Patsy Cline's ' "Come On In (Live - TV)" was released on its scheduled release date, April 18, 2025. With This song being less than two minutes long, at 1:45, we are fairly confident that this song is not explicit and is safe for all ages. Based on the duration of this song, this song duration is much smaller than the average song duration. The track order of this song in Patsy Cline's "Imagine That: The Lost Recordings 1954-1963" album is number 16 out of 52. On top of that, Spain appears to be the country where this track was created. In terms of popularity, Come On In (Live - TV) is currently not that popular. The overall tone is very danceable, especially with its high energy, which produces more of a euphoric, cheerful, or happy vibe.
We consider the tempo marking of Come On In (Live - TV) by Patsy Cline to be Andante (at a walking pace) because the track has a tempo of 95 BPM, a half-time of 48BPM, and a double-time of 190 BPM. Based on that, the speed of the song's tempo is slow. Activities such as, yoga or pilates, can go well with this song. The time signature for this track is 4/4.
This song has a musical key of F Major. This also means that this song has a camelot key of 7B. So, the perfect camelot match for 7B would be either 7B or 8A. While, 8B can give you a low energy boost. For moderate energy boost, you would use 4B and a high energy boost can either be 9B or 2B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 7A or 6B will give you a low energy drop, 10B would be a moderate one, and 5B or 12B would be a high energy drop. Lastly, 4A allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| There Stands the Glass | Webb Pierce | A♭ Major | 2 | 4B | 53 BPM | ||
| Love's Ring Of Fire - Edit | Anita Carter | G Major | 2 | 9B | 86 BPM | ||
| Long Black Veil | Lefty Frizzell | E Major | 2 | 12B | 63 BPM | ||
| Looking Back To See | The Browns | G Major | 2 | 9B | 97 BPM | ||
| Why Can't He Be You - Single Version | Patsy Cline | F♯ Major | 1 | 2B | 78 BPM | ||
| So Wrong | Patsy Cline | C Major | 3 | 8B | 111 BPM | ||
| Chantilly Lace | The Big Bopper | E♭ Major | 8 | 5B | 172 BPM | ||
| Funny Face - Single Version | Donna Fargo | D Major | 2 | 10B | 97 BPM | ||
| Heartaches By the Number | Ray Price | B♭ Major | 5 | 6B | 63 BPM | ||
| Here Today and Gone Tomorrow (feat. Jim Ed Brown) | The Browns, Jim Ed Brown | C Major | 2 | 8B | 117 BPM | ||
| Ramblin' Rose | David Houston | C Major | 1 | 8B | 111 BPM | ||
| The Long Black Veil | Lefty Frizzell | E Major | 1 | 12B | 128 BPM | ||
| Tennessee Saturday Night | Red Foley | E Major | 4 | 12B | 141 BPM | ||
| Tips Of My Fingers | Roy Clark | D Major | 1 | 10B | 89 BPM | ||
| (If Loving You Is Wrong) I Don't Want To Be Right | Barbara Mandrell | E Minor | 6 | 9A | 74 BPM | ||
| Someday Soon | Suzy Bogguss | G Major | 5 | 9B | 115 BPM | ||
| Sixteen Tons | Tennessee Ernie Ford | B Major | 2 | 1B | 144 BPM | ||
| Come Softly To Me - Stereo Mix | The Fleetwoods | D♭ Major | 1 | 3B | 122 BPM | ||
| I'm Walking the Dog | Webb Pierce | C Major | 3 | 8B | 96 BPM | ||
| Daddy's Little Girl | The Mills Brothers | E♭ Major | 0 | 5B | 89 BPM | ||
| There Stands the Glass | Webb Pierce | C Major | 3 | 8B | 96 BPM | ||
| True Love Ways | Buddy Holly | B♭ Major | 1 | 6B | 83 BPM | ||
| (Now and Then, There's) A Fool Such As I - Single Version | Hank Snow | A♭ Major | 3 | 4B | 112 BPM | ||
| Almost Persuaded | David Houston | A♭ Major | 3 | 4B | 82 BPM | ||
| It's All In The Game | Tommy Edwards | E♭ Major | 4 | 5B | 120 BPM |