"E LUCEVAN LE STELLE, TOSCA (feat. Valentino Buzza)" by Mario Conte, Valentino Buzza had its release date on January 20, 2025. The duration of This song is about 3 minutes long, at 3:07. Based on our data, This song appears to be safe for all ages and is not considered explicit. This track is about the average length of a typical track. There are a total of 29 in the song's album "The Opera! Arias For An Eclipse (Original Motion Picture Soundtrack)". In this album, this song's track order is #21. Furthermore, we believe that the track originated from Italy. The popularity of E LUCEVAN LE STELLE, TOSCA (feat. Valentino Buzza) is currently not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
With E LUCEVAN LE STELLE, TOSCA (feat. Valentino Buzza) by Mario Conte, Valentino Buzza having a BPM of 162 with a half-time of 81 BPM and a double-time of 324 BPM, we would consider this track to have a Vivace (lively and fast) tempo marking. Because of this, we believe that the song has an overall fast tempo. The time signature for this track is 5/4.
This song is in the music key of D Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 10B. So, the perfect camelot match for 10B would be either 10B or 11A. While, 11B can give you a low energy boost. For moderate energy boost, you would use 7B and a high energy boost can either be 12B or 5B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 10A or 9B will give you a low energy drop, 1B would be a moderate one, and 8B or 3B would be a high energy drop. Lastly, 7A allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Rusalka: Song to the Moon | Antonín Dvořák, Olga Peretyatko, Miguel Gomez-Martinez | F♯ Major | 2 | 2B | 89 BPM | ||
| Il Gattopardo | Nino Rota, Vienna Walzer Orchestra, Sandro Cuturello | F Major | 2 | 7B | 111 BPM | ||
| La Boheme: Acto III: "Donde Lieta Usce" | Victoria de los Ángeles | D♭ Major | 1 | 3B | 98 BPM | ||
| Recondita Armonia | Luciano Pavarotti | F Major | 2 | 7B | 176 BPM | ||
| Handel: Giulio Cesare in Egitto, HWV 17, Act III: "Piangerò la sorte mia" (Cleopatra) | George Frideric Handel, Sabine Devieilhe, Raphaël Pichon | E♭ Major | 1 | 5B | 181 BPM | ||
| UN BEL DÌ VEDREMO, MADAMA BUTTERFLY (feat. Mariam Battistelli) | Mario Conte, Mariam Battistelli | D♭ Minor | 2 | 12A | 108 BPM | ||
| Roig: Cecilia Valdés: "Salida de Cecilia" | Lisette Oropesa, Óliver Díaz, Orquesta Sinfonica de Madrid | C Major | 2 | 8B | 111 BPM | ||
| Soave sia il vento | Wolfgang Amadeus Mozart, Amici forever, Nick Ingman | E Major | 3 | 12B | 116 BPM | ||
| La donna è mobile | Mario del Monaco | F Major | 3 | 7B | 89 BPM | ||
| Nella tua mente c'è un posto segreto | EPO, Ciro Tuzzi, Mario Conte, Giuseppe Innaro | G Major | 1 | 9B | 79 BPM | ||
| Die Csárdásfürstin · Operette in 3 Akten (1988 Digital Remaster), Erster Akt: Heia, heia, in den Bergen ist mein Heimatland (Sylva - Boni - Feri - Chor) | Emmerich Kálmán, Anneliese Rothenberger, Willy Mattes, Symphonie-Orchester Graunke | C Minor | 5 | 5A | 91 BPM | ||
| Gianni Schicchi (O mio bambino caro) | Katia Ricciarelli | A♭ Major | 2 | 4B | 79 BPM | ||
| DANZA DELLE FURIE, ORFEO E EURIDICE | Mario Conte | D♭ Minor | 2 | 12A | 108 BPM | ||
| Vaga luna, che inargenti | Vincenzo Bellini, Rolando Villazón, Orchestra del Maggio Musicale Fiorentino, Marco Armiliato | B♭ Major | 1 | 6B | 73 BPM | ||
| La Forza Del Destino 1862: La Vergine degli angeli (Act 2) | Inessa Galante | G Major | 1 | 9B | 76 BPM | ||
| Lucia di Lammermoor / Act 1: Quando rapito in estasi | Gaetano Donizetti, Nadine Sierra, Veta Pilipenko, Orchestra Sinfonica Nazionale della Rai, Riccardo Frizza | E♭ Major | 3 | 5B | 96 BPM | ||
| Deux mélodies, Op. 46: No. 2, Clair de lune | Dilyana Georgieva, Galina Apostolova | G Major | 2 | 9B | 86 BPM | ||
| Vocalise, Op. 34, No. 14 - Remastered | Sergei Rachmaninoff, Anna Moffo, American Symphony Orchestra, Leopold Stokowski | D Major | 1 | 10B | 100 BPM | ||
| L'elisir d'amore / Act II: Una furtiva lagrima | Gaetano Donizetti, Roberto Alagna, Evelino Pidò, London Philharmonic Orchestra | F Major | 2 | 7B | 67 BPM | ||
| Donizetti: L'elisir d'amore, Act 2: "Una furtiva lagrima" (Nemorino) | Gaetano Donizetti, Marcello Viotti, English Chamber Orchestra, Roberto Alagna | A♭ Major | 0 | 4B | 181 BPM | ||
| La fanciulla del West, SC 78: Ch'ella mi creda (Arr. Zigante for Tenor and Guitar) | Giacomo Puccini, Jonathan Tetelman, Frédéric Zigante | E Major | 1 | 12B | 104 BPM | ||
| Musica proibita, Op. 5 (arr. L. Logi) [Orch. L. Logi] | Stanislao Gastaldon, Dmitri Hvorostovsky, Russian Philharmonia, Constantine Orbelian | G Major | 1 | 9B | 128 BPM | ||
| Le nozze di Figaro, K. 492, Act 4: L'ho perduta me meschina! (Arr. for Countertenor & String Quartet by Eric Mouret) | Wolfgang Amadeus Mozart, Théophile Alexandre, Quatuor Zaïde | B Minor | 1 | 10A | 128 BPM | ||
| Senza mamma | Giacomo Puccini, Maria Luigia Borsi, London Symphony Orchestra, Yves Abel | A Major | 0 | 11B | 62 BPM | ||
| Beau soir, L. 6 | Dilyana Georgieva, Galina Apostolova | F♯ Minor | 2 | 11A | 142 BPM |