"Everyone Sang" by David Bednall, Stephen Layton, The Choir Of Trinity College, Cambridge, Jonathan Lee had its release date on July 28, 2023. This song is about six minutes long, preciously at 5:40, making this song fairly long compared to other songs. The song is number 9 out of 9 in Anthems, Vol. 1 by Stephen Layton, The Choir Of Trinity College, Cambridge. Going off of the ISRC code of this track, we detected that the origin of this track is from United Kingdom. Everyone Sang is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
The tempo marking of Everyone Sang by David Bednall, Stephen Layton, The Choir Of Trinity College, Cambridge, Jonathan Lee is Andante (at a walking pace), since this song has a tempo of 80 BPM. With that information, we can conclude that the song has a slow tempo. The time signature for this track is 4/4.
F Major is the music key of this track. This also means that this song has a camelot key of 7B. So, the perfect camelot match for 7B would be either 7B or 8A. While, 8B can give you a low energy boost. For moderate energy boost, you would use 4B and a high energy boost can either be 9B or 2B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 7A or 6B will give you a low energy drop, 10B would be a moderate one, and 5B or 12B would be a high energy drop. Lastly, 4A allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Messe solennelle pour deux orgues et choeur, Op. 16: III. Sanctus | Louis Vierne, Michel Bouvard | E Major | 3 | 12B | 69 BPM | ||
| Nacht und Träume, D. 827 (Transcr. Gottwald for Choir) | Franz Schubert, Kammerchor Stuttgart, Frieder Bernius | G Minor | 1 | 6A | 106 BPM | ||
| Hymn of Kassiane | Nazo Zakkak | F Major | 2 | 7B | 72 BPM | ||
| Thanks be to the Lord, Op. 133 - world premiere recording | Francis Jackson, David Bednall, Exon Singers, Matthew Owens | F♯ Minor | 2 | 11A | 65 BPM | ||
| Song for a Young Prophet | Damian Lundy, The Boy Choristers of Wells Cathedral, David Bednall, Malcolm Archer | D Major | 0 | 10B | 98 BPM | ||
| O God, Enfold Me in the Sun | Kenneth Leighton, Matthew Owens, Wells Cathedral Choir, David Bednall | D Major | 2 | 10B | 77 BPM | ||
| Grenadier | Benjamin Burrows, Stephen Foulkes, David Bednall | A♭ Major | 2 | 4B | 76 BPM | ||
| Lotti: Crucifixus a 8 | Antonio Lotti, Maitrise Notre-Dame De Paris, Yves Castagnet, Henri Chalet | B♭ Major | 1 | 6B | 78 BPM | ||
| Short Service: Nunc dimittis (Short Service) | Orlando Gibbons, Oxford Camerata, Jeremy Summerly | A♭ Major | 1 | 4B | 74 BPM | ||
| Most High, Glorious God | Gary Davison, Wells Cathedral Choir, Matthew Owens, David Bednall | F Minor | 2 | 4A | 109 BPM | ||
| Cherubic Hymn & That We May Receive | Roman Hurko | C Minor | 1 | 5A | 89 BPM | ||
| The Mass: Gloria | Patrick Cassidy, Laude, David Harris, Christoph Bull | C Minor | 1 | 5A | 76 BPM | ||
| For Dappled Things | John Casken, Joyful Company Of Singers, Peter Broadbent | E Major | 3 | 12B | 74 BPM | ||
| Psalm 112 | Peter Stevens, Simon Johnson, Westminster Cathedral Choir | A Minor | 2 | 8A | 79 BPM | ||
| Jesus, Oh, Remember Me SHZ 440 | Laestadian Lutheran Church, Laurel Loukusa, Liisa Keranen, Ashley Niemela | F Major | 2 | 7B | 82 BPM | ||
| Three Songs of Love: 3. Then and Now | David Bednall, The Epiphoni Consort, Tim Reader | D Minor | 1 | 7A | 79 BPM | ||
| Tippett: Five Negro Spirituals (from A Child of Our Time) - Steal Away | The Chapel Choir of Pembroke College, Cambridge | G Major | 1 | 9B | 59 BPM | ||
| Liturgy of St. John Chrysostom: No. 5, Antiphon III (The Beatitudes) | Benedict Sheehan, The Saint Tikhon Choir | D♭ Major | 2 | 3B | 129 BPM | ||
| Morning Canticles: I. Venite | Kenneth Leighton, David Bednall, Matthew Owens, Wells Cathedral Choir | E Minor | 2 | 9A | 50 BPM | ||
| Templum Sapientiae Excelsae | Monks of St. Anthony's Greek Orthodox Monastery, Abraham Julius Martyn The Fifth | B♭ Major | 0 | 6B | 72 BPM | ||
| Incipit oratio Jeremiae prophetae: III. Pupilli facti sumus | Dominique Phinot, El León de Oro, Peter Phillips | G Major | 1 | 9B | 89 BPM | ||
| 6 Sprüche, Op. 79 (Ed. J. Jordan): No. 2, Am Neujahrstage | Felix Mendelssohn, Westminster Williamson Voices, James Jordan | D Minor | 1 | 7A | 83 BPM | ||
| Kornets sang | Flemming Weis, Musica Ficta, Bo Holten | D Major | 1 | 10B | 90 BPM | ||
| Can We Sing the Darkness to Light? | Kyle Pederson, Transept, Timothy J. Campbell, Paul Sánchez, Doosook Kim, Robert Erhardt | D♭ Major | 1 | 3B | 80 BPM | ||
| Lux aeterna (from 'Sanctum') - Upper voices | Sarah Quartel, The Oxford Choir | E Minor | 0 | 9A | 76 BPM |