Ray Conniff's ' "Tijuana Taxi" was released on its scheduled release date, August 4, 1971. The duration of This song is about two minutes long, specifically at 2:40. This song does not appear to have any foul language. Tijuana Taxi's duration is considered a little bit shorter than the average duration of a typical track. The track order of this song in Ray Conniff's "Great Contemporary Instrumental Hits" album is number 7 out of 11. On top of that, United States appears to be the country where this track was created. In terms of popularity, Tijuana Taxi is currently unknown. The overall mood can be danceable to some, especially with it's high amount of postive energy.
We consider the tempo marking of Tijuana Taxi by Ray Conniff to be Moderato (at a moderate speed) because the track has a tempo of 119 BPM, a half-time of 60BPM, and a double-time of 238 BPM. Based on that, the speed of the song's tempo is moderate. Activities such as, walking, can go well with this song. The time signature for this track is 4/4.
This song has a musical key of F Major. This also means that this song has a camelot key of 7B. So, the perfect camelot match for 7B would be either 7B or 8A. While, 8B can give you a low energy boost. For moderate energy boost, you would use 4B and a high energy boost can either be 9B or 2B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 7A or 6B will give you a low energy drop, 10B would be a moderate one, and 5B or 12B would be a high energy drop. Lastly, 4A allows you to change the mood.
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| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Memories Are Made Of This | Ray Conniff | D Major | 4 | 10B | 127 BPM | ||
| The Shadow of Your Smile | Kai Warner | G Major | 5 | 9B | 113 BPM | ||
| El Último Rodeo | Cliff Mendoza | A♭ Major | 6 | 4B | 175 BPM | ||
| Sleepy Shores | Johnny Pearson | E Major | 2 | 12B | 154 BPM | ||
| Guantanamera | Enrique Chia | C Major | 5 | 8B | 116 BPM | ||
| Poor Butterfly | Paul Weston | D♭ Major | 2 | 3B | 102 BPM | ||
| Tracy's Theme | Billy Vaughn | C Major | 3 | 8B | 111 BPM | ||
| La Paloma | Richard Abel | C Major | 5 | 8B | 111 BPM | ||
| Aquellos Ojos Verdes | Ray Conniff | E♭ Major | 6 | 5B | 134 BPM | ||
| Noche Cubana | Enrique Chia | G Major | 4 | 9B | 108 BPM | ||
| Autumn Leaves | The Percy Faith Strings | G Minor | 3 | 6A | 95 BPM | ||
| Siboney | Mantovani y Su Gran Orquesta | C Minor | 5 | 5A | 79 BPM | ||
| Moon River | Franck Pourcel | G Major | 4 | 9B | 135 BPM | ||
| Café Expresso | Lou Monte | E♭ Major | 7 | 5B | 137 BPM | ||
| Verano Del 42 | Saxo | A Major | 3 | 11B | 83 BPM | ||
| Sail Along Silv'ry Moon | Billy Vaughn | F Major | 5 | 7B | 93 BPM | ||
| El Sueno Imposible | Miguel Nacel | C Major | 4 | 8B | 144 BPM | ||
| Carnival | Edmundo Ros & His Orchestra | F Minor | 5 | 4A | 67 BPM | ||
| La Vida en Rosa | Melodías Mágicas | G Major | 5 | 9B | 111 BPM | ||
| Emmanuelle | Pop Strings Orchestra | D Minor | 5 | 7A | 116 BPM | ||
| Manhattan (From "The Eddy Duchin Story”, 1956 Film Score) | Carmen Cavallaro | G Minor | 1 | 6A | 94 BPM | ||
| Last Waltz | Anthony Ventura | C Major | 3 | 8B | 103 BPM | ||
| Bilitis | Orquesta Romanticos de La Habana | D♭ Major | 0 | 3B | 125 BPM | ||
| The Poor People of Paris | Ray Conniff | D♭ Major | 6 | 3B | 78 BPM | ||
| El bueno, el malo y el feo | Orquesta Instrumental Latinoamericana | F Minor | 4 | 4A | 122 BPM |