"The Leftovers, Suite (Arr. Camille Berthollet, Julie Berthollet)" by Max Richter, Camille Berthollet, Julie Berthollet had its release date on November 19, 2021. With this song being about 5 minutes long, at This song is fairly a long song compared to the average song length. This song does not have an "Explicit" tag, making it safe for all ages. There are a total of 23 in the song's album "Series". In this album, this song's track order is #15. Furthermore, we believe that the track originated from United Kingdom. Based on our statistics, The Leftovers, Suite (Arr. Camille Berthollet, Julie Berthollet)'s popularity is below average in popularity right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
With The Leftovers, Suite (Arr. Camille Berthollet, Julie Berthollet) by Max Richter, Camille Berthollet, Julie Berthollet having a BPM of 132 with a half-time of 66 BPM and a double-time of 264 BPM, we would consider this track to have a Allegro (fast, quick, and bright) tempo marking. Because of this, we believe that the song has an overall fast tempo. Looking at the BPM of this song, this song might go great with walking. The time signature for this track is 4/4.
This song is in the music key of C Minor. Which also means that the camelot key for this song is 5A. So, the perfect camelot match for 5A would be either 5A or 4B. While, a low energy boost can consist of either 5B or 6A. For moderate energy boost, you would use 2A and a high energy boost can either be 7A or 12A. However, if you are looking for a low energy drop, finding a song with a camelot key of 4A would be a great choice. Where 8A would give you a moderate drop, and 3A or 10A would be a high energy drop. Lastly, 8B allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| The Two of Me | Guillaume Poncelet | E♭ Major | 1 | 5B | 171 BPM | ||
| Gnossienne no 1 | Pierre Lapointe | B♭ Minor | 0 | 3A | 71 BPM | ||
| Interlude | Alexandra Streliski | C Major | 0 | 8B | 60 BPM | ||
| Onsdag | Søndag Søndag | E♭ Major | 0 | 5B | 80 BPM | ||
| Dreamlessly (variation) | Carlos Cipa | B Minor | 0 | 10A | 151 BPM | ||
| Lettre à France | Michel Polnareff, Camille Berthollet, Julie Berthollet, Christophe Cravero | G Minor | 3 | 6A | 122 BPM | ||
| Andrei | Martin Phipps, BBC National Orchestra Of Wales | C Major | 1 | 8B | 77 BPM | ||
| Satie: 3 Gymnopédies: No. 1, Lent et douloureux | Erik Satie, Alexandre Tharaud | E Minor | 0 | 9A | 133 BPM | ||
| Valse nocturne | Guillaume Poncelet | C Major | 2 | 8B | 90 BPM | ||
| Indecisive | Patrick Hamilton | C Minor | 0 | 5A | 102 BPM | ||
| Early Dance - Redux Version | Federico Albanese | F Minor | 0 | 4A | 117 BPM | ||
| The Heart Asks Pleasure First | Michael Nyman | A Minor | 1 | 8A | 136 BPM | ||
| Dream 3 - Remix | Max Richter, Ben Russell, Yuki Numata Resnick | F♯ Major | 1 | 2B | 115 BPM | ||
| passepied | Jean-Michel Blais | G Major | 2 | 9B | 89 BPM | ||
| murmures | Jean-Michel Blais | B♭ Major | 3 | 6B | 81 BPM | ||
| London | Alberto Giurioli | F Minor | 3 | 4A | 114 BPM | ||
| Lefèvre: Dernier souffle, Pt. 2 | Alain Lefèvre | F Major | 0 | 7B | 111 BPM | ||
| New York Cycle | Remo Anzovino | D Major | 1 | 10B | 136 BPM | ||
| Amar: Castells | Armand Amar, The City of Prague Philharmonic Orchestra | B♭ Minor | 2 | 3A | 152 BPM | ||
| Opening - Glassforms Version Edit | Bruce Brubaker, Max Cooper | E♭ Major | 2 | 5B | 67 BPM | ||
| Source of Innovation | Guy Skornik, Elisabeth Skornik | C Minor | 5 | 5A | 120 BPM | ||
| Vivaldi: Les Quatre Saisons, Concerto pour violon en mi majeur, Op. 8 No. 1, RV 269 "Le Printemps": I. Allegro | Antonio Vivaldi, Camille Berthollet, Benjamin Levy, String ensemble of the Orchestre National du Capitole de Toulouse | F Major | 1 | 7B | 83 BPM | ||
| Shadow Journal | Max Richter, Tilda Swinton, Louisa Fuller, Natalia Bonner, John Metcalfe, Philip Sheppard, Chris Worsey | G Minor | 1 | 6A | 143 BPM | ||
| Don't Want to Go | Edward Farmer, Martin Phipps | A♭ Major | 3 | 4B | 59 BPM | ||
| and she was | Carlos Cipa | E Minor | 0 | 9A | 100 BPM |