"Getting Sentimental Over You" by James Morrison had its release date on January 6, 2012. This song is about six minutes long, preciously at 6:14, making this song fairly long compared to other songs. There are a total of 11 in the song's album "Snappy Too". In this album, this song's track order is #3. Furthermore, we believe that the track originated from Australia. Based on our statistics, Getting Sentimental Over You's popularity is not that popular right now. Although the tone can be danceable to some, this track does projects more of a negative sound rather than a postive one.
With Getting Sentimental Over You by James Morrison having a BPM of 140 with a half-time of 70 BPM and a double-time of 280 BPM, we would consider this track to have a Allegro (fast, quick, and bright) tempo marking. Because of this, we believe that the song has an overall fast tempo. Looking at the BPM of this song, this song might go great with jogging or cycling. The time signature for this track is 4/4.
This song is in the music key of G Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 9B. So, the perfect camelot match for 9B would be either 9B or 10A. While, 10B can give you a low energy boost. For moderate energy boost, you would use 6B and a high energy boost can either be 11B or 4B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 9A or 8B will give you a low energy drop, 12B would be a moderate one, and 7B or 2B would be a high energy drop. Lastly, 6A allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Cryin' Time | Olivia Cuttill | D♭ Major | 1 | 3B | 125 BPM | ||
| Faith | Joshua Redman Quartet | D Minor | 2 | 7A | 128 BPM | ||
| Greens At The Chicken Shack | Roy Hargrove Quintet | A♭ Major | 3 | 4B | 134 BPM | ||
| Midnight on Bourbon Street | diana cole | G Minor | 3 | 6A | 180 BPM | ||
| Ornate | AethericArtisan | A Minor | 6 | 8A | 156 BPM | ||
| Tip Toein' | Dan Crisci | D♭ Major | 3 | 3B | 131 BPM | ||
| It Only Happens Every Time - Remixed & Remastered 1994 | Thad Jones, Mel Lewis | C Minor | 3 | 5A | 112 BPM | ||
| Let's Do It (From "Paris") - Live from Hamer Hall, Arts Centre Melbourne, 2017 | Patti Austin, James Morrison, Melbourne Symphony Orchestra | B Minor | 3 | 10A | 119 BPM | ||
| Debbie's Blue Bicycle | Jim Pearce | C Minor | 5 | 5A | 182 BPM | ||
| Saxophone Talks to the Moon | Virtual Sax | C Major | 4 | 8B | 130 BPM | ||
| Hypnotized by the Keys and the Brass | Virtual Sax | C Major | 4 | 8B | 130 BPM | ||
| Silent Fangs | Niko de Oro | D♭ Major | 3 | 3B | 143 BPM | ||
| To You | Thad Jones | F Major | 1 | 7B | 62 BPM | ||
| The Quietest Yes | MySOL | D♭ Major | 0 | 3B | 138 BPM | ||
| Satin Twilight | Jazz Cafè | C Major | 4 | 8B | 137 BPM | ||
| Our Love Is Here to Stay (From "The Goldwyn Follies") - Live from Hamer Hall, Arts Centre Melbourne, 2017 | Patti Austin, James Morrison, Melbourne Symphony Orchestra, Benjamin Northey | G Minor | 2 | 6A | 58 BPM | ||
| The Purple Pangolin | Callum Au, Louis Dowdeswell | A Minor | 3 | 8A | 118 BPM | ||
| Pale Flicker | Orión Natera | G Minor | 3 | 6A | 141 BPM | ||
| Midnight Train to Nowhere | The Velvet Spiral Quartet | D Major | 6 | 10B | 71 BPM | ||
| Just Squeeze Me | Paul Desmond | E♭ Major | 2 | 5B | 128 BPM | ||
| The Hidden Glowline | Milan Drex | C Major | 4 | 8B | 130 BPM | ||
| New Lands - Take 2 | Phil Woods, Space Jazz Trio | C Major | 5 | 8B | 96 BPM | ||
| She's Always A Woman | Shelly Berg Trio | A♭ Major | 4 | 4B | 131 BPM | ||
| Letters Never Sent | renny 3l fantasma | C Minor | 4 | 5A | 202 BPM | ||
| Yesterdays - Live | Big Band Brass, Dominique Rieux, James Morrison | F Major | 2 | 7B | 68 BPM |