
| Zindgi Ek Kiraye Ka Ghar Hai | Sunita Swami | B Major | 8 | 1B | 146 BPM | ||
| Hara Hu Baba Par Tujhpe Bharosa Hai | Adhistha, Anushka | F♯ Minor | 8 | 11A | 171 BPM | ||
| Shree Radhe Gopal Bhajman Shree Radhe | Devi Chitralekha | D♭ Major | 3 | 3B | 102 BPM | ||
| Ek Fakira Aaya Shirdi Gaon Mein - Hindi | Puneet Khurana | D♭ Major | 9 | 3B | 102 BPM | ||
| Man Ho Ja Diwana Re | Gyanendra Sharma | A♭ Major | 7 | 4B | 131 BPM | ||
| E Ho Pardeshi | Sovita Pandey | F♯ Major | 7 | 2B | 140 BPM | ||
| Jadoo Kar Gayo | Mukul Dwivedi | E Minor | 6 | 9A | 88 BPM | ||
| M Deewani Chu Taar | Shahin Shaikh, M Farukh Shaikh, Sonu Rathod | D♭ Major | 6 | 3B | 170 BPM | ||
| Man Se Banyihe Re Maliya | Gopal Rai | B♭ Minor | 9 | 3A | 134 BPM | ||
| Kashi Vishwanath Gange | Lalit Mastana | C Major | 8 | 8B | 80 BPM | ||
| Itne Ram Kaha Se Lau | Moinudin Manchala | F Major | 7 | 7B | 82 BPM | ||
| Tu Hai Mera Khivaiya | Shridhay Shri Mridul krishna shastri ji maharaj | D♭ Major | 4 | 3B | 150 BPM | ||
| Mera Dil To Deewana Ho Gaya Re | Manoj Sharma Gwalior | A♭ Major | 8 | 4B | 89 BPM |