Runa Laila, Saimon's ' "Bondhu Tomaro Lagi" was released on its scheduled release date, 2010. With this song being around four minutes long, at 4:15, the duration of this song is pretty average compared to other songs. This track is safe for children and doesn't appear to contain any foul language, since the "Explicit" tag was not present in this track. There are a total of 4 in the song's album "Takar Cheye Prem Boro (Original Motion Picture Soundtrack)". In this album, this song's track order is #1. Furthermore, we believe that the track originated from France. Based on our statistics, Bondhu Tomaro Lagi's popularity is unknown right now. Even with the track produces more of a neutral energy, it is pretty danceable compared to others.
With Bondhu Tomaro Lagi by Runa Laila, Saimon having a BPM of 128 with a half-time of 64 BPM and a double-time of 256 BPM, we would consider this track to have a Allegro (fast, quick, and bright) tempo marking. Because of this, we believe that the song has an overall fast tempo. Looking at the BPM of this song, this song might go great with walking. The time signature for this track is 4/4.
This song has a musical key of B♭ Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 6B. So, the perfect camelot match for 6B would be either 6B or 7A. While, 7B can give you a low energy boost. For moderate energy boost, you would use 3B and a high energy boost can either be 8B or 1B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 6A or 5B will give you a low energy drop, 9B would be a moderate one, and 4B or 11B would be a high energy drop. Lastly, 3A allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Woh Paas Rahe Ya Door | Suraiya | D♭ Major | 3 | 3B | 122 BPM | ||
| Nukta Cheen Hai Gham-E-Dil | Suraiya | A♭ Minor | 4 | 1A | 102 BPM | ||
| Beqarar Hai Koi | Suraiya, Mohammed Rafi | E♭ Minor | 3 | 2A | 161 BPM | ||
| Ek Hi Khwab Kai Baar Dekha | Bhupinder Singh, Hema Malini, R. D. Burman | G Major | 2 | 9B | 122 BPM | ||
| Gunja Re Chandan | Hemlata, Suresh Wadkar | D Major | 4 | 10B | 146 BPM | ||
| Huzoor Is Kadar | Bhupinder Singh | B♭ Major | 4 | 6B | 122 BPM | ||
| Kisi Patthar Ki Murat Se | Mahendra Kapoor | F♯ Minor | 4 | 11A | 122 BPM | ||
| So Gaya Yeh Jahan | Nitin Mukesh, Alka Yagnik, Shabbir Kumar | E Major | 5 | 12B | 142 BPM | ||
| Ek Akela Is Shaher Mein | Bhupinder Singh | D Major | 7 | 10B | 89 BPM | ||
| Dil E Nadan Tujhe Hua Kya Hai | Suraiya, Talat Mahmood | E Major | 5 | 12B | 105 BPM | ||
| Prem Jogan Ban Ke | Bade Ghulam Ali Khan | E Minor | 6 | 9A | 170 BPM | ||
| Aap Aaye To | Mahendra Kapoor, Sahir Ludhianvi | E♭ Minor | 3 | 2A | 104 BPM | ||
| Laila Majnu Do Badan Ek Jan The | Rajkumar Rizvi, Preeti Sagar | E Major | 6 | 12B | 115 BPM | ||
| Yari Hai Imaan Mera | Manna Dey, Kalyanji-Anandji | A♭ Major | 5 | 4B | 106 BPM | ||
| Neele Neele Ambar Par - Female Version | Kalyanji-Anandji, Sadhana Sargam | C Major | 7 | 8B | 93 BPM | ||
| Milte Hi Ankhen Dil Hua Diwana | Shamshad Begum, Talat Mahmood | A Minor | 5 | 8A | 97 BPM | ||
| Mere Mehboob Na Ja Aaj Ki Raat | Suman Kalyanpur | E Major | 5 | 12B | 152 BPM | ||
| Laila O Laila - From "Qurbani" | Kanchan, Amit Kumar | G Minor | 5 | 6A | 133 BPM | ||
| Ek Se Badhkar Ek | Runa Laila, Kalyanji-Anandji | E♭ Minor | 9 | 2A | 131 BPM | ||
| Chori Chori Koi | Lata Mangeshkar | F♯ Major | 6 | 2B | 155 BPM | ||
| Raah Bani Khud Manzil | Hemant Kumar | D♭ Minor | 5 | 12A | 114 BPM | ||
| Salam-E-Hasrat Qubool Kar Lo | Sudha Malhotra | A Major | 1 | 11B | 182 BPM | ||
| Tera Hijr Mera Naseeb Hai | Kabban Mirza, Nida Fazli | E Major | 4 | 12B | 97 BPM | ||
| Hai Apna Dil To Aawara (Happy) | Hemant Kumar | F♯ Major | 5 | 2B | 110 BPM | ||
| Sapnon Ka Raja - Chalte Chalte / Soundtrack Version | Sulakshana Pandit, Shailendra Singh | A Minor | 6 | 8A | 156 BPM |