Koshinder Rishipal's ' "Kya Hai Bapu Part 5" was released on its scheduled release date, May 17, 2021. This song appears to be safe for all ages as it is not explicit. The song is number 6 out of 8 in Andhe Ka Vyah Vol 1 by Koshinder Rishipal. Going off of the ISRC code of this track, we detected that the origin of this track is from India. Based on our statistics, Kya Hai Bapu Part 5's popularity is unknown right now. The overall mood can be danceable to some, especially with it's high amount of postive energy.
The tempo marking of Kya Hai Bapu Part 5 by Koshinder Rishipal is Allegro (fast, quick, and bright), since this song has a tempo of 125 BPM. With that information, we can conclude that the song has a fast tempo. This song can go great with walking. The time signature for this track is 4/4.
This song is in the music key of D♭ Major. This also means that this song has a camelot key of 3B. So, the perfect camelot match for 3B would be either 3B or 4A. While, 4B can give you a low energy boost. For moderate energy boost, you would use 12B and a high energy boost can either be 5B or 10B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 3A or 2B will give you a low energy drop, 6B would be a moderate one, and 1B or 8B would be a high energy drop. Lastly, 12A allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Utar Bichchhoo | Koshinder Khadana, Rishipal, Satapal Dosa, Karmpal, Bhrampal, Manju Sharma | B Major | 6 | 1B | 148 BPM | ||
| Dhire Se daro Raja | Jaysingh raja, Doli Rajpoot | F♯ Major | 6 | 2B | 82 BPM | ||
| More Naina Taras Gaye | Sardar Ali | B Minor | 9 | 10A | 120 BPM | ||
| Jahar Baba Aawego | Ramavtar Sharma | F♯ Major | 5 | 2B | 125 BPM | ||
| Mare Jodi Ra Bhartar | Kheta Khan | C Major | 8 | 8B | 108 BPM | ||
| Mai Bhang Dhatura | Koshinder Rishipal, Sunita, Brahmpal, Satpal, Karampal Ramniwas | E Major | 6 | 12B | 129 BPM | ||
| Sipahi Hai Lashkar Husaini Ke | Aalam Sabri | A♭ Major | 10 | 4B | 112 BPM | ||
| Ghunghat Ki Oat | Rajbala Bahadurgarh, Nardev Banival | F♯ Minor | 9 | 11A | 99 BPM | ||
| Mahal Mein Banke Rahiye Pathani | Tarun Baliyan | D♭ Major | 9 | 3B | 121 BPM | ||
| Is Bare Me Lachar Hui | Mainpal Baseda, Satpal Dosa | G Minor | 10 | 6A | 125 BPM | ||
| Meri Aab Bahu Ne Tar | Satpal Dausa | B Major | 9 | 1B | 151 BPM | ||
| Naag Lapeta | Rani Rangili | D♭ Minor | 10 | 12A | 104 BPM | ||
| Dosh Mera Dyoun Ki | Satpal Dausa | D♭ Major | 6 | 3B | 95 BPM | ||
| Mat Kare Baat Punjabi Mein | Tarun Baliyan | F♯ Minor | 10 | 11A | 158 BPM | ||
| Pando Te Aaj Karu Ghor Sangram | Koshinder Khadana | F♯ Major | 7 | 2B | 141 BPM | ||
| Jahajiya Dhala A Raja Ji | Sarvesh Singh, Rekha Ragini | D♭ Major | 10 | 3B | 110 BPM | ||
| Gharaki Mari Paraso | Jaysingh raja, jyoti Kushvah | F♯ Minor | 7 | 11A | 160 BPM | ||
| Udta Kaagliya | Bhungar Khan | C Major | 10 | 8B | 100 BPM | ||
| Gher Lao Sa Banna Ne Dhoondh Lao Sa | Kheta Khan, Asha Vaishnav | F Minor | 7 | 4A | 88 BPM | ||
| Pachiso Kal | Ray Chand, Champa Methi | B Minor | 8 | 10A | 170 BPM | ||
| Aaundi Kaul Mere | Bagga Safri, Kiranjoti | D♭ Minor | 9 | 12A | 113 BPM | ||
| Sunle Beti Seth Ki | Rajendra Kharkiya, Madhu Sharma | G Major | 4 | 9B | 132 BPM | ||
| Krishan Murari Mhari Bedna Ne Met | Preeti Choudhary Jhunjhunu | G Major | 4 | 9B | 128 BPM | ||
| Sheva Karat Lugai Ki | Soniya Studio | F Minor | 8 | 4A | 138 BPM | ||
| Ikko Devenhaar | Bhai Tavneet Singh Ji Chandigarh Wale, Bhai Arshpreet Singh Ji, TH Records | A Major | 9 | 11B | 108 BPM |