They Are Behind Us's ' "Dis/course" was released on its scheduled release date, October 15, 2024. The duration of This song is about two minutes long, specifically at 2:03. This song does not appear to have any foul language. Dis/course's duration is considered a little bit shorter than the average duration of a typical track. The song is number 1 out of 2 in Dis/course by They Are Behind Us. In terms of popularity, Dis/course is currently not that popular. Even with the track produces more of a neutral energy, it is pretty danceable compared to others.
The tempo marking of Dis/course by They Are Behind Us is Andante (at a walking pace), since this song has a tempo of 94 BPM. With that information, we can conclude that the song has a slow tempo. This song can go great with yoga or pilates. The time signature for this track is 4/4.
This song has a musical key of F♯ Major. This also means that this song has a camelot key of 2B. So, the perfect camelot match for 2B would be either 2B or 3A. While, 3B can give you a low energy boost. For moderate energy boost, you would use 11B and a high energy boost can either be 4B or 9B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 2A or 1B will give you a low energy drop, 5B would be a moderate one, and 12B or 7B would be a high energy drop. Lastly, 11A allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| This Guy Is Like Leatherface, Chucky, and Jan Brady Rolled into One | The John Candy, Delta Hate | D♭ Major | 9 | 3B | 93 BPM | ||
| HOLE | dead7 | D♭ Major | 10 | 3B | 160 BPM | ||
| IN TIME WE WILL ALL BE DUST | DEMATERIALIZE | D Major | 10 | 10B | 162 BPM | ||
| Crashing Down | Via Sky | D♭ Major | 10 | 3B | 140 BPM | ||
| ALEXANDER THE GRAPE | Berried Alive | F♯ Major | 7 | 2B | 120 BPM | ||
| Lara Croft | Dal Av, Dropout Kings | G Major | 9 | 9B | 120 BPM | ||
| Try Me | Yung Mo$h | F Minor | 8 | 4A | 97 BPM | ||
| Opening the Gates | Bind the Sacrifice | D♭ Major | 10 | 3B | 105 BPM | ||
| Sacred Geometry | Xstitch | D Major | 9 | 10B | 105 BPM | ||
| Scars | Surefire | F♯ Major | 10 | 2B | 102 BPM | ||
| Portrait of a Tragedy | Nathan James | A Minor | 10 | 8A | 130 BPM | ||
| Deadweight | Downswing | B♭ Minor | 10 | 3A | 101 BPM | ||
| FACETIME | Yung Mo$h | F♯ Major | 10 | 2B | 130 BPM | ||
| ORIGINAL CRIMINAL | Deficit | B Minor | 10 | 10A | 93 BPM | ||
| Darkness // Degrade | IREVERI | A♭ Major | 10 | 4B | 150 BPM | ||
| Pissing | Resider | B♭ Minor | 10 | 3A | 104 BPM | ||
| Glitch | No Face No Case | A♭ Major | 9 | 4B | 95 BPM | ||
| Ruthless | Rome Music | B♭ Major | 9 | 6B | 120 BPM | ||
| Cold Concrete | Extortionist, The Last Ten Seconds of Life | B Minor | 10 | 10A | 128 BPM | ||
| Castaway | Late 9 | A Minor | 9 | 8A | 140 BPM | ||
| Misanthrope | Nathan James | E Major | 9 | 12B | 150 BPM | ||
| Resilient | We Were Giants | D♭ Major | 9 | 3B | 110 BPM | ||
| Forget It | Stray View | G Major | 10 | 9B | 160 BPM | ||
| ISOLATED | DEADSKIN | D♭ Major | 8 | 3B | 170 BPM | ||
| Omen | Phantom Limbs | D♭ Major | 9 | 3B | 110 BPM |