On February 3, 1967, the song "Miraí" was released by Ataulfo Alves. The duration of This song is about two minutes long, specifically at 2:49. This song does not appear to have any foul language. Miraí's duration is considered a little bit shorter than the average duration of a typical track. There are a total of 10 in the song's album "Tradição". In this album, this song's track order is #4. Furthermore, we believe that the track originated from Brazil. In terms of popularity, Miraí is currently not that popular. The overall tone is very danceable, especially with its high energy, which produces more of a euphoric, cheerful, or happy vibe.
With Miraí by Ataulfo Alves having a BPM of 98 with a half-time of 49 BPM and a double-time of 196 BPM, we would consider this track to have a Andante (at a walking pace) tempo marking. Because of this, we believe that the song has an overall slow tempo. The time signature for this track is 4/4.
E♭ Minor is the music key of this track. Which also means that the camelot key for this song is 2A. So, the perfect camelot match for 2A would be either 2A or 1B. While, a low energy boost can consist of either 2B or 3A. For moderate energy boost, you would use 11A and a high energy boost can either be 4A or 9A. However, if you are looking for a low energy drop, finding a song with a camelot key of 1A would be a great choice. Where 5A would give you a moderate drop, and 12A or 7A would be a high energy drop. Lastly, 5B allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| QUIVA E LAIÁ | Carnaval | B Major | 8 | 1B | 110 BPM | ||
| Os Meninos da Mangueira | Ataulpho Jr. | C Major | 7 | 8B | 164 BPM | ||
| Última Barbada | Jorge Veiga | E♭ Major | 3 | 5B | 77 BPM | ||
| Barracão | Conjunto Época de Ouro, Nilze Carvalho | F Major | 6 | 7B | 125 BPM | ||
| Mudando De Conversa | Doris Monteiro | F Minor | 6 | 4A | 84 BPM | ||
| Chove Lá Fora | Tito Madi | C Major | 0 | 8B | 85 BPM | ||
| Sabiá na gaiola | Carmelia Alves | B♭ Major | 4 | 6B | 95 BPM | ||
| Rei Do Gatilho | Moreira Da Silva | D Minor | 7 | 7A | 77 BPM | ||
| Quem Quiser Que Se Aborreça | Ataulfo Alves | A♭ Major | 6 | 4B | 107 BPM | ||
| Último desejo (Participação especial de Francisco Sérgio e sua orquestra) | Aracy de Almeida, Francisco Sérgio e sua Orquestra | F Minor | 2 | 4A | 102 BPM | ||
| É Bom Parar | Francisco Alves | E Major | 7 | 12B | 109 BPM | ||
| Ja Ja Da Gamboa | Batatinha | G Major | 5 | 9B | 85 BPM | ||
| Quantas Lágrimas | Cristina Buarque | E Major | 5 | 12B | 97 BPM | ||
| Maria Candelária | Armando Cavalcanti, Klecius Caldas | E♭ Major | 4 | 5B | 139 BPM | ||
| Oh! Seu Oscar | Cyro Monteiro | B Major | 4 | 1B | 116 BPM | ||
| Alvorada - Programa Ensaio 1974 | Cartola, Leci Brandao | A Major | 9 | 11B | 137 BPM | ||
| Desafio / Na Hora da Sede / Carta de Alforria | Luiz Americo | D Major | 6 | 10B | 147 BPM | ||
| Malvada | Ataulfo Alves | A Minor | 3 | 8A | 145 BPM | ||
| Chega De Demanda | Cartola | F♯ Major | 8 | 2B | 102 BPM | ||
| Essa Nega Pede Mais | Clementina De Jesus | G Major | 9 | 9B | 103 BPM | ||
| Lenha Na Fogueira | Samba de Fato, Cristina Buarque | B Minor | 8 | 10A | 112 BPM | ||
| Ago-iê | Heitor dos Prazeres, João da Bahiana, Jorge Fernandes, Ataulfo Alves | G Major | 6 | 9B | 103 BPM | ||
| Brasil, Brasa, Braseiro | Paulo Diniz | F Major | 7 | 7B | 168 BPM | ||
| Recomeçar | Elton Medeiros | E Major | 6 | 12B | 103 BPM | ||
| General da Banda | Linda Batista | D Major | 8 | 10B | 116 BPM |