"Taking the Court" by Rob Simonsen had its release date on February 28, 2020. The duration of This song is about two minutes long, specifically at 2:04. This song does not appear to have any foul language. Taking the Court's duration is considered a little bit shorter than the average duration of a typical track. There are a total of 18 in the song's album "The Way Back (Original Motion Picture Soundtrack)". In this album, this song's track order is #8. Furthermore, we believe that the track originated from United States. The popularity of Taking the Court is currently not that popular right now. Although the tone can be danceable to some, this track does projects more of a negative sound rather than a postive one.
With Taking the Court by Rob Simonsen having a BPM of 180 with a half-time of 90 BPM and a double-time of 360 BPM, we would consider this track to have a Presto (very, very fast) tempo marking. Because of this, we believe that the song has an overall fast tempo. The time signature for this track is 4/4.
This song has a musical key of C Minor. Which also means that the camelot key for this song is 5A. So, the perfect camelot match for 5A would be either 5A or 4B. While, a low energy boost can consist of either 5B or 6A. For moderate energy boost, you would use 2A and a high energy boost can either be 7A or 12A. However, if you are looking for a low energy drop, finding a song with a camelot key of 4A would be a great choice. Where 8A would give you a moderate drop, and 3A or 10A would be a high energy drop. Lastly, 8B allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Kem Kang Noi | Fernando Velázquez | F♯ Major | 4 | 2B | 123 BPM | ||
| Towels on the Field | Mark Orton, John Hancock, Carla Kihlstedt | E Minor | 1 | 9A | 174 BPM | ||
| Be Funny When You Can | Bryce Dessner, Aaron Dessner | F Major | 0 | 7B | 66 BPM | ||
| The Beach | Jonathan Sadoff, Rob Simonsen | G Major | 3 | 9B | 110 BPM | ||
| The Road Ahead | Rob Simonsen | F Minor | 2 | 4A | 106 BPM | ||
| Towards an Unknown Future | Rob Simonsen | B Major | 0 | 1B | 99 BPM | ||
| Stay In My Bed | Ben Salisbury | D♭ Major | 0 | 3B | 74 BPM | ||
| Captivus | Sagrifizio | E Minor | 2 | 9A | 96 BPM | ||
| Cycle | Peter Gregson, Sarah D'Angelo, Henry Flory, Eunice Kim, Derek Powell, Esme Allen-Creighton, Dana Rokosny, Douglas Jameson, Ali Cook | D Major | 0 | 10B | 78 BPM | ||
| Clark | Tommy Lucas | D♭ Minor | 2 | 12A | 79 BPM | ||
| Too Many Deaths | Marco Beltrami | D Minor | 5 | 7A | 100 BPM | ||
| Didn't Go Inside | Hannes De Maeyer, Ruben de Gheselle | C Minor | 1 | 5A | 120 BPM | ||
| Alex & Sanni | Marco Beltrami | B Minor | 9 | 10A | 130 BPM | ||
| After The Rain | Paolo Buonvino | G Minor | 0 | 6A | 81 BPM | ||
| The Convent | Jordan Seigel | G Minor | 10 | 6A | 127 BPM | ||
| What I Really Wanted | Clinton Shorter | G Major | 1 | 9B | 117 BPM | ||
| Master Trackers | Kevin Smuts | C Major | 1 | 8B | 107 BPM | ||
| The Whole of Humanity | Steven Price | F Minor | 1 | 4A | 88 BPM | ||
| Rich City Folk | Joel P West | D Major | 2 | 10B | 94 BPM | ||
| The Rider - Ending Suite | Nathan Halpern | F♯ Minor | 1 | 11A | 92 BPM | ||
| Quiet | Yellow Glow | D♭ Major | 4 | 3B | 150 BPM | ||
| Docent | Atticus Ross, Leopold Ross, Claudia Sarne | E Minor | 3 | 9A | 148 BPM | ||
| Elegy for Refugees | Dario Marianelli | E Major | 3 | 12B | 86 BPM | ||
| Cleared Iranian Airspace | Alexandre Desplat | G Major | 1 | 9B | 73 BPM | ||
| When We Die | Marc Streitenfeld | C Major | 1 | 8B | 128 BPM |