"Collegium Regale Service, Communion: I. Kyrie" by Herbert Howells, Stephen Layton, Eleanor Kornas, The Choir Of Trinity College, Cambridge had its release date on April 1, 2016. With This song being less than two minutes long, at 1:23, we are fairly confident that this song is not explicit and is safe for all ages. Based on the duration of this song, this song duration is much smaller than the average song duration. The track order of this song in Herbert Howells, Stephen Layton, The Choir Of Trinity College, Cambridge's "Howells: Collegium Regale & Other Choral Works" album is number 6 out of 15. On top of that, United Kingdom appears to be the country where this track was created. Collegium Regale Service, Communion: I. Kyrie is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
We consider the tempo marking of Collegium Regale Service, Communion: I. Kyrie by Herbert Howells, Stephen Layton, Eleanor Kornas, The Choir Of Trinity College, Cambridge to be Adagio (slowly with great expression) because the track has a tempo of 72 BPM, a half-time of 36BPM, and a double-time of 144 BPM. Based on that, the speed of the song's tempo is slow. The time signature for this track is 3/4.
This song is in the music key of A Major. This also means that this song has a camelot key of 11B. So, the perfect camelot match for 11B would be either 11B or 12A. While, 12B can give you a low energy boost. For moderate energy boost, you would use 8B and a high energy boost can either be 1B or 6B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 11A or 10B will give you a low energy drop, 2B would be a moderate one, and 9B or 4B would be a high energy drop. Lastly, 8A allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Footprints: II. Footprints | Will Todd, Christopher Finch, Wellensian Consort | F♯ Major | 2 | 2B | 67 BPM | ||
| The Shepherd's Carol | Bob Chilcott, Utah State University Chamber Singers, Cory Evans | D Major | 0 | 10B | 110 BPM | ||
| Infinity | Kim André Arnesen, Alicia Rigsby, Kantorei, Joel Rinsema | D Major | 2 | 10B | 102 BPM | ||
| Lassus : "Ove d'altra montagna ombra non tocchi" | Orlande de Lassus, Wolfgang Helbich & Alsfeld Vocal Ensemble, Wolfgang Helbich | E♭ Major | 0 | 5B | 86 BPM | ||
| Psalm 84: Psalm LXXXIV | Hubert Parry, Michael Bloss, Choir of St John's, Elora, Noel Edison | E Major | 0 | 12B | 74 BPM | ||
| Requiem for the Living: III. Agnus Dei | Providence Singers, Christine Noel | B♭ Minor | 0 | 3A | 95 BPM | ||
| Bænhús | Sigurður Flosason, Schola Cantorum, Hörður Áskelsson | E Minor | 1 | 9A | 149 BPM | ||
| O Morning Star (O Oriens - 21 December) | Esther Bersweden, St Martin's Voices, Andrew Earis | B Minor | 1 | 10A | 97 BPM | ||
| 7 Magnificat Antiphons: No. 1. O Weisheit | Arvo Pärt, Junger Kammerchor Rhein-Neckar, Mathias Rickert | D Major | 0 | 10B | 73 BPM | ||
| Requiem: I. Salvator mundi | Herbert Howells, Stephen Layton, The Choir Of Trinity College, Cambridge | G Major | 1 | 9B | 127 BPM | ||
| Mass of the Transfiguration: II. Gloria | Normand Gouin, David L. Ball, Joseph Walsh, Diocesan Choir, Diocesan Children's Choir, Cathedral English Choir, Cathedral Schola, Cathedral Spanish Choir, Cathedral Vietnamese Choir, John A. Romeri | F Major | 2 | 7B | 94 BPM | ||
| The Passing of the Year: No. 1, Invocation | Jonathan Dove, Convivium Singers, Christopher Cromar, Neil Ferris | E Minor | 1 | 9A | 81 BPM | ||
| Bragernes Canticles: II. Nunc dimittis | Kim André Arnesen, Bragernes kirkes ungdomskor, Beate Strømme Fevang | B♭ Major | 2 | 6B | 97 BPM | ||
| All my hope on God Is founded (arr. M.L. Jones ) [Arr. M.L. Jones] | Herbert Howells, Choir of St George's Chapel, Windsor Castle, Marlowe Brass Ensemble, Timothy Byram-Wigfield | E Minor | 2 | 9A | 103 BPM | ||
| Mass in D Major, Op. 86 / Kyrie: Ic. Kyrie II | Antonín Dvořák, Helga Hein-Guardian, Verena Keller, Arthur Janzen, Hartmut Hein, Jorg Zettler, Motettenchor Stuttgart, Günter Graulich | D Major | 1 | 10B | 75 BPM | ||
| Her kjem me, dine arme smaa (Arr. Idunn Vindspoll) | Johann Abraham Peter Schulz, Idunn Vindspoll, Elias Blix, Kvindelige Studenters Sangforening, Marit Tøndel Bodsberg Weyde, Inger-Lise Ulsrud | A Major | 1 | 11B | 66 BPM | ||
| Child of Song | Kim André Arnesen, Beryl Fanslow, Kantorei, Joel Rinsema | C Major | 1 | 8B | 71 BPM | ||
| Mass in E-Flat Major (Cantus missae), Op.109: VI. Agnus Dei | Josef Rheinberger, Kammerchor Stuttgart, Ensemble Stuttgart, Frieder Bernius | E♭ Major | 1 | 5B | 76 BPM | ||
| Today | Lucy Walker, St Martin's Voices, Andrew Earis | F Major | 1 | 7B | 128 BPM | ||
| The Bells – A Collaboration | Klaudia Rabiega, Chór Mieszany Katedry Wawelskiej, Andrzej Korzeniowski, Monika Płachta | A♭ Minor | 1 | 1A | 112 BPM | ||
| Messa di Requiem: Requiem | Ildebrando Pizzetti, Conspirare, Craig Hella Johnson | D Minor | 0 | 7A | 81 BPM | ||
| Evening Service in B Minor, Op. 6: II. Nunc dimittis | T. Tertius Noble, Bristol Cathedral Choir, Ian Ball, Christopher Brayne | A Major | 2 | 11B | 67 BPM | ||
| Son of God Mass: Gloria | James Whitbourn, Westminster Williamson Voices, Jeremy Powell, Ken Cowan, James Jordan | E Minor | 1 | 9A | 68 BPM | ||
| Chichester Psalms: III. Psalm 131, Adonai, Adonai - Psalm 133:1, Hineh mah tov | Leonard Bernstein, Thomas Kelly, Elizabeth Franklin-Kitchen, Victoria Nayler, Jeremy Budd, Paul Charrier, Bournemouth Symphony Chorus, Bournemouth Symphony Orchestra, Marin Alsop | G Major | 0 | 9B | 83 BPM | ||
| I am the rose of Sharon | Ivo Antognini, South Dakota Chorale, Brian A. Schmidt | A Minor | 1 | 8A | 132 BPM |