Alla Rakha, Zakir Hussain's ' "Punjabi Peshkaar (Teental: Part 1 - With Short Spoken Intro)" was released on its scheduled release date, July 6, 2009. With this song being about 5 minutes long, at This song is fairly a long song compared to the average song length. This song does not have an "Explicit" tag, making it safe for all ages. The song is number 8 out of 13 in Call Of Fire - 13 Meditations On Tabla by Zakir Hussain & Alla Rakha. Going off of the ISRC code of this track, we detected that the origin of this track is from India. In terms of popularity, Punjabi Peshkaar (Teental: Part 1 - With Short Spoken Intro) is currently unknown. The overall mood can be danceable to some, especially with it's high amount of postive energy.
The tempo marking of Punjabi Peshkaar (Teental: Part 1 - With Short Spoken Intro) by Alla Rakha, Zakir Hussain is Moderato (at a moderate speed), since this song has a tempo of 111 BPM. With that information, we can conclude that the song has a moderate tempo. The time signature for this track is 4/4.
D♭ Minor is the music key of this track. This also means that this song has a camelot key of 12A. So, the perfect camelot match for 12A would be either 12A or 11B. While, a low energy boost can consist of either 12B or 1A. For moderate energy boost, you would use 9A and a high energy boost can either be 2A or 7A. However, if you are looking for a low energy drop, finding a song with a camelot key of 11A would be a great choice. Where 3A would give you a moderate drop, and 10A or 5A would be a high energy drop. Lastly, 3B allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Bahar | Buddhadev DasGupta | F Major | 5 | 7B | 133 BPM | ||
| Tabla - Ustad Alla Rakha, Pt. 1 | Alla Rakha | D Major | 9 | 10B | 115 BPM | ||
| More Kartar - Ustad Alla Rakha | Alla Rakha | D♭ Major | 5 | 3B | 93 BPM | ||
| Naima | Deepak Ram | A Major | 2 | 11B | 76 BPM | ||
| Varnam | Jayanthi Kumaresh | A♭ Major | 3 | 4B | 147 BPM | ||
| Shyam Kalyan | Buddhadev DasGupta | F Major | 4 | 7B | 115 BPM | ||
| Jaunpuri | Buddhadev DasGupta | F Minor | 4 | 4A | 112 BPM | ||
| Hari Bina Kari - Kajri | Girija Devi | A♭ Minor | 4 | 1A | 126 BPM | ||
| Rangeelā | Buddy Rich, Alla Rakha | D♭ Major | 6 | 3B | 185 BPM | ||
| Def and Drum | Zakir Hussain, Dana Pandey, Syed Arshad, Vince Delgado, Aushim Chaudhuri | F♯ Major | 4 | 2B | 121 BPM | ||
| Maru Behag - Instrumental | Ustad Bismillahkhan | F♯ Minor | 4 | 11A | 64 BPM | ||
| Thumri : Khamaj, Chhab Dikhla Ja-Tala:Deepchandi | Girija Devi, Alla Rakha, Sultan Khan | B♭ Major | 4 | 6B | 80 BPM | ||
| Drut Teen Taal -16 Beats | Swapan Chaudhuri | F♯ Major | 8 | 2B | 150 BPM | ||
| Pranavaswaroopam - Raga Rushyaketupriya | Sri Ganapathy Sachchidananda Swamiji, L. Subramaniam | D Major | 5 | 10B | 81 BPM | ||
| Raga Des Alap | G.S. Sachdev | F Major | 0 | 7B | 140 BPM | ||
| Rag Bhupali - Alap & Gat in Rupak Tal | Ronu Majumdar, Abhijit Banerjee | E Major | 2 | 12B | 134 BPM | ||
| Surphakta Taal | Alla Rakha | D♭ Major | 7 | 3B | 150 BPM | ||
| Bhimpalasri Fast Tintal | Nikhil Banerjee | A Major | 4 | 11B | 137 BPM | ||
| 8.5 Beats | Anindo Chatterjee | B Minor | 6 | 10A | 124 BPM | ||
| Raga Bhupali - Ustad Amjad Ali Khan | Ustad Amjad Ali Khan | E Minor | 4 | 9A | 97 BPM | ||
| After a Hot Day | Surajit Das, Lucyan | D♭ Major | 5 | 3B | 113 BPM | ||
| Mishar Khamaj - Gat | Ustad Vilayat Hussain, Alla Rakha | D♭ Major | 8 | 3B | 152 BPM | ||
| Bhajan Vaishnav, Jana to tene kamije | Narsi Mehta, Ismail Sheikh, Linda Shanovitch, Baluji Shrivastav, Sarvar Sabri | B♭ Major | 6 | 6B | 122 BPM | ||
| A Sunrise Serenade (Todi Alaap) | Debashish Bhattacharya, Subhasis Bhattacharjee, Anandi Bhattacharya, Suryadipta Bhattacharya | E♭ Major | 1 | 5B | 77 BPM | ||
| Dhun in Madhyam se Gara - Studio | Tejendra Majumdar, Swapan Chaudhuri | F Major | 2 | 7B | 101 BPM |