"From The Invisible To The Visible" by Shara Worden, Nadia Sirota had its release date on February 18, 2013. With this song being around four minutes long, at 4:01, the duration of this song is pretty average compared to other songs. This track is safe for children and doesn't appear to contain any foul language, since the "Explicit" tag was not present in this track. The song is number 2 out of 6 in Baroque by Nadia Sirota. Going off of the ISRC code of this track, we detected that the origin of this track is from Iceland. From The Invisible To The Visible is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
The tempo marking of From The Invisible To The Visible by Shara Worden, Nadia Sirota is Adagio (slowly with great expression), since this song has a tempo of 74 BPM. With that information, we can conclude that the song has a slow tempo. The time signature for this track is 3/4.
This song has a musical key of C Minor. Because this track belongs in the C Minor key, the camelot key is 5A. So, the perfect camelot match for 5A would be either 5A or 4B. While, a low energy boost can consist of either 5B or 6A. For moderate energy boost, you would use 2A and a high energy boost can either be 7A or 12A. However, if you are looking for a low energy drop, finding a song with a camelot key of 4A would be a great choice. Where 8A would give you a moderate drop, and 3A or 10A would be a high energy drop. Lastly, 8B allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Epiloog | Maarten Vos | C Minor | 2 | 5A | 80 BPM | ||
| Glassworks: III. Islands | Signal, Michael Riesman | B♭ Minor | 2 | 3A | 84 BPM | ||
| Minim | Johann Sebastian Bach, Dustin O'Halloran | C Minor | 1 | 5A | 130 BPM | ||
| Paris | Meredith Monk, Ursula Oppens | A Minor | 1 | 8A | 69 BPM | ||
| Times Curve Prelude No. 17 | William Duckworth, Silas Bassa | D♭ Major | 0 | 3B | 121 BPM | ||
| I. Sequence (Four) | Peter Gregson, Warren Zielinski, Magdalena Filipczak, Meghan Cassidy, Richard Harwood | D Minor | 3 | 7A | 137 BPM | ||
| Eon | Meredith Monk | A Minor | 1 | 8A | 157 BPM | ||
| Opening Cards | Nico Muhly, Nadia Sirota | C Minor | 1 | 5A | 141 BPM | ||
| Suite from "The Hours" - Movement III | Maki Namekawa, Cello Octet Amsterdam | G Minor | 1 | 6A | 135 BPM | ||
| Frozen River Flows | Dobrinka Tabakova, Roman Mints, Raimondas Sviackevičius, Donatas Bagurskas | E♭ Major | 0 | 5B | 135 BPM | ||
| Dream | John Cage, Alexei Lubimov | C Minor | 0 | 5A | 67 BPM | ||
| Penelope: Home | Sarah Kirkland Snider, Shara Worden, Signal, Brad Lubman | B♭ Major | 2 | 6B | 76 BPM | ||
| Different Trains: III. After the War | Steve Reich, David Robertson, Orchestre National De Lyon | D♭ Major | 1 | 3B | 88 BPM | ||
| Dark Holler: V. New Railroad | David Kirkland Garner, Alex Sopp, Hideaki Aomori, CJ Camerieri, Jamie Keesecker, Rob Moose, Sarah Griffin, Nadia Sirota, Clarice Jensen, Shawn Conley, Cameron Britt, Shawn Galvin, Timothy Hambourger, Jacquelyn Bartlett, Verena Mösenbichler-Bryant | F♯ Minor | 5 | 11A | 128 BPM | ||
| String Trio: Movement 1 | Joseph Byrd, Caleb Burhans, Nadia Sirota, Clarice Jensen | A Major | 0 | 11B | 137 BPM | ||
| Aether | Hildur Guðnadóttir | A Minor | 0 | 8A | 169 BPM | ||
| Folkdance | Meredith Monk, Bruce Brubaker, Ursula Oppens | D Minor | 4 | 7A | 116 BPM | ||
| The Wind in High Places: II. Maclaren Summit | John Luther Adams, JACK Quartet | D Major | 1 | 10B | 103 BPM | ||
| Family Portrait | Rachel Grimes, Rachel's | F♯ Minor | 1 | 11A | 76 BPM | ||
| First Self-Portrait Series | Rachel Grimes, Rachel's | D Minor | 2 | 7A | 68 BPM | ||
| Aliens with Extraordinary Abilities: Torched and Wrecked | David Skidmore, Third Coast Percussion | F Minor | 8 | 4A | 155 BPM | ||
| Forgotten Dreams #4 | Ernst Reijseger | G Major | 1 | 9B | 123 BPM | ||
| Piano & Violoncello 2 | Irena And Vojtech Havlovi | E♭ Major | 1 | 5B | 68 BPM | ||
| Adès: Les baricades mistérieuses | Thomas Adès, Composers Ensemble | B♭ Major | 0 | 6B | 132 BPM | ||
| Sonatas and Interludes for Prepared Piano: Sonata No. 2 | John Cage, Boris Berman | D♭ Major | 2 | 3B | 123 BPM |