PJ Harvey's ' "The Words That Maketh Murder" was released on its scheduled release date, January 1, 2011. With this song being around four minutes long, at 3:45, the duration of this song is pretty average compared to other songs. This track is safe for children and doesn't appear to contain any foul language, since the "Explicit" tag was not present in this track. The track order of this song in PJ Harvey's "Let England Shake" album is number 4 out of 12. On top of that, United Kingdom appears to be the country where this track was created. Based on our statistics, The Words That Maketh Murder's popularity is average in popularity right now. The overall tone is very danceable, especially with its high energy, which produces more of a euphoric, cheerful, or happy vibe.
We consider the tempo marking of The Words That Maketh Murder by PJ Harvey to be Vivace (lively and fast) because the track has a tempo of 158 BPM, a half-time of 79BPM, and a double-time of 316 BPM. Based on that, the speed of the song's tempo is fast. Activities such as, running, can go well with this song. The time signature for this track is 4/4.
This song has a musical key of D Minor. Because this track belongs in the D Minor key, the camelot key is 7A. So, the perfect camelot match for 7A would be either 7A or 6B. While, a low energy boost can consist of either 7B or 8A. For moderate energy boost, you would use 4A and a high energy boost can either be 9A or 2A. However, if you are looking for a low energy drop, finding a song with a camelot key of 6A would be a great choice. Where 10A would give you a moderate drop, and 5A or 12A would be a high energy drop. Lastly, 10B allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| No Pussy Blues | Grinderman | A Major | 7 | 11B | 86 BPM | ||
| Rich | Yeah Yeah Yeahs | G Major | 10 | 9B | 135 BPM | ||
| Greenwich Mean Time | Charlotte Gainsbourg | B♭ Minor | 8 | 3A | 120 BPM | ||
| Satellite of Love | Lou Reed | F Major | 5 | 7B | 122 BPM | ||
| Pi | Kate Bush | G Major | 4 | 9B | 67 BPM | ||
| Mysteries | Beth Gibbons, Rustin Man | F Major | 2 | 7B | 100 BPM | ||
| F***ing in Rhythm & Sorrow | The Sugarcubes | D♭ Minor | 7 | 12A | 132 BPM | ||
| Vad Hände Med Dem? | The Brian Jonestown Massacre | E Major | 9 | 12B | 80 BPM | ||
| Soldier Girl | The Polyphonic Spree | C Major | 6 | 8B | 94 BPM | ||
| IRM | Charlotte Gainsbourg | B Major | 6 | 1B | 120 BPM | ||
| Human Behaviour | Björk | D Major | 6 | 10B | 109 BPM | ||
| Gun | Emilíana Torrini | D Major | 6 | 10B | 169 BPM | ||
| Pull the Wires from the Wall | The Delgados | C Major | 3 | 8B | 88 BPM | ||
| Serpents | Sharon Van Etten | F♯ Minor | 8 | 11A | 123 BPM | ||
| Like Dylan in the Movies | Belle and Sebastian | D♭ Minor | 4 | 12A | 158 BPM | ||
| Blindness | The Fall | G Major | 10 | 9B | 96 BPM | ||
| Horse and I | Bat For Lashes | E Minor | 6 | 9A | 124 BPM | ||
| Too Drunk to Fuck | Nouvelle Vague, Camille | G Major | 8 | 9B | 160 BPM | ||
| Seven | Fever Ray | G Minor | 6 | 6A | 105 BPM | ||
| The Turning of Our Bones | Arab Strap | E Minor | 6 | 9A | 97 BPM | ||
| Such a Remarkable Day | Charlotte Gainsbourg | C Major | 9 | 8B | 100 BPM | ||
| Eid Ma Clack Shaw | Bill Callahan | D♭ Minor | 3 | 12A | 118 BPM | ||
| Under The Table | Fiona Apple | C Major | 5 | 8B | 120 BPM | ||
| No Cars Go | Arcade Fire | D♭ Major | 8 | 3B | 136 BPM | ||
| Metronomic Underground | Stereolab | C Minor | 8 | 5A | 177 BPM |