Pablo Mercedes's 'God I Hate the Blues - Live Sth Congress' had a release date set for June 27, 2025. The duration of This song is about 3 minutes long, at 3:12. Based on our data, This song appears to be safe for all ages and is not considered explicit. This track is about the average length of a typical track. The track order of this song in Pablo Mercedes's "Iron Line" album is number 3 out of 3. In terms of popularity, God I Hate the Blues - Live Sth Congress is currently not that popular. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
We consider the tempo marking of God I Hate the Blues - Live Sth Congress by Pablo Mercedes to be Andante (at a walking pace) because the track has a tempo of 103 BPM, a half-time of 52BPM, and a double-time of 206 BPM. Based on that, the speed of the song's tempo is slow. The time signature for this track is 4/4.
This song has a musical key of E Minor. Because this track belongs in the E Minor key, the camelot key is 9A. So, the perfect camelot match for 9A would be either 9A or 8B. While, a low energy boost can consist of either 9B or 10A. For moderate energy boost, you would use 6A and a high energy boost can either be 11A or 4A. However, if you are looking for a low energy drop, finding a song with a camelot key of 8A would be a great choice. Where 12A would give you a moderate drop, and 7A or 2A would be a high energy drop. Lastly, 12B allows you to change the mood.
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| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| There's No One Left | Headsticks | A Minor | 8 | 8A | 95 BPM | ||
| In This Wonderland | Satin | A Minor | 5 | 8A | 83 BPM | ||
| Waitin' Around to Die | Pablo Mercedes | D Major | 5 | 10B | 130 BPM | ||
| Weeping for the World | Postindustrial Poets | G Minor | 5 | 6A | 108 BPM | ||
| Edge Of Forever | Jambrains | B♭ Major | 5 | 6B | 172 BPM | ||
| Rock & Roll Band | Pablo Mercedes | B Minor | 9 | 10A | 120 BPM | ||
| Sangria | James Shields | G Major | 9 | 9B | 116 BPM | ||
| Ophelia Knows | Steve Peacock | E Minor | 5 | 9A | 88 BPM | ||
| The Great Divide | Jon Drake | A Major | 8 | 11B | 100 BPM | ||
| Hand Grenade of Love | Greg Kosic | D Major | 7 | 10B | 120 BPM | ||
| Object of My Love | Satin | C Major | 8 | 8B | 152 BPM | ||
| No Bright Ray | MIK's Reaction | A Minor | 3 | 8A | 126 BPM | ||
| I'm Giving up on You | The Drive-In Mondays | G Major | 4 | 9B | 117 BPM | ||
| It's Not Too Late | Steve MacDream Colours | A Minor | 8 | 8A | 130 BPM | ||
| Drifting | Forwardman | D♭ Major | 8 | 3B | 153 BPM | ||
| Long, Long Silences | Postindustrial Poets | A Major | 7 | 11B | 116 BPM | ||
| The Cat & The Crayfish - Theme From The Stage Play | Bygone Dave | F♯ Major | 2 | 2B | 130 BPM | ||
| Hey Girl (Friday Afternoon State Of Mind) | The Technician aka Theo Starr | D♭ Minor | 2 | 12A | 110 BPM | ||
| Our Own Self Assurance | JULES HENRIEL | A Minor | 8 | 8A | 130 BPM | ||
| Bait of fate | Jyri Kannisto | C Major | 4 | 8B | 95 BPM | ||
| Wings of Angels | Pin Stripes | E Major | 4 | 12B | 96 BPM | ||
| Oceans View | Ron Adley | A Major | 4 | 11B | 140 BPM | ||
| Loveman | Aton O'Cat, Goran Vedriš | E Minor | 6 | 9A | 145 BPM | ||
| Pick Up The Pieces | Jambrains | C Major | 5 | 8B | 120 BPM | ||
| Loving Is Easy | The Family Grave | A♭ Major | 3 | 4B | 158 BPM |